IanadeIrey

honestly these kinds of award things are completely unpredictable so I think she has a chance. I mean she is nominated for a reason...

Yosemite EP concept

Every song on Honeymoon and at least 1/2 on Lust for Life are about Lana and Elizabeth and the fight for control between them (Honeymoon) and the outcome of that power struggle (Lust for Life)
There are no boys in Honeymoon. Just metaphors

Salvatore was perhaps THE song of HM that was literally the epitome of word painting. 
So much imagery in this gorgeous track. 

I feel like Honeymoon was the record that really allowed Lana to be herself and was a platform through which she could communicate her internal struggle of the whole persona of Lana Del Rey versus Elizabeth Woolridge Grant. The lyrical parallels in some songs (HBTB and PMIAM from AKA) and themes from songs like GKIT and Swan Song really show this struggle I feel. 
 
The whole record deals with themes of escapism and voyeurism, feeling like you're being watched, and living out fantasies of your own downtime and freedom. The visuals for this era also convey this, what with the whole Starline tours bus - showing Lana, a star herself, literally surrounded in a world of stars, but the obvious factor is that these kinds of Hollywood tours are for the average person, which I think subtly but brilliantly shows the way in which Lana both objectively and personally views herself. 
 
I think out of all her discography, Honeymoon is THE record that she probably let the most go with; she really seemed like she was having a lot of fun with the whole process of creating it and the lyrics are more a tool for imagery rather than narrative, which paints a beautiful picture for the listener. It truly is a shame that it is so under-appreciated by her fanbase.
 
I think the main encompassing feeling and vibe throughout the record is Lana's interpretation of jazz and timelessness, and what the definition of timelessness is, sonically speaking. 
 
It's so soft and lush too. Someone else said it in another thread, and I completely agree with them - there are so many layers to it, you're definitely going to continue to discover different sounds and instruments the more you listen to the songs and even the instrumentals. 
 
I just love Honeymoon so much - it's my favourite Lana album. 

I would really love Salvatore, Religion, GKIT, The Blackest Day, Terrence Loves You or Art Deco on the setlist.
And of course, keep MTWBT and bring back HM, HBTB and Freak. 
 
She should just have a show where the setlist is just HM songs! 

We need another Paradise; art film and all.

tbh im kinda sure the EP is coming now, itll be so cruel if she teased RBFY agai when theres nothing behind it

we need lust for life: b-sides and demos 

I would love to a hear a version of Change with church bells at the end and a more ethereal production paired with those angelic vocals

OMG WHAT IF SHE PERFORMS IT LIVE AS TEASING AND PROMO FOR THE RUMOURED EP THAT SHE COULD THEN RELEASE AT THE END OF THE TOUR

Excuse me but we are talking about Lana Del Rey in 2017 with full time organization that is conflictive with leaks such as the live video and one of her singles BAR.

Saving old videos and posting almost a year later , I smell organization and a release plan.

“Listening listening”

THERE IS A STUDIO VERSION I'M CRYING SHE IS GONA RELEASE ROSES BLOOM FOR YOU AND BEST AMERICAN RECORD AND YOSEMITE SHE REALLY IS ISN'T SHE

I feel like Honeymoon was the record that really allowed Lana to be herself and was a platform through which she could communicate her internal struggle of the whole persona of Lana Del Rey versus Elizabeth Woolridge Grant. The lyrical parallels in some songs (HBTB and PMIAM from AKA) and themes from songs like GKIT and Swan Song really show this struggle I feel. 
 
The whole record deals with themes of escapism and voyeurism, feeling like you're being watched, and living out fantasies of your own downtime and freedom. The visuals for this era also convey this, what with the whole Starline tours bus - showing Lana, a star herself, literally surrounded in a world of stars, but the obvious factor is that these kinds of Hollywood tours are for the average person, which I think subtly but brilliantly shows the way in which Lana both objectively and personally views herself. 
 
I think out of all her discography, Honeymoon is THE record that she probably let the most go with; she really seemed like she was having a lot of fun with the whole process of creating it and the lyrics are more a tool for imagery rather than narrative, which paints a beautiful picture for the listener. It truly is a shame that it is so under-appreciated by her fanbase.
 
I think the main encompassing feeling and vibe throughout the record is Lana's interpretation of jazz and timelessness, and what the definition of timelessness is, sonically speaking. 
 
It's so soft and lush too. Someone else said it in another thread, and I completely agree with them - there are so many layers to it, you're definitely going to continue to discover different sounds and instruments the more you listen to the songs and even the instrumentals. 
 
I just love Honeymoon so much - it's my favourite Lana album. 

I feel like Honeymoon was the record that really allowed Lana to be herself and was a platform through which she could communicate her internal struggle of the whole persona of Lana Del Rey versus Elizabeth Woolridge Grant. The lyrical parallels in some songs (HBTB and PMIAM from AKA) and themes from songs like GKIT and Swan Song really show this struggle I feel. 
 
The whole record deals with themes of escapism and voyeurism, feeling like you're being watched, and living out fantasies of your own downtime and freedom. The visuals for this era also convey this, what with the whole Starline tours bus - showing Lana, a star herself, literally surrounded in a world of stars, but the obvious factor is that these kinds of Hollywood tours are for the average person, which I think subtly but brilliantly shows the way in which Lana both objectively and personally views herself. 
 
I think out of all her discography, Honeymoon is THE record that she probably let the most go with; she really seemed like she was having a lot of fun with the whole process of creating it and the lyrics are more a tool for imagery rather than narrative, which paints a beautiful picture for the listener. It truly is a shame that it is so under-appreciated by her fanbase.
 
I think the main encompassing feeling and vibe throughout the record is Lana's interpretation of jazz and timelessness, and what the definition of timelessness is, sonically speaking. 
 
It's so soft and lush too. Someone else said it in another thread, and I completely agree with them - there are so many layers to it, you're definitely going to continue to discover different sounds and instruments the more you listen to the songs and even the instrumentals. 
 
I just love Honeymoon so much - it's my favourite Lana album. 

a dream
this just makes me even more excited, i feel like she's kinda going back into that more zen and quieter zone maybe, as Malibu was most likely written with the same mindset as BAR, Heroin, WO, Yosemite, etc. before being scrapped and worked on later, same with Change being a last second addition. 
 
regardless i can't wait

Filtered this!! you can most definitely hear "can i get a fucking hallelujah, looking at me like a..." it cuts off at that part bc she starts saying rose garden dreams and you cant hear it anymore
 
http://picosong.com/wR5Wc/

I am now more than convinced BGV lyrics are
 
"Can I get a fucking hallelujah?
Looking at me like a rose garden
Can I get a fucking hallelujah?
Sipping on you like a coca cola" 

This album is just 14 songs of lana indulging in herself and her atmosphere; it's separate from any world but its own which is what makes it so timeless

yes yes yes

Lana has called Honeymoon a “vanity project“

God Knows I Tried has one of her best vocal performances

GKIT is under appreciated and everytime people say 'iTs JUst RepiTiIToION UUuUGHHh' somehow forget how samey and repetitive so many of UV's songs were..literally Sad Girl, while it is a bop, is the worst offender of most everything bad about UV however it's not the worst on the album

Heroin is within lana’s top five of all time.