Thunder Revenant

Lana could easily go back to orchestra X beats without having to do it in the same pop-ish routine as on BtD Something a little bit like Portishead or Hooverphonic would really work aswell

It's not even creepy, it's cringeworthy and pathetic.

Ultraviolence. She really did something new on it, Dan Auerbach's production, the way it combines dark and summery vibes, the passion, the raw emotional vocals ...

Lana Del Ray - 19 (-) Ultraviolence - 43 (+)

Well, when? This was a legit question so no reason to give me attitude

How do you know?

I don't think "they" is still referring to "the girls" but her label not wanting the video

Honeymoon - 24 Music To Watch Boys To - 27 God Knows I Tried - 09 Art Deco - 20 Religion - 24 Salvatore -15 The Blackest Day - 34 Swan Song - 19

We don't know the content of the video or the songs she wants to put on LDR 5 (assuming this is all about LDR5) and we know the label was not very happy about UV and she needed a lot of backup from different producers to release it.

IF she was really talking about the music video then it's likely we won't see it because the one boycotting will likely be her label. So I guess it will be around for LDR 6 ....

Lana Del Ray - 26 Ultraviolence - 27 Honeymoon - 09

Someone who constantly bashes artists comments on me not celebrating an album. Yawn.

The album is an improvement compared to Queen of The Clouds, yet it still does not really manage to stick out in any kind of way. Cool Girl - as pretentious the lyrics might be - actually really grew on me. Influence is pretty nice and Lady Wood is ok aswell. Vibes would be a good song if it wasn't for this terrible high pitched backing vox. Flashes is nice but extremely forgetable. True Disaster is super generic, Don't Talk About it and Imaginary Friend are big steps back to the QOTC boringness and WTF Love Is is cringeworthy. Keep It Simple is messy yet not in an interesting way.

The whispered vocals are really nice. The verses sound a bit out of place though

Lorde is overrated and I'm not saying this because I'm a "hater". PH is a nice album but the sound of most of the songs is pretty undiverse and I'm more than sure that some of her success was based on critizising Lana when the media was so ready to hate on her. As a result, PH got hyped to the roof as a super-beautiful innovative album when it's good but not really a special kind of sound.

Sirens - 5 Lana Del Ray - 16 Born To Die - 5 Ultraviolence - 16 Honeymoon - 17

I don't care if she waits or not as long as it's good quality

I love the little sinister giggle she does when they change seats in carpool karaoke xD Still disliking most of Joanne apart form JW and DIC but after seeing this I definitly relisten ARTPOP and The Fame (Monster)

They would have not worked as much as they now. HBTB was a good idea for a lead, but it was not promoted properly. Same for MTWBT TLY was a promo single and not even a very good one. Freak is not a single aswell, it just got a f*cking music video.

I really really liked Video Games when it was released to the radio stations. I checked the internet and found the demo version of Lolita on the internet, the one with the orchestra and her counting at the beginning. I guess that was the part where I completely fell in love with Lana and checked the internet for other songs. If I remember right I found AKA, You Can Be The Boss, the Diet Mountain Dew Demo, Kinda Outta Luck, Put The Radio On and She Is Not Me. So I guess it was this big cocktail of Lana songs that made me hyped as sh*t for Born To Die to be released.

while smoking a cigarette nd singing out of tune xD

FMWUTTT - My Show

Cola - Pussy.

It's nice but it does seem a bit more conventional compare to her other tracks. Check your PMs

How can you be sad the era ends when there was nothing really happening in it for like half a year?