ByDayAnother

2 million likes in just a few hours on a post with no caption, no release date in sight, teasing a song she posted a snippet of 14 months ago. She really is that girl 

AHAHA 

Pantene basically told us the same thing that BOZ just posted: "Henry, Come On" doesn't quite make sense as a lead single (remember Pantene saying that it's like picking "Change" as the lead of Lust for Life?), but Lana always releases singles that are quite uncommercial ("The Grants", "Venice Bitch", "hope is a dangerous thing", the "Blue Banisters" triplets etc.) and deep-cut album tracks almost always end up being far more successful streaming-wise and/or going viral ("Cinnamon Girl", "Margaret", "Let the Light In", "Paris, Texas", "Happiness is a butterfly", "Dealer", "Art Deco" etc.), lol. This song obviously means a lot to her, and Lana always does her own thing, so why not? Let her cook. If anything, it'll make me even more curious about the sound of the rest of the songs, given that this one apparently is one of the most stripped-back tracks of the album. Besides, I think that the snippet has a gorgeous melody, so bring it on. 

Crashing out over a random pic that she edited in picsart without Ben’s knowledge and with no release date

Man, this was disappointing! Like, I don’t even have comprehensive criticism, it’s as simple as “meh”, which is wild because when Gaga is good, she’s the best in terms of dance pop songwriting, and when she’s bad, it’s at least camp. I literally can’t remember anything. Perfect Celebrity and Shadow Of A Man were enjoyable, I think.

Man, this was disappointing! Like, I don’t even have comprehensive criticism, it’s as simple as “meh”, which is wild because when Gaga is good, she’s the best in terms of dance pop songwriting, and when she’s bad, it’s at least camp. I literally can’t remember anything. Perfect Celebrity and Shadow Of A Man were enjoyable, I think.

very surprised given the aesthetics! not overly mad at it because i’m sure i’ll find it fun, but i do think hearing reviews (like yours!) has tempered my expectations a LOT and thank goodness bc i really was expecting a full on dark industrial pop album! thanks for the info

So I finished the album and guess what...Die With A Smile fits better on it than Disease and Abracadabra. I think I couldn't even enjoy half of the songs cause the whole era and build up was SO misleading. The album is funky and fun and that's good but not what I came for. Honestly not even sure anymore if I wanna see her on tour for this album.

Well, here goes my dark industrial album...so disappointed right now for one simple reason - singles sold to me a different album. Need to comeback to this with a fresh mind now that I know the direction of album.
I guess this fun sound works better for spring, so I'm sure I'll like it in the end.

I would love for literally anything to happen…….everything is so awful right now 

What we got from lana:
- Album releasing on May 21st
- Luke Laird, Jack antonoff, Zach Dawes and Drew Erickson
- 13 songs will be included and first single will be Henry
- Few singles before stagecoach
- Roses Bloom for You might be on the album (lana has teased on instagram stories and also on comments saying to a fan that she was thinking on adding it.)

Insiders information (not reliable/can be changed):
- TRPWS was described as "Sirens with high budget"
- Release date delayed to July-September (in time for grammy's submition)
- Songs expected to release from january-march (according to a insider)
 

So like what rumours and/or tangible information do we have even if it’s subject to change?

-The “cover” 
-The producers
-13 tracks
-“Henry Come On” snippet and it’s supposed to be the lead single
-🚴🧣
 
I might be missing other details but this is what I remember

So like what rumours and/or tangible information do we have even if it’s subject to change?

So like what rumours and/or tangible information do we have even if it’s subject to change?

My takeaway from her speech isn’t that she’s “acting like” she was a nobody, making dud albums before meeting Jack. The night was about celebrating Jack and his work, and she shared personal insight into how he has influenced her both personally and professionally. It’s not a stretch to say he gave her a major confidence boost and injected her career with the energy it needed. Lust for Life marked a turning point with critics, but their collaboration on NFR elevated her career to an entirely new level. I think it’s great that she’s had longstanding creative relationships with different producers over time. Rick was obviously a major influence, and Jack, too, has left a significant mark. As she continues to evolve, I’m sure there will be more collaborators who help her bring her stories to life. 

Incoming rant about the cover art; skip if you don't wanna hear it
 

I love this and also don’t believe it for a second lol

I love this and also don’t believe it for a second lol

I love this and also don’t believe it for a second lol

I love this and also don’t believe it for a second lol

I love this and also don’t believe it for a second lol

I love this and also don’t believe it for a second lol

I love this and also don’t believe it for a second lol

I love this and also don’t believe it for a second lol