Kommander

Also maybe her banisters were in bad shape and he fixed and made it pretty for her, which is a very homely job but also a metaphor for her broken heart to have finally a stable home  i‘m so emotional atm sorry

Chemtrails and Blue Banisters are sister albums I can already sense it... Double punch serve

Chemtrails and Blue Banisters are sister albums I can already sense it... Double punch serve

Said he'd fix my weather vane, give me children, take away my pain, and paint my banisters blue

Chemtrails and Blue Banisters are sister albums I can already sense it... Double punch serve

I SAW A STILL PIC OF WHAT I THOUGHT WAS A ROSARY AND I GASPED BECAUSE I THOUGHT SHE WAS RELEASING A TULSA JESUS FREAK VIDEO

Chemtrails and Blue Banisters are sister albums I can already sense it... Double punch serve

I SAW A STILL PIC OF WHAT I THOUGHT WAS A ROSARY AND I GASPED BECAUSE I THOUGHT SHE WAS RELEASING A TULSA JESUS FREAK VIDEO

and now just 2 more months of this snippet hanging over our shoulders

Chemtrails and Blue Banisters are sister albums I can already sense it... Double punch serve

I SAW A STILL PIC OF WHAT I THOUGHT WAS A ROSARY AND I GASPED BECAUSE I THOUGHT SHE WAS RELEASING A TULSA JESUS FREAK VIDEO

I SAW A STILL PIC OF WHAT I THOUGHT WAS A ROSARY AND I GASPED BECAUSE I THOUGHT SHE WAS RELEASING A TULSA JESUS FREAK VIDEO

I just realised it’s Clay with her in the video, and he commented a blue heart... I love them Omg 

Is it just me, or is the general, overall volume of the songs on this album very low? Not sure if it’s just the Spotify versions, but for every song on COTCC I have to physically turn up the volume in order to hear it properly, and even then, the bass isn’t super prominent (which is something I personally like in music). 

I feel the NDR-COCC-BB trilogy will be a full circle moment, concluding the departure she penned down at the end of L4L

I feel the NDR-COCC-BB trilogy will be a full circle moment, concluding the departure she penned down at the end of L4L

i wish TJF had a stronger instrumental. what a beautiful track but playing it next to tracks like FIILY or literally any other "upbeat", full instrumental, exciting track on any other record... i just feel like it needs MORE to match the intensity of the vocals and melody

When she sings I really feel that Summertime Sadness™ even though we're in the midst of spring

Im in loveee with the underwater effect on her vocals in TJF and the atmospheric vibe. Dark but just a game also has a part where her voice seems underwater or distant ("yeah yeah") and then the flawless way that transitions into "I was a pretty little fool" jack really did that. wow. I'm still obsessed. 

So this bitch is simply going to ignore TJF huh

He was an eccentric jazz artist with a small but cult following which allowed him to pursue a lifelong career despite all his idiosyncrasies. So maybe she harkens back to her Lizzy Grant days : yes it felt small (the budget, the scope, the audience), she had a very specific aesthetic which made her an original but it was on her plane, she had it under control every time...

He was an eccentric jazz artist with a small but cult following which allowed him to pursue a lifelong career despite all his idiosyncrasies. So maybe she harkens back to her Lizzy Grant days : yes it felt small (the budget, the scope, the audience), she had a very specific aesthetic which made her an original but it was on her plane, she had it under control every time...

I love how it's placed after Chemtrails & WD and just before LMLYLAW. Chemtrails is like the reverse of WD : the Country club as the privileged setting she lives in, trying to find happiness and comfort despite it being out of hand there (the seemingly upsetting and impossible relationship with the man in the song, the ominous chemtrails over the superficial and careless inhabitants of the club) ; and then just like in WD she goes back into the past, to a completly opposed setting (a humble flat in Tulsa), to a man she actually was happy with, who actually lived his faith in a very intimate and lively fashion, harkening back to what was gone but real (like in WD). The first songs are the incipit ; in LMLYLAW she makes the final decision of leaving, traveling back to the hinterland... Like that's actually a very smart and thought out concept. Tulsa is such a simple but nice track and the white hots are exhilarating, i wish she'd gone a bit more out there with them.

He was an eccentric jazz artist with a small but cult following which allowed him to pursue a lifelong career despite all his idiosyncrasies. So maybe she harkens back to her Lizzy Grant days : yes it felt small (the budget, the scope, the audience), she had a very specific aesthetic which made her an original but it was on her plane, she had it under control every time...

Will we ever get rid of SS Remix???