Lcampoli

i really do not like jackoff

This post is a hate crime

At this rate, I swear it feels like she’s just taunting us with these goddam irrelevant posts on her insta

Are you actually serious? Have you read any of my posts? You do realize I've been speaking on the pedophiles and rape victims along with the fact that the church tried to pay off the rape victims in order to shut them up right, while also speaking on them being in support of not letting women have reproductive rights? I'm honestly disgusted by your behavior and the fact that your argument tries to dismiss the pain and suffering people had to endure because of this church as simply an argumentative tactic. Your oversight on everything that has been discussed in here truly speaks volumes on who you are as a human being. Do you have any sort of moral compass or heart? I was simply speaking on the acts that have been perpetuated by the church in order to open up some of the fans eyes who think I'm only speaking about gay conversion therapy (which in itself is a form of abuse and is also truly disgusting for you to try and brush it off as anything less than). I clearly can see where you're coming from, fixating purely on the structure in which I presented my argument as, rather than actually absorbing any of the information. I'm simply at a loss for words attempting to understand how you can try to spin such a dark conversation into something as petty as dissecting the very way I've constructed my argument. Have some fucking respect, this isn't some heehee haha oh Lana called her song Cinnamon discussion. Were speaking about the fact that this person we supported attended and could very well still be attending a church that is known to be against every walk of life. Take your ignorance somewhere else buddy. You can try to string together and bring to life whateverr Frankenstein theory you've got on me, but I'm not having it. When you come back actually wanting to discuss the topic like a civilized adult rather than speculating who is against Lana and who isn't, then we can talk, but it is very clear you are currently in a state of trying to conjure up any sort of crack in a members argument simply to reassure yourself of Lana's innocence and disregard any sort of discussion leaning towards Lana being at fault. I truly hope you do some soul searching and learn that when something is as heavy as pedophilia, your jokes are not needed. I've suffered from my own abuse in life and I'll be fucking dead before you tell me what I do and don't stand for. Thank you.

Before you say anything, yes, I know that I have no life so don't judge me for translating this whole shit, I don't even know why I wanted to do it.

Hi!

I wished in May that the Swedish radio channel P3 would make a music documentary on Lana Del Rey and it seems like they published one earlier this week! I accidentally heard their documentaries on Taylor Swift and Kanye West last spring/early summer and they present the story and background fairly interestingly so I kept listening even though I don't care about them. Anyway.

This is an audio documentary where they tell the story of Lana, who she was and who she is today, and who her fans are. It's in Swedish. They have interviewed fans who know her story very well and... it's just a great summary of her. There's nothing new that we (hardcore) fans don't already know of, but in case you wanna have a listen too, I translated everything for you. I warn you, it's quite a long text. I just thought that it's pretty good summary of her career in case anyone wanna go back to check something, or I dunno.

You can listen and download the audio here. Just click on "Ladda ner (66 min, MP3)". https://sverigesradio.se/avsnitt/1216359
If any fellow Swedes read this, I think they'll air the documentary again on Saturday, January 12th, at 17:00 / 5 PM. It aired last Tuesday morning, but that day has already passed so...

I personally thought it was really cool to know the video clips they mentioned in the documentary even before they played the audio and, since I wasn't a fan until like 2013, I kinda missed all the shitstorm of hate that Lana went through and how bad it was. They told all of that fairly well I think.
 

 
Ok. Here's the translation of everything in case you wanna listen to the documentary and read along. Apologies in advance if anything is wrong, like if it should be 20th century instead of 1900 and any mispelled names.
 

When it's raining with thunderstorms in one of the coldest ass countries in the whole EU at two in the morning what temperature do you think it's gonna be.
 
Not high that for damn sure.
 
Cold, wet and loud as shit. Just wrap up and suck it up, bring one of those wee disposable barbecues and use it as a camp fire

Cruel World

Cruel World

Cruel World

Cruel World

Cruel World

Cruel World

Cruel World

its about jimmy taking her to Nevada getting her out of her white trash trailer park and them speeding off into the desert sunset to their wedding in a vegas chapel etc 
 
 
 
 
yeah and he said that shiz about them never meeting beause for awhile people were giving him mad crap about him breaking lana heart so 
 
 
https://s-media-cache-ak0.pinimg.com/236x/c0/24/ee/c024eeb473c420dcc10600aaa6223d8a.jpg

I found this on songfacts.com:
 
Del Rey purposely chose to close her Ultraviolence album with this track to tie in with its loose theme of young women falling for older powerful men. She told Radio.com:
"I put so much time in putting a narrative to the track listing together, and then I'm so stupid because I should just know that it's totally gonna be disregarded because I just set myself up. Let me put it this way, every track that I put on there and every track name and the order that it's in tells a story that is important to me."
 
 
"In my mind, the narrative for this record ends with the last track, not the bonus deluxe stuff, all that business," she added. "It ends with the cover of Nina Simone's 'The Other Woman.' And without even really saying more about that, the decision to end with a cover of a jazz song and the content within that, it's kind of telling in its own way."
 
As nice as the bonus tracks are, I agree with this sentiment strongly. Ultraviolence was my first second "Lana" experience (after hearing 'Cola'), and as a prog rock fan I was hoping and expecting the Endless Summer Tour to have fully revolved around the album. 

JFK- I was looking on youtube and the original of JFK is no longer up. Just a sped up version.
 
Can't wait for us 11 year olds to get ten box sets of every single song and variant (like the Beatles, Dylan and the Dead) Lana ever did
 
BTW- Lana should cover "Tammy" the #1 song Debbie Reynolds sang. It would be perfect.

I found this on songfacts.com:
 
Del Rey purposely chose to close her Ultraviolence album with this track to tie in with its loose theme of young women falling for older powerful men. She told Radio.com:
"I put so much time in putting a narrative to the track listing together, and then I'm so stupid because I should just know that it's totally gonna be disregarded because I just set myself up. Let me put it this way, every track that I put on there and every track name and the order that it's in tells a story that is important to me."
 
 
"In my mind, the narrative for this record ends with the last track, not the bonus deluxe stuff, all that business," she added. "It ends with the cover of Nina Simone's 'The Other Woman.' And without even really saying more about that, the decision to end with a cover of a jazz song and the content within that, it's kind of telling in its own way."
 
As nice as the bonus tracks are, I agree with this sentiment strongly. Ultraviolence was my first second "Lana" experience (after hearing 'Cola'), and as a prog rock fan I was hoping and expecting the Endless Summer Tour to have fully revolved around the album. 

I found this on songfacts.com:
 
Del Rey purposely chose to close her Ultraviolence album with this track to tie in with its loose theme of young women falling for older powerful men. She told Radio.com:
"I put so much time in putting a narrative to the track listing together, and then I'm so stupid because I should just know that it's totally gonna be disregarded because I just set myself up. Let me put it this way, every track that I put on there and every track name and the order that it's in tells a story that is important to me."
 
 
"In my mind, the narrative for this record ends with the last track, not the bonus deluxe stuff, all that business," she added. "It ends with the cover of Nina Simone's 'The Other Woman.' And without even really saying more about that, the decision to end with a cover of a jazz song and the content within that, it's kind of telling in its own way."
 
As nice as the bonus tracks are, I agree with this sentiment strongly. Ultraviolence was my first second "Lana" experience (after hearing 'Cola'), and as a prog rock fan I was hoping and expecting the Endless Summer Tour to have fully revolved around the album.