PatentLeatherDoOver

I think I'm in the minority but I'm actually really excited about the album being "only" 45 minutes long. The last time she made a 40-50 min long album was Born to Die so I'm curious to see how she manages into that length again.
 
Personally, even if NFR! and HM are my favorites, listening to a Lana album is like a ritual. I actually have to sit and listen to it because they're so long, so I'll appreciate Chemtrails' length a lot, as I'll be able to listen to it casually. Also it seems like she'll deal with so many topics in only 11 tracks so that's exciting too.
 
And also my top 5 albums of 2020 were all "short"; 38 min, 34 min, 44 min, 45 min, 46 min...

in these moments I’m thankful this is a community that is divided over production cohesion & not basic human rights or something lol
 
anyways did y’all ever solve that White Dress acronym? It’s been plaguing me

I don’t *think* she’s saying L.A. because the last syllable makes the “uh” sound, but I seriously have no clue what else she would be saying. Maybe she hadn’t finished the word & we only heard part of it?

in these moments I’m thankful this is a community that is divided over production cohesion & not basic human rights or something lol
 
anyways did y’all ever solve that White Dress acronym? It’s been plaguing me

not trying to distract from the current discourse but I just realized Woman=LMLYLAW—honestly assumed Woman was an unreleased track I hadn’t heard
 
anyways Woman has aged like wine. Is it my favorite single? No, but it’s really honest emotional expression & will probably be a pleasant intermission from the heavier topics on COCC

That makes sense, and I completely agree! As a side-note, I’m like 10x more hyped for Dance Till We Die and For Free now—referring to them as “outstanding” and “gorgeous” respectively means a lot coming from Mojo!

I wish I knew why Mojo gave COCC an 80 and NFR a 100 (if I remember correctly)! I know I’ll love the record either way, but I’m curious what they felt was different? 

not trying to distract from the current discourse but I just realized Woman=LMLYLAW—honestly assumed Woman was an unreleased track I hadn’t heard
 
anyways Woman has aged like wine. Is it my favorite single? No, but it’s really honest emotional expression & will probably be a pleasant intermission from the heavier topics on COCC

not trying to distract from the current discourse but I just realized Woman=LMLYLAW—honestly assumed Woman was an unreleased track I hadn’t heard
 
anyways Woman has aged like wine. Is it my favorite single? No, but it’s really honest emotional expression & will probably be a pleasant intermission from the heavier topics on COCC

in these moments I’m thankful this is a community that is divided over production cohesion & not basic human rights or something lol
 
anyways did y’all ever solve that White Dress acronym? It’s been plaguing me

not trying to distract from the current discourse but I just realized Woman=LMLYLAW—honestly assumed Woman was an unreleased track I hadn’t heard
 
anyways Woman has aged like wine. Is it my favorite single? No, but it’s really honest emotional expression & will probably be a pleasant intermission from the heavier topics on COCC

That makes sense, and I completely agree! As a side-note, I’m like 10x more hyped for Dance Till We Die and For Free now—referring to them as “outstanding” and “gorgeous” respectively means a lot coming from Mojo!

in these moments I’m thankful this is a community that is divided over production cohesion & not basic human rights or something lol
 
anyways did y’all ever solve that White Dress acronym? It’s been plaguing me

not trying to distract from the current discourse but I just realized Woman=LMLYLAW—honestly assumed Woman was an unreleased track I hadn’t heard
 
anyways Woman has aged like wine. Is it my favorite single? No, but it’s really honest emotional expression & will probably be a pleasant intermission from the heavier topics on COCC

That makes sense, and I completely agree! As a side-note, I’m like 10x more hyped for Dance Till We Die and For Free now—referring to them as “outstanding” and “gorgeous” respectively means a lot coming from Mojo!

I wish I knew why Mojo gave COCC an 80 and NFR a 100 (if I remember correctly)! I know I’ll love the record either way, but I’m curious what they felt was different? 

not trying to distract from the current discourse but I just realized Woman=LMLYLAW—honestly assumed Woman was an unreleased track I hadn’t heard
 
anyways Woman has aged like wine. Is it my favorite single? No, but it’s really honest emotional expression & will probably be a pleasant intermission from the heavier topics on COCC

That makes sense, and I completely agree! As a side-note, I’m like 10x more hyped for Dance Till We Die and For Free now—referring to them as “outstanding” and “gorgeous” respectively means a lot coming from Mojo!

I know what I’m reading next now—thank you!!!

I don’t *think* she’s saying L.A. because the last syllable makes the “uh” sound, but I seriously have no clue what else she would be saying. Maybe she hadn’t finished the word & we only heard part of it?

in these moments I’m thankful this is a community that is divided over production cohesion & not basic human rights or something lol
 
anyways did y’all ever solve that White Dress acronym? It’s been plaguing me

not trying to distract from the current discourse but I just realized Woman=LMLYLAW—honestly assumed Woman was an unreleased track I hadn’t heard
 
anyways Woman has aged like wine. Is it my favorite single? No, but it’s really honest emotional expression & will probably be a pleasant intermission from the heavier topics on COCC

I mean she can write in whatever genre she wants, it’s art it’s doesn’t necessarily have to be her complete reality. Also at least she’s keeping it fresh and hasnt pulled out 7 albums with the born to die sound

if it's something that's real for her, she should be able to do it, i'm excited to hear her "folk" and "country" work because i honestly prefer a naturistic, organic sound instrumentally and she's not going to keep making the same kind of music she did back in 2011, and i think it's really sweet that she's inspired by the mid-west / south, it doesn't bother me, even if she's rich and she's from l.a, also, she's done "folk" before, with her work on "sirens" so it's not like it's something she's never done before

Don’t be afraid of our law. She’s singing it for Sean.