Deleted User

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Yeah, this is one of the main reasons a lot of deep rooted fans stopped stanning her. She claims she's main writer of everything she does, while it's been strongly proven otherwise by some of the original bands/artists' demos of her songs surfacing, showing that she only recorded vocals to something that had been already created for her (like Guardian or Everything is Embarrassing). If she only said "I co-wrote", it'd be ok, but she claims she's complete author of her stuff AND even gets angry when people are credited for her music, AND also toots her own horn and cries "rip off" when anybody remotely looks or sounds like her (like what happened with nasty cherry) so it's all so problematic. 
She is either lucky or wealthy enough to work with really amazing artists that produce and write things for her, and even is so spoiled to sit on her music and blame the label (which doesn't win shit out of shelving or sitting on stuff they already payed for to be produced and recorded).
It's just all so problematic and conflicted, we see a shit ton of emerging artists who don't have half the issues she has, I literally wish her the best cause the end product I enjoy, but I hope someday she comes clean about stuff, owes her shit, and explains this situation. Cause the label fairytale is just not working anymore. And people who still believe it literally have no idea about how the music industry works. (Not that I'm a savy, but it's literally nonsensical at this point)

Incredible song, I don't hear a similarity at all though
 
 
 
I wish this got a studio version

Incredible song, I don't hear a similarity at all though
 
 
 
I wish this got a studio version

Incredible song, I don't hear a similarity at all though
 
 
 
I wish this got a studio version

Incredible song, I don't hear a similarity at all though
 
 
 
I wish this got a studio version

Couldn't agree more !  It pretty much sums up what I think.
I do love the music from this new project so far though. It seems that visually, it's not going to work as a cohesive piece. The previous ones worked as some kind of movie with one global storytelling. Here we're getting some kind of music videos collection. It's still nice, just not as impressive and immersive.

I honestly wish she would stop reading this thread and many others, got off the internet and focused (and trusted) the amazing team of people she's so lucky to be working with.
She got extremely anal about the video and visuals (that she's still trying to save after 10 years of expectations and promises) and it's so embarrassing at this point cause the more she pushes it, the more she builds chances of disappointment up.

Anyways, single IS coming today, no B-side, no ep or album announcement.
As for full credits:
ISRC: USUM72201003
Genre: Pop
Instrumentalist: Eduardo Ribeiro, Jeremy Vuernick, Steve Cook
Lyricist: Jorge Elbrecht, Tamaryn Brown, Sky Ferreira
Producer: Jorge Elbrecht, Tamaryn Brown, Sky Ferreira
Mixing/Engineer: Jorge Elbrecht
Mastering/Engineer: Heba Kadry
Studio: Heba Kadry, Jorge Elbrecht

I honestly wish she would stop reading this thread and many others, got off the internet and focused (and trusted) the amazing team of people she's so lucky to be working with.
She got extremely anal about the video and visuals (that she's still trying to save after 10 years of expectations and promises) and it's so embarrassing at this point cause the more she pushes it, the more she builds chances of disappointment up.

Anyways, single IS coming today, no B-side, no ep or album announcement.
As for full credits:
ISRC: USUM72201003
Genre: Pop
Instrumentalist: Eduardo Ribeiro, Jeremy Vuernick, Steve Cook
Lyricist: Jorge Elbrecht, Tamaryn Brown, Sky Ferreira
Producer: Jorge Elbrecht, Tamaryn Brown, Sky Ferreira
Mixing/Engineer: Jorge Elbrecht
Mastering/Engineer: Heba Kadry
Studio: Heba Kadry, Jorge Elbrecht

I honestly wish she would stop reading this thread and many others, got off the internet and focused (and trusted) the amazing team of people she's so lucky to be working with.
She got extremely anal about the video and visuals (that she's still trying to save after 10 years of expectations and promises) and it's so embarrassing at this point cause the more she pushes it, the more she builds chances of disappointment up.

Anyways, single IS coming today, no B-side, no ep or album announcement.
As for full credits:
ISRC: USUM72201003
Genre: Pop
Instrumentalist: Eduardo Ribeiro, Jeremy Vuernick, Steve Cook
Lyricist: Jorge Elbrecht, Tamaryn Brown, Sky Ferreira
Producer: Jorge Elbrecht, Tamaryn Brown, Sky Ferreira
Mixing/Engineer: Jorge Elbrecht
Mastering/Engineer: Heba Kadry
Studio: Heba Kadry, Jorge Elbrecht

I honestly wish she would stop reading this thread and many others, got off the internet and focused (and trusted) the amazing team of people she's so lucky to be working with.
She got extremely anal about the video and visuals (that she's still trying to save after 10 years of expectations and promises) and it's so embarrassing at this point cause the more she pushes it, the more she builds chances of disappointment up.

Anyways, single IS coming today, no B-side, no ep or album announcement.
As for full credits:
ISRC: USUM72201003
Genre: Pop
Instrumentalist: Eduardo Ribeiro, Jeremy Vuernick, Steve Cook
Lyricist: Jorge Elbrecht, Tamaryn Brown, Sky Ferreira
Producer: Jorge Elbrecht, Tamaryn Brown, Sky Ferreira
Mixing/Engineer: Jorge Elbrecht
Mastering/Engineer: Heba Kadry
Studio: Heba Kadry, Jorge Elbrecht

I honestly wish she would stop reading this thread and many others, got off the internet and focused (and trusted) the amazing team of people she's so lucky to be working with.
She got extremely anal about the video and visuals (that she's still trying to save after 10 years of expectations and promises) and it's so embarrassing at this point cause the more she pushes it, the more she builds chances of disappointment up.

Anyways, single IS coming today, no B-side, no ep or album announcement.
As for full credits:
ISRC: USUM72201003
Genre: Pop
Instrumentalist: Eduardo Ribeiro, Jeremy Vuernick, Steve Cook
Lyricist: Jorge Elbrecht, Tamaryn Brown, Sky Ferreira
Producer: Jorge Elbrecht, Tamaryn Brown, Sky Ferreira
Mixing/Engineer: Jorge Elbrecht
Mastering/Engineer: Heba Kadry
Studio: Heba Kadry, Jorge Elbrecht

I feel it's pointless to compare cause every album was released at a different point of the revelation of their identities.
 
I think what made this project extremely magical was the intrigue behind the idea of "you don't need an identity/to be famous to create art" and ofc the clever idea of (which I'm not sure if it was premeditated or not) being associated with so many big names back then. People debating if it was xtina, or gaga, or goldfrapp, or bjork, etc etc was such good promo on its own.
 
bounty had that magic of them being completely and utterly unknown so that gave them boundless creative freedom.
kin came with all the expectations built after bounty+their identities revealed to some, so for me kin is their greatest work as of yet cause it had a LOT of pressure to be good, and it was not only good but incredible, having the songs follow one same unique dark electronic sound while every song still sounding incomparable to one another. In my opinion, it's the most cohesive of all the albums (not saying that's a good or bad thing) so as a body of work it's incredible.
BLUE had a lot of connection to the fans and kind of was a result of their direct support and input, and also it's hard to release a 3rd good album after 2 incredible albums+hype starting to die, identities fully revealed, etc.
KRONOLOGI was a really smart move, cause there wasn't any need of further work, it's a compilation of things that didn't fit here or there. I love artists who do these kind of releases, as I love artists who have their patreon where they release demos, unreleased and covers.
This album unfortunately is not having me head over heels yet, but I won't judge until the full thing has come out and I've fully took it in. Lyrically, all their albums are incredible. Musically, everyone will have their own preference. But there's no denying iamamiwhoami is a pure statement about making good art being fully in the hands of the artist.

I feel it's pointless to compare cause every album was released at a different point of the revelation of their identities.
 
I think what made this project extremely magical was the intrigue behind the idea of "you don't need an identity/to be famous to create art" and ofc the clever idea of (which I'm not sure if it was premeditated or not) being associated with so many big names back then. People debating if it was xtina, or gaga, or goldfrapp, or bjork, etc etc was such good promo on its own.
 
bounty had that magic of them being completely and utterly unknown so that gave them boundless creative freedom.
kin came with all the expectations built after bounty+their identities revealed to some, so for me kin is their greatest work as of yet cause it had a LOT of pressure to be good, and it was not only good but incredible, having the songs follow one same unique dark electronic sound while every song still sounding incomparable to one another. In my opinion, it's the most cohesive of all the albums (not saying that's a good or bad thing) so as a body of work it's incredible.
BLUE had a lot of connection to the fans and kind of was a result of their direct support and input, and also it's hard to release a 3rd good album after 2 incredible albums+hype starting to die, identities fully revealed, etc.
KRONOLOGI was a really smart move, cause there wasn't any need of further work, it's a compilation of things that didn't fit here or there. I love artists who do these kind of releases, as I love artists who have their patreon where they release demos, unreleased and covers.
This album unfortunately is not having me head over heels yet, but I won't judge until the full thing has come out and I've fully took it in. Lyrically, all their albums are incredible. Musically, everyone will have their own preference. But there's no denying iamamiwhoami is a pure statement about making good art being fully in the hands of the artist.

I feel it's pointless to compare cause every album was released at a different point of the revelation of their identities.
 
I think what made this project extremely magical was the intrigue behind the idea of "you don't need an identity/to be famous to create art" and ofc the clever idea of (which I'm not sure if it was premeditated or not) being associated with so many big names back then. People debating if it was xtina, or gaga, or goldfrapp, or bjork, etc etc was such good promo on its own.
 
bounty had that magic of them being completely and utterly unknown so that gave them boundless creative freedom.
kin came with all the expectations built after bounty+their identities revealed to some, so for me kin is their greatest work as of yet cause it had a LOT of pressure to be good, and it was not only good but incredible, having the songs follow one same unique dark electronic sound while every song still sounding incomparable to one another. In my opinion, it's the most cohesive of all the albums (not saying that's a good or bad thing) so as a body of work it's incredible.
BLUE had a lot of connection to the fans and kind of was a result of their direct support and input, and also it's hard to release a 3rd good album after 2 incredible albums+hype starting to die, identities fully revealed, etc.
KRONOLOGI was a really smart move, cause there wasn't any need of further work, it's a compilation of things that didn't fit here or there. I love artists who do these kind of releases, as I love artists who have their patreon where they release demos, unreleased and covers.
This album unfortunately is not having me head over heels yet, but I won't judge until the full thing has come out and I've fully took it in. Lyrically, all their albums are incredible. Musically, everyone will have their own preference. But there's no denying iamamiwhoami is a pure statement about making good art being fully in the hands of the artist.

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Finally DF is available for everyone... I can finally share how It totally reminds me of Hands All Over Me, she must *REALLY* love that song
 
Just like it, the rest of the album has been created by really talented people, I hope she doesn't keep delaying it

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