Ivory Cricket

HTD is def a christmas song.  let's not forget it comes directly after Cinnamon Girl (cinnamon is the official spice of christmastime)

Y'all so naive... don't you guys see? The jingle bells in HTD kick in as she says "but I love that man like nobody can". HTD is not only a christmas song, but a christmas song about Santa Claus! He moves mountains by travelling the whole world in one night to deliver all the gifts and he pounds them to ground again by making the task so easy. Lana wants to fuck Santa Claus.
 

This song is SO GOOD and I feel it aged very well. But IDK how approprite it is to post it here in the NFR thread but go queen

Also it's a shame she never did groupie love live. It does not seem very vocally challenging and I just know she would slay the chorus.

https://www.youtube.com/watch?v=tBwoRviPvVw 

Honeymoon sweetie you'll always be #1 in my heart 

The closer it is to Christmas the more relevant HTD becomes

the "Ice cream, ice queen" truck or "The next best american ice cream" truck
some cinnamon flavored ice cream...the flavor
Doin' lime sherbet

But I love that man like nobody can

He moves mountains and pounds them to ground again

Ok but can we please get more vibes like these? 

https://www.youtube.com/watch?v=0NFY_PR-kyI 

https://www.youtube.com/watch?v=_eJkETkfdSg 

https://www.youtube.com/watch?v=Ir1tMjvMAWI 

What even are those last 2 lmaoooo

White Cock Forever
 
featuring the hit singles
 
Let Me Love You Like A Hillsong Nun
Matcha Song
Bought Me Another Truck 
Sometimes People Ask Me What I See When I Close My Eyes - I Just Tell Them I See Flowers, But I Really See Daisies
The Song About Crabs (Sea Creatures Not STD's)

White Cop Forever
 
On a serious note I think white with a gold-ish marble pattern would be cool

White Whorte Forever

Lets get some egg nog I've been ready 

“Last full moon of the decade ! Make a wish”

A man of many talents. 
 
Imagine if he had work on NFR. 

Sorry but
 

RICK NOWELS PLEASE COME F*CK ME!!!

Imagine acting as if Lana was not at the receiving end of so much negativity, hatred, and was treated unfairly by critics because it was cool for them to do so at the time, but they also perpetuated made up things said about her. All of that tainted their judgement of her music. But now, we have to pretend that critics actually matter because they spent the last four months eating shit up and backtracking from the things that they had written about her for seven years and they are now crowning her as some sort of musical genius over this single album? Sounds a tad dishonest and unfair to Lana to me.
 
Norman Fucking Rockwell! is a good album, but to pretend like Lana has put herself at the forefront of the music industry with it and pushed forward her own boundaries musically and lyrically, because critics now say so is just non-sensical. Pitchfork, of all medium, posting and re-posting their recent articles about Lana, also implying that she ignored critics and somehow powered through and finally released her alleged "best album" is a fucking joke. They have been her biggest and most vicious critics for seven years and now they want us to believe that THEY think Lana has become the best living American singer/songwriter overnight? 
 
You guys chose what you want to believe, you want to ignore years of bullshit and echo critics in that sense, good for you. I personally know better.

Imagine still being so bitter about bad reviews from the beginning of the decade that it makes you unable to enjoy any good reviews.... lol
 
I’m glad Lana’s getting recognition, I’m very happy for her. People’s opinions can change over the course of a decade and it’s always nice to see people wake up to Lana’s talents more with each album. After every album, I see more people online discover her and fall in love with her art just like us. It’s always so beautiful seeing people appreciate Lana’s music, whether they’ve always loved her or just became a fan yesterday.

On the top of my head: Born To Die, Cruel World, Honeymoon... but also, Be Above It, Let It Happen, Shine On You Crazy Diamond, Reflektor, Do I Wanna Know?, Body Language (Intro), as well as many others. They all say hi.

Agree. NFR isn't really an album on which she displayed amazing vocal prowess. So in that regard, the title track does differ from the rest of the album, not saying the vocal delivery was the most amazing thing she's done, but other than that there were not really vocal highlights on the record, maybe the vocal run when she sings "and I'm waaaaasted" in 'The greatest'. But that's about it.
 
I feel like Lana sometimes purposefully writes corny/cringy lyrics for some of her core audience. You know, those that go batshit when she moans in 'Serial Killer' or when she says "bitch", "fuck" in 'Cherry' when performed live.

im seeing her live once again! omg