sjatib

Drag me idgaf
 
1. Born To Die (The Paradise Edition) - Ultaviolence - Honeymoon
2. Lana Del Ray AKA Lizzy Grant
3. Lust For Life
4. Norman Fucking Rockwell
5. Sirens

cant wait to hear HTD

I hope we get more shots of Lana's ass in the new music videos     

Here reading the comparisons amongst NFR and HM and they just don't make any sense. They are nothing but absolutely different in gender and production terms. The change on NFR from what she's done before is so huge that it's no longer possible to understand it as a piece of the Lana del Rey we knew until LFL. Even if she brought something new on each of her previous albums, they all were structured towards her bombastic, opulent and distant queen persona, all the sound was quite theatrical and evocative of the character she was building. There's absolutely nothing left from that on NFR. Not a single trail of the grandiloquent sound and mindset she was developing since Born to Die. So, most of all, to avoid dissapointments from judging the album from an outdated vision, try to expect something absolutely new. If you don't, the fall may be huge and painful. And there's surely things to be enjoyed and highlighted in her new sound and artistic otuput, so no need for falling, actually.

Here reading the comparisons amongst NFR and HM and they just don't make any sense. They are nothing but absolutely different in gender and production terms. The change on NFR from what she's done before is so huge that it's no longer possible to understand it as a piece of the Lana del Rey we knew until LFL. Even if she brought something new on each of her previous albums, they all were structured towards her bombastic, opulent and distant queen persona, all the sound was quite theatrical and evocative of the character she was building. There's absolutely nothing left from that on NFR. Not a single trail of the grandiloquent sound and mindset she was developing since Born to Die. So, most of all, to avoid dissapointments from judging the album from an outdated vision, try to expect something absolutely new. If you don't, the fall may be huge and painful. And there's surely things to be enjoyed and highlighted in her new sound and artistic otuput, so no need for falling, actually.

what the hell have you all been speaking of HONEYMOON???

 
how is an ambient progressive rock electronica masterpiece like TBD a trap demo?¡?

Here reading the comparisons amongst NFR and HM and they just don't make any sense. They are nothing but absolutely different in gender and production terms. The change on NFR from what she's done before is so huge that it's no longer possible to understand it as a piece of the Lana del Rey we knew until LFL. Even if she brought something new on each of her previous albums, they all were structured towards her bombastic, opulent and distant queen persona, all the sound was quite theatrical and evocative of the character she was building. There's absolutely nothing left from that on NFR. Not a single trail of the grandiloquent sound and mindset she was developing since Born to Die. So, most of all, to avoid dissapointments from judging the album from an outdated vision, try to expect something absolutely new. If you don't, the fall may be huge and painful. And there's surely things to be enjoyed and highlighted in her new sound and artistic otuput, so no need for falling, actually.

Here reading the comparisons amongst NFR and HM and they just don't make any sense. They are nothing but absolutely different in gender and production terms. The change on NFR from what she's done before is so huge that it's no longer possible to understand it as a piece of the Lana del Rey we knew until LFL. Even if she brought something new on each of her previous albums, they all were structured towards her bombastic, opulent and distant queen persona, all the sound was quite theatrical and evocative of the character she was building. There's absolutely nothing left from that on NFR. Not a single trail of the grandiloquent sound and mindset she was developing since Born to Die. So, most of all, to avoid dissapointments from judging the album from an outdated vision, try to expect something absolutely new. If you don't, the fall may be huge and painful. And there's surely things to be enjoyed and highlighted in her new sound and artistic otuput, so no need for falling, actually.

Here reading the comparisons amongst NFR and HM and they just don't make any sense. They are nothing but absolutely different in gender and production terms. The change on NFR from what she's done before is so huge that it's no longer possible to understand it as a piece of the Lana del Rey we knew until LFL. Even if she brought something new on each of her previous albums, they all were structured towards her bombastic, opulent and distant queen persona, all the sound was quite theatrical and evocative of the character she was building. There's absolutely nothing left from that on NFR. Not a single trail of the grandiloquent sound and mindset she was developing since Born to Die. So, most of all, to avoid dissapointments from judging the album from an outdated vision, try to expect something absolutely new. If you don't, the fall may be huge and painful. And there's surely things to be enjoyed and highlighted in her new sound and artistic otuput, so no need for falling, actually.

Here reading the comparisons amongst NFR and HM and they just don't make any sense. They are nothing but absolutely different in gender and production terms. The change on NFR from what she's done before is so huge that it's no longer possible to understand it as a piece of the Lana del Rey we knew until LFL. Even if she brought something new on each of her previous albums, they all were structured towards her bombastic, opulent and distant queen persona, all the sound was quite theatrical and evocative of the character she was building. There's absolutely nothing left from that on NFR. Not a single trail of the grandiloquent sound and mindset she was developing since Born to Die. So, most of all, to avoid dissapointments from judging the album from an outdated vision, try to expect something absolutely new. If you don't, the fall may be huge and painful. And there's surely things to be enjoyed and highlighted in her new sound and artistic otuput, so no need for falling, actually.

Here reading the comparisons amongst NFR and HM and they just don't make any sense. They are nothing but absolutely different in gender and production terms. The change on NFR from what she's done before is so huge that it's no longer possible to understand it as a piece of the Lana del Rey we knew until LFL. Even if she brought something new on each of her previous albums, they all were structured towards her bombastic, opulent and distant queen persona, all the sound was quite theatrical and evocative of the character she was building. There's absolutely nothing left from that on NFR. Not a single trail of the grandiloquent sound and mindset she was developing since Born to Die. So, most of all, to avoid dissapointments from judging the album from an outdated vision, try to expect something absolutely new. If you don't, the fall may be huge and painful. And there's surely things to be enjoyed and highlighted in her new sound and artistic otuput, so no need for falling, actually.

No.
 
 
No.
 
 
No.
 
 
No.

I honestly can't with this album. Some of the stuff I've heard on it literally makes my stomach hurt from how sad it feels. And like, I eat that shit up, I love me some sad, melancholy music, but some of the stuff on this album, it physically pains me. I'm here for that, but OOF. (not talking about leaks, just snippets and songs that have already been released).

Lana’s lyrics have never been about originality or breaking literary grounds; rather, they’re broad impressionistic strokes that marry music to evoke feeling and mood. Think the paintings of Monét translated into musical form. It’s not about the detail, but the feeling that is cultivated, and that feeling transporting you to a particular place or time.
 
To call them Lana cliches is to miss the point. All great artists have their favorite subjects that they refract and reframe time and again, and that’s what makes Lana special in the current age of pop music.

sammeeeee. i listened to like 7 seconds of Cruel world and was like “nope this will always be her best album”

this month is gunna be the best month (of my life)
NFR is gunna be dropped in august 30
and my country now will finally allow women to travel without men permission through the system, they can be free officially on august 30th so they can do it by their own with no man control.. guys i  will finally be free and my dad won't control my life anymore  

Hey. Finally sucumbed and gave it a listen. The level of sadness in the album... She sounds like she is absolutely gone from this world, just looking at it through a blurry periscope. Don't know if I may be the only one getting this feeling towards it, but it may be  -if not the- one of the saddest musical projects I've ever listened to. I'm even happy that she's been hanging out with her baddie friends for a year and taking some distance from the things that made her produce this heartbreaking and beautiful thing. I wasn't ready for this. And I'm willing to see what the media that has done fun of her "sadness" till now will have to say about NFR.

It reminds me of Emilie Autumn's "Mad girl" or "Gaslight", maybe more to the last one because of the waltz vibe

But even from the LQ versions, you can tell which tracks are tightly structured and which are watery and somewhat shapeless.
 
I accept it’s what LDR wanted to do at this point in her career but for me, so far, it’s a disappointment. But it is what she prepared us for.

She's a girl and she has cinnamon on her teeth. Someone saw the cinnamon on her teeth and was like "Cinnamon, girl." so basically she's a bitch who doesn't brush her teeth.

She loves selling churros on the side nd needed to make it known

Will the HQ versions have different lyrics and structure?
 
Listening to some of these songs in HQ might make me like them a little bit more (or a little bit less) but it's not going to make bridges or new lyrics appear out of nowhere.

i bet she gave up one the album or whatever, that's why we didn't get it in March. she god fed up with us not giving her a break about it so she was like "oh for fucks sake" and just told chuck to grab the camera and jack to send her the files via gmail and threw the shit we asked for on album. it was SO SUSPICIOUS that we got all the songs - cinnamon, in your car, HIAB, california (all the snippets we heard) because I would bet that she would leave at least one or two behind. I was really surprised all the songs were there when i first saw the tracklist. I bet she was like "whatever, just put it on and get this over with." 
 
i know it's not true but this is how I feel about this era

I really didn't expect so many songs to sound like concept demos, that one caught me off guard. But I knew from the get go I would be replacing the cover. The MAC/VB/HIAB/Hope/DT visuals thankfully prepared me quite well (I half expected a lq selfie). So I'll start with that. But I will have to edit the actual songs too, which honestly feels like too much work rn.

Hey. Finally sucumbed and gave it a listen. The level of sadness in the album... She sounds like she is absolutely gone from this world, just looking at it through a blurry periscope. Don't know if I may be the only one getting this feeling towards it, but it may be  -if not the- one of the saddest musical projects I've ever listened to. I'm even happy that she's been hanging out with her baddie friends for a year and taking some distance from the things that made her produce this heartbreaking and beautiful thing. I wasn't ready for this. And I'm willing to see what the media that has done fun of her "sadness" till now will have to say about NFR.