HeyBlueBaby

Ugh I feel you—if I listen to a song/album three times outside of Spotify, I literally just walk away at some point later when I’m busy and let my phone scrobble it silently three times on Spotify so my data is accurate - YES I HAVE PROBLEMS OK 

I had to stop listening to COCC because I don't want to spoil it before release and I want my plays to count in my iTunes - but Yosemite, DBJAG and White Dress are stuck in my head so bad 

I had to stop listening to COCC because I don't want to spoil it before release and I want my plays to count in my iTunes - but Yosemite, DBJAG and White Dress are stuck in my head so bad 

nope! according to her most recent interview, she is working on 2 more albums and her next book still, and her team is saying they're working on something for her, whether that be a live streamed concert or something else we have no clue. we'll have to keep watching her socials to find out!
 
it's actually interesting because she said she was working on 2 albums on twitter back in November, so if that's true, one being a cover album and the other being the follow up to COCC, we might be getting another album next year. don't forget-- her book is going to release probably later this year and i would expect MAYBE another spoken word album, but i could be wrong about that. that's just personal speculation. 
 
i think it's just a temporary break from social media until COCC officially is out. she'll make a post friday saying "COCC IS OUT-- thank you rick, jack, laura, neil, weyes, zella, nikki, and chunk of course-- for making this beautiful piece of work with me. i love you guys, see you again soon"

How so? Based on streams? Please post the stats if you have them, I'd like to see! Chemtrails is such a flawless song though - one of her best imo. The verses, the hook, the chorus 

How so? Based on streams? Please post the stats if you have them, I'd like to see! Chemtrails is such a flawless song though - one of her best imo. The verses, the hook, the chorus 

How so? Based on streams? Please post the stats if you have them, I'd like to see! Chemtrails is such a flawless song though - one of her best imo. The verses, the hook, the chorus 

I don't think she hated. I remember her saying that she felt like he had pushed too far and she was feeling really introvert by the end of the production. I couldn't find this exactly interview, but I found this one:
 
 
"It was incredible. By the end of the three weeks I thought I was done. Then I met Dan and he said, “Why don’t we just go to Nashville and see what happens?” I went because it sounded like a good time. I didn’t want the party to end. I flew there with Lee and we rented a farm for six weeks. We drove to Dan’s studio on 8th Street every day and I loved it. He was what I was looking for, because he was a facilitator. He said “yes” a lot. If I was like, “I only want to sing this through once,” that was normal to him. It was natural that someone would like what they got on the first try. He was cool like that."

How so? Based on streams? Please post the stats if you have them, I'd like to see! Chemtrails is such a flawless song though - one of her best imo. The verses, the hook, the chorus 

This is from the article: He adds: “She impressed me every day. There were moments when she was fighting me. I could sense that maybe she didn’t want to have anybody think she wasn’t in control because I’m sure it’s really hard to be a woman in the music business. So we bumped heads a little bit, but at the end of the day we were dancing to the songs.”

TBH
 

TBH
 

TBH
 

click on your post to edit it, click on this eye icon and you will see a textbox - get your whole text about white dress into it and here you go 
 

This is exactly how I feel about NFR’s less lyrically nuanced moments. In those moments where she wasn’t being super poetic or “insightful,” she was delivering really on-the-spot & honest emotional expression. 

I think the chorus of Cinnamon Girl is a great example of this; it’s not particularly complex from a lyrical standpoint, but it verbalizes a lot of unspoken and implicit hesitations, and she manages to deliver the lines in such a way that is both intimate and vulnerable.
 

It's not like she's singing Carrie Underwood tracks here, she may be exploring a more folk/country sound but she definitely puts her own uniquely Lana spin on all her music. I also wouldn't call this is a recent interest of hers. Lana has been talking about her folk idols and interests for a long time, she's always been working towards this sound. She's like a folk singer who got swooped up into the world of pop music, and I think the balance between the two gives her such a special and specific vibe. 
 
Anyways her best album is coming so I don't think she needs to take any hints 

Will you still love me when I shine
From words but not from beauty
 
 
  These are the kind of lyrics I wanted to hear! This song is perfect

And it was produced only by Lana and Dan Heath. She obviously didn't want Dan Auerbach to touch it hahah

Can't wait for the reset where we discuss what the vinyl colors gonna be and manifesting a surf noir rock album with a little "soft psychedelics" while we drift in limbo waiting for her inevitable neo-country album written with Zach and Nikki Lane 

I was just talking about this song earlier! It's my favorite from that section of the album. The bridge is great.

Complaining about visuals is silly. I guess I understand because Born To Die was both visually and musically stimulating, but she's always been about the music first. She said this herself in an interview, the music comes first, and the visuals come after. 
 
UV/HM/NFR are flawless records. UV/HM gave great album imagery and good music videos. I personally enjoy all 3 UV videos and the HM videos are cute. NFR was actually a step up in the visual department with Fuck It, The Greatest and Doin Time. The laid back video series she did for Bartender, Norman and whatever other song was lowkey a disappointment but like I said Lana Del Rey is about the music.
 
I'm honestly so hype for Chemtrails and hate the negativity surrounding this release. Chemtrails is FANTASTIC, LMYLAW is a dud for me, but I'm excited for the other songs.

I was just talking about this song earlier! It's my favorite from that section of the album. The bridge is great.

I was just talking about this song earlier! It's my favorite from that section of the album. The bridge is great.

What did she possess in 2016 that she doesn't anymore?
Her recent scandals are cringeworthy, and I really have no comment on them at this time. 
 
I'm sure Lana was proud to release Born To Die under a major label and get the push she deserved and was able to refine her aesthetic and give us some great moments, but that doesn't mean she wasn't struggling personally. She was awkward and cute and shy because she was new in the industry and was just learning to navigate her way through it. In that process and with the release on Born To Die, critics were really rude to her and it made her even more of a recluse. UV is a big "fuck you" to her naysayers, but even that era drew heavy criticism for her, which is probably why Honeymoon got even less promo. Most stans know this, but this post makes me believe you don't.
 
If the problem is promotion ie surplus visual content, TV interviews and performances get it elsewhere. Lana has predominantly been promoting her music through pure sales, online promo, streaming and print since Ultraviolence. As far as her being Hollywood, she does not sell perfume, make up, skin care, jock straps, Oreo's, etc. She's naturally immersed with Hollywood but she has never been a Top 40 artist like Lady Gaga. So please sis.
 
Anyway I would love for her to do more stuff like Honeymoon.