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sparklrtrailrheaven

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  1. sparklrtrailrheaven liked a post in a topic by cherriesinthespring in Las Vegas, NV @ Mandalay Bay Event Center - February 16th, 2018   
    Trying to chill in my hotel room before I go and I turn on the tv to this smh
  2. sparklrtrailrheaven liked a post in a topic by Trash Magic in Trash Magic * Lizzy Grant Lower East Side Jams đŸŽ¶   
    I've wanted to do a lana video edit to this song for a while now so I finally did it!
     

  3. sparklrtrailrheaven liked a post in a topic by Trash Magic in Trash Magic * Lizzy Grant Lower East Side Jams đŸŽ¶   
    Fun edit in the style of James White shoot
     

     

  4. ednafrau liked a post in a topic by sparklrtrailrheaven in LANALYSIS: Relating Songs To Known/Assumed Relationships   
    So, after scrolling through what's available on Rob's Facebook, I'm just kind of... in awe. I'd like to make a more detailed, coherent post later, after doing some more reading, to connect him to certain songs -- but, for now, I just need to get thoughts out. Firstly, I'm just heartbroken at all the people who seem to really miss his presence -- he seemed to be a truly sweet guy who really impacted everyone he was around.
     
    Secondly, I'm feeling more and more that he's the missing link we've been looking for in Lana's music. I'm not sure if the time fits, but I can't help but reattribute a song like "Kill Kill" -- "I'm in love with a dying man/I have done everything I can..." -- to him, rather than K. I think she could've surrounded him with a lot of metaphorical death imagery, in her fear that she might lose him to drugs.
     
    Also, from reading the Facebook posts by his family, I'm gathering that he traveled a lot -- could this be the real-life inspiration for a song like "1949" -- which is obviously lifted from "Lolita", but could also carry a personal meaning for Lana, as she wishes he could take her on one of these globetrotting trips with him? It fits with the themes of "Yayo", of escaping with him. 
     
    Also, I can't help but think that he's almost certainly the subject of "For K, Pt. 2", with the original demo being called "Rehab", and such. So, my question is, could she have met Rob early enough that he could be the subject of even the earliest K songs? For one, I know the name K has been believed to refer to a different man in her life, whose name I won't say here, but I really think K could be Rob -- couldn't the "death row" references just be another metaphor for her fear of losing him to death? I'm feeling that she knew he'd hear these early songs (maybe she even played them for him!), so she gave his character a pseudonym, and a fictionalized vice, so he wouldn't know that she was singing about his drug problem.
     
    It's a lot to take in, and I may be far off the mark. I read all the info late last night, so I need time to reprocess it, but I thought I'd at least get this initial information out of my head in some way.
     
    Also, I don't think this is *actually* significant, but... it's kind of funny. Names and pictures (except for his first name) have been blacked out for privacy, so I hope it's okay to post this here:
     

     
    K
  5. sparklrtrailrheaven liked a post in a topic by Elle in C California Style (Victor Demarchelier) - December 16th, 2017   
    Set 1:


     

     

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  6. sparklrtrailrheaven liked a post in a topic by Elle in Lana Covers C Magazine - Interview & Photoshoot   
    Siren Song  Inspired by her California surrounds, chanteuse Lana Del Rey finds that life imitates art
    Lana Del Rey has always been a California girl at heart. Even before she put down roots in Los Angeles, the New York native had an affinity for the West Coast way of life. “I’m very liberal and I always have been. I also really love the organic lifestyle and all the outdoor activities. I’m a real happy transplant,” says the singer-songwriter over the phone. She’s calling from Columbus, Ohio, one of the stops in her world tour, “LA to the Moon,” which kicked off in January in support of her latest LP, the Grammy-nominated Lust for Life.
    Del Rey made the move to L.A. in 2012, partly inspired by a greater migration of friends from the music world, including her longtime collaborator, producer and songwriter Dan Heath. She had spent the previous four years “looking for that community [of musicians] that I had heard was in New York when The Strokes and people like Adam Green of The Moldy Peaches were there. I just kind of hadn’t found it. I think a lot of people moved West.”
    “It’s where I have the most space to be creative and have time alone and have a lot of privacy—but at the same time, have a lot of amazing, artistic friends”

    The music icon quickly discovered what she was looking for. “It’s where I have the most space to be creative and have time alone and have a lot of privacy—but at the same time, have a lot of amazing, artistic friends,” says Del Rey, who rose to fame with her 2011 hit single “Video Games.”
      
     N°21 SHIRT, $1,165. JENNIFER FISHER EARRING, $225. GLYNNETH B JEWELRY RING (LEFT), $89. LILLIAN SHALOM RING, PRICE UPON REQUEST. That streak continued with back-to-back studio albums, starting with her 2012 major-label debut Born to Die, which landed in the No. 2 spot on the Billboard 200 and never left the list. (It recently earned the distinction as one of only three albums by a female artist to spend 300 weeks on the chart.) Later that year, Del Rey released an EP, Paradise, which earned her a Grammy nod, as did the song “Young and Beautiful” on The Great Gatsbysoundtrack. Ultraviolence, Del Rey’s first album to reach pole position on the U.S. charts, arrived in 2014, followed by 2015’s Honeymoon.
    California has been a source of inspiration for Del Rey in the last few years, often from behind the wheel of her truck (“It’s brand-new, it’s not a nostalgic, 1950s pickup,” she quips. “I’m over my old-car obsession—I’m happy with Bluetooth”), driving along the Pacific Coast Highway. The tony San Ysidro Ranch in Montecito, which was devastated in the winter mudslides, was always a favorite destination for Del Rey to recharge.
    “I’d say the last two years have been relatively peaceful,” says Del Rey of her current frame of mind, which has since seeped into her work. “I think that’s kind of why my newer record has a little bit of a brighter tone to it, whereas before I was definitely working a lot and on the road 24/7,” she says. “I’m still traveling a lot but I had a lot more to work through a couple years ago, I guess.”
     LOUIS VUITTON BLOUSE AND PULLOVER, PRICES UPON REQUEST. SPRWMN PANTS, $795. ANITA KO EARRING, $2,000.  That shift in perspective shines through on ballads such as “Change,” the last song Del Rey wrote for the album, which addresses the fact that she was seeking change in her life but didn’t know how to go about it. “It was just more like a small bubbling of wanting to turn things around aesthetically in my art and personally as well. I really like the idea that life imitates art and I’ve noticed that in my own work. I knew that good things could follow if I put it out there that I was still trying to grow.”
    Born Elizabeth “Lizzy” Woolridge Grant, Del Rey admits to being “one of those people who annoyingly was singing before they were talking,” she says. (“I’m that kind of singer—singing all my sentences. I still do.”) Growing up in Lake Placid, N.Y., Del Rey always knew music would be an important part of her life, but “I didn’t really think I could do it, and sort of have a real career.” After attending a boarding school in Connecticut, Del Rey graduated from Fordham University with a degree in philosophy—all the while chasing her dreams on New York’s nightlife circuit as Lizzy Grant, releasing her debut EP, Kill, Kill, in 2008.
    But it wasn’t until she took on the enchanting stage name of Lana Del Rey, and honed in on her signature retro-glam image (think beehives, plumped-up lashes and winged eyeliner) that the artist began to
    rack up both musical accolades, and a cult-like following—not to mention more than a handful of infatuated fans. (During her Orlando tour date, police thwarted a kidnapping attempt by one.)
     BOTTEGA VENETA DRESS, $16,400. DAVID YURMAN RING (LEFT), $7,200. TITO PEDRINI RING, $9,500. TIGHTS, STYLIST’S OWN.  While Lust for Life doesn’t break free from Del Rey’s signature, melancholy-tinged songs, it charts new territory with songs such as “Coachella—Woodstock in My Mind,” which reflects on the current political climate. It’s also the first time Del Rey has featured collaborations with other artists on her albums, including The Weeknd, Sean Lennon and Stevie Nicks (the latter is featured on the ballad “Beautiful People Beautiful Problems”).
    “I think I was too nervous to do it. I wasn’t sure what people would say. When I got Stevie Nicks to sing with me I wasn’t sure they’d think I was worthy of a Stevie collab, but she was so fabulous in person and she was a fan. So it kind of made me put my guard down a little bit.” 
    On days Del Rey is scheduled to perform, she does an entire run-through of the show with her band, before watching a performance by the likes of Whitney Houston or Ariana Grande. “It could be anybody but just something that I can sing along to, to warm up my entire range—to go from my lowest octave, like in ‘Ride,’ to my high Cs and Ds in a song like ‘When the World Was at War We Kept Dancing,’” she explains. 
     VERSACE TRENCH, $3,675, AND CHOKER, $1,225. ANITA KO EARRINGS, $385. JIMMY CHOO SHOES, $695. TIGHTS, STYLIST’S OWN.  Part of her warm-up also includes a guided meditation for 1 hour and 40 minutes—the same length as her show. “I try and kind of balance out how much time I’m going to put out to sort of put that much time in. I mean, saying it out loud, the whole thing sounds kind of crazy, but I don’t think I would do it as much if I wasn’t doing arenas,” she says. “Now I’m going to sound so L.A.”
    Standing before packed stadiums, Del Rey is surrounded by a set design that takes cues from her California surrounds, including an oceanscape from Big Sur, projected onto a screen. After all, Del Rey’s world has become her stage. Just take the opening lyric of “Lust for Life”: Climb up the H of the Hollywood sign
In these stolen moments, the world is mine.” 
     
     
     
     
     
     
     
    Source
    For more photos & photoshoot discussion, check the photographer's thread.
  7. sparklrtrailrheaven liked a post in a topic by DeadAgainst in L'Officiel USA (Mick Rock) - January 20th, 2018   
    I THOUGHT BOWIE WAS DEAD
  8. ednafrau liked a post in a topic by sparklrtrailrheaven in LANALYSIS: Relating Songs To Known/Assumed Relationships   
    i don't recall ever reading this in the lanalysis thread -- in one of the handful of blog posts Chris C did on Lizzy, he shared screenshots of their messages and a poem she commented on:
     



     
    the blog is pretty telling. Chris was married w/kids, but talking to Lizzy and another girl named Sarah online. looks like he ended up meeting Sarah, but never met Lizzy before things dissolved. he also seems to suggest that Lizzy didn't really harbor the same feelings for him that he had for her, and he regarded her as more of a muse than a lover
     



     
    also, sorry if this has already been shared! it was very new to me
  9. sparklrtrailrheaven liked a post in a topic by Trash Magic in LANALYSIS: Relating Songs To Known/Assumed Relationships   
    Yes it seems Heroin is undoubtedly about Rob. I found all of these references to the moon particularly interesting
     

     
    I'm flying to the moon again, dreaming about heroin.
     
    He seemed to have a strong affinity to the moon
  10. sparklrtrailrheaven liked a post in a topic by Peachycream in LANALYSIS: Relating Songs To Known/Assumed Relationships   
    I think so too for many reasons but this is the most obvious
    Just from this line alone
    “Life rocked me like Mötley bad beginning to my new year” he died dec 30 2011.
  11. sparklrtrailrheaven liked a post in a topic by 99centlips in LANALYSIS: Relating Songs To Known/Assumed Relationships   
    I’m sure now Heroin is undoubtably about Rob.
  12. sparklrtrailrheaven liked a post in a topic by PARADIXO in Dallas, TX @ American Airlines Center - February 8th, 2018   
    Am I the only one who doesn't like that song omg
  13. sparklrtrailrheaven liked a post in a topic by WildMustang in Dallas, TX @ American Airlines Center - February 8th, 2018   
    lana after singing paradise on tour 

  14. sparklrtrailrheaven liked a post in a topic by Auto-Tuned Loon in L'Officiel USA (Mick Rock) - January 20th, 2018   
    Oh, my god, I feel it in the air
    Telephone wires above are sizzlin' like a snare
     
    https://www.youtube.com/watch?v=T63MCogI4sM
  15. Lana Rey Del Mar liked a post in a topic by sparklrtrailrheaven in L'Officiel USA (Mick Rock) - January 20th, 2018   
    Small correction: Mick Rock, not Rick (just realized that the misspelling comes from the article itself ) -- which is super cool because he was one of David Bowie's main photographers, and the photographer for The Rocky Horror Picture Show -- my favorite singer (aside from Lana, ofc) and favorite movie  
    So, I'm not really surprised that I'm totally in love with this shoot!!!!!!!!! Definitely ranks with Flaunt and V Mag 2017 as not only one of my favorite LFL era shoots, but one of my favorites ever!
    (also I'm stanning the crouching feather pic which i can tell is gonna be a very divisive photo )
  16. delreyfreak liked a post in a topic by sparklrtrailrheaven in L'Officiel USA (Mick Rock) - January 20th, 2018   
    Small correction: Mick Rock, not Rick (just realized that the misspelling comes from the article itself ) -- which is super cool because he was one of David Bowie's main photographers, and the photographer for The Rocky Horror Picture Show -- my favorite singer (aside from Lana, ofc) and favorite movie  
    So, I'm not really surprised that I'm totally in love with this shoot!!!!!!!!! Definitely ranks with Flaunt and V Mag 2017 as not only one of my favorite LFL era shoots, but one of my favorites ever!
    (also I'm stanning the crouching feather pic which i can tell is gonna be a very divisive photo )
  17. Sugar Venom liked a post in a topic by sparklrtrailrheaven in L'Officiel USA (Mick Rock) - January 20th, 2018   
    Small correction: Mick Rock, not Rick (just realized that the misspelling comes from the article itself ) -- which is super cool because he was one of David Bowie's main photographers, and the photographer for The Rocky Horror Picture Show -- my favorite singer (aside from Lana, ofc) and favorite movie  
    So, I'm not really surprised that I'm totally in love with this shoot!!!!!!!!! Definitely ranks with Flaunt and V Mag 2017 as not only one of my favorite LFL era shoots, but one of my favorites ever!
    (also I'm stanning the crouching feather pic which i can tell is gonna be a very divisive photo )
  18. fame kills liked a post in a topic by sparklrtrailrheaven in L'Officiel USA (Mick Rock) - January 20th, 2018   
    Small correction: Mick Rock, not Rick (just realized that the misspelling comes from the article itself ) -- which is super cool because he was one of David Bowie's main photographers, and the photographer for The Rocky Horror Picture Show -- my favorite singer (aside from Lana, ofc) and favorite movie  
    So, I'm not really surprised that I'm totally in love with this shoot!!!!!!!!! Definitely ranks with Flaunt and V Mag 2017 as not only one of my favorite LFL era shoots, but one of my favorites ever!
    (also I'm stanning the crouching feather pic which i can tell is gonna be a very divisive photo )
  19. sparklrtrailrheaven liked a post in a topic by renaissance in L'Officiel USA (Mick Rock) - January 20th, 2018   
    https://www.lofficielusa.com/music/lana-del-rey-cover-story
     







  20. californianfreak liked a post in a topic by sparklrtrailrheaven in Kali Uchis   
    i don't know if anyone else has noticed this, but it's kind of interesting that the Por Vida cover seems to have been replaced by this image, at least on Amazon and Spotify:
     

     
    it seems to me that this could be a means to set Por Vida apart as a mixtape-style project, and not a proper album
    hopefully this means the album is on its way
  21. sparklrtrailrheaven liked a post in a topic by beautifulandbad in Sunrise, FL @ BB&T Center - February 1st, 2018   
    COME!! ON!! DOWN!! TO!! FLO!! RID!! A!!!!!! I!! GOT!! SOMETHIN!! FOR!! YA!!!!! WE!! COULD!! SEE!! THE!! KILOS!! OR!! THE!! KEYS!! BABY!! OOH!! YA!!!!!!!!!!!!
                              
  22. DLT liked a post in a topic by sparklrtrailrheaven in Charlotte, NC @ Spectrum Center - January 30th, 2018   
    Okay, so, I don't know that there's really much I can say about the show without rehashing what others have said about other shows. I don't know that I really know what to say, either.
     
    But, I know that seeing Lana for the first time was one of the best nights of my life, ever! The setlist was beyond perfect -- songs I thought I wouldn't care anything about hearing live were just... fantastic, and songs I knew I'd love were transcendental -- but I'll get to that. Lana looked gorgeous, and was so sweet and so funny. She's so human, not even like seeing a celebrity on the stage. And, her vocals are so much more clear and textured and perfect in person -- so much more nuanced than I've ever heard in a video. There's just not really words for all the magic this night was for me, but I think you all understand that! 
     
    However, to highlight the best moment of the night: I cried twice, as was expected -- once when she came out and sang "13 Beaches", but also when she performed "Yayo", which is to be absolutely expected, huh?! I sobbed like a baby from the first note of the guitar, and I won't hesitate to say it was one of the happiest moments I've ever had. The magnitude of that moment for me can't really be overstated. It was the moment that felt like the payoff of years of devotion to Lana, and it was the moment that I realized I wasn't just seeing Lana, but Lizzy too. That song means the world to me, and... it was too incredible. 
     
    This didn't really come out the way I wanted to say it, but it doesn't matter. I think you all know exactly how I felt. I love her more than ever, and I'm not ever gonna forget that night -- I just hope she'll come back soon!
     
    "Put me onto your black motorcycle... 50's babydoll dress for my 'I do'. It only takes two hours to Nevada...I wear your sparkle, you call me your mama...let me put on a show for you, tiger..." 
     

     
    (also, to anyone that was there: I don't know how loud I was, because both my hearing and my voice were kind of leaving me, but if you heard someone yelling for "Pawn Shop Blues" when she was taking requests, it was me   )
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