IanadeIrey

Okay but seriously, I'm with you, I need Yosemite, she hyped us up 

I need the instrumentals..

Okay but seriously, I'm with you, I need Yosemite, she hyped us up 

if ur username is anything to go off of....drop yosemite goddamnit

I want a surf rock, more 50's glamour California sound. Something like the fake snippet of Love from January that sounded very beach-y and like a mature Lizzy (a la Kill Kill or Trash Magic demo)
 
My icon is an aesthetic I'd like for LDR6, maybe a title like "Good Vibrations."
 
I was saying it in another thread, but it's very possible, as "into the blue" (AKA water AKA being freed) is a jumping off point for LDR6, and the end of Get Free is basically what you hear at the beach, so  

The "I can taste it turning sour" gets me every time, it's so haunting

!!!!!
also, in WTWWAWWKD, the last chorus and  "And we'll do it again" at the end are very magical for me

The whole album. 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

Thank you so much! You too!
and yes, I'm praying too 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

The whole album. 

The whole album. 

Thank you so much! You too!
and yes, I'm praying too 

Here is my alternate interpretation of the lyrics. I believe that this song is talking about letting go of the past and embracing the future, through the lens of a lost relationship (Barrie if I had to guess) and some of the Manson references we've already talked about a lot. Hear me out! I think the storyline here is she is up awake at night in her home, restlessly thinking about the past and looking to the future. This is SO long - sorry!
 
 

- When legend Stevie and Lana sing together at the end of Beautiful People
- The opening of 13 Beaches with the movie sample and orchestra
- The White Mustang whistling
- The drums before the Cherry chorus
- The whole bridge of Heroin
- The humming at the end of Change. I cry

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

The whole album. 

The whole album. 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

oops, I heard "out" this whole time. I kind of like it better though 
 
and thank you! You've got near perfect taste too, then

Heroin is one of her most magical songs she's ever released, the whole song is a MOMENT

Up* 
 
Edit: your taste is near identical to mine<3 I agree with almost alllll of these specificities