nikkilane77

okay so... me and my friend were talking and I was like you need to remove the drums from You & Me because I'm sure it'll sound straight out of Paradise EP and it ate...
all credits for this quick edit go to him and his AI
 
lemme know what u think
 
https://krakenfiles.com/view/ZgjTywtcoF/file.html

I agree! same thing about You & Me specially since it's a Dan Heath song it could've gotten a really good reworked production.

it's such a mess because I'm pretty sure some "demos" are actually final versions that were considered at some point before Emile hopped in... so many people involved in this album

I agree! same thing about You & Me specially since it's a Dan Heath song it could've gotten a really good reworked production.

okay so... me and my friend were talking and I was like you need to remove the drums from You & Me because I'm sure it'll sound straight out of Paradise EP and it ate...
all credits for this quick edit go to him and his AI
 
lemme know what u think
 
https://krakenfiles.com/view/ZgjTywtcoF/file.html

pretty

okay so... me and my friend were talking and I was like you need to remove the drums from You & Me because I'm sure it'll sound straight out of Paradise EP and it ate...
all credits for this quick edit go to him and his AI
 
lemme know what u think
 
https://krakenfiles.com/view/ZgjTywtcoF/file.html

I think the differentiation between things like 'demos', 'outtakes', 'alt mixes', 'alt takes' and so on, that used to be the way different recordings that weren't on a final record were labelled, is all outdated now, because of two things - 1) the fact that the cost of the actual physical device that is used to store the music and recordings is basically negligible (you can buy a Hard drive that can store 10,000 CDs worth of lossless music for about $100 - back in the day, studio tape would cost more than that for an hour), and 2) the type of digital recording you can do with computers gives you access to mixing and mastering technology that the biggest record company in the world in the 1970s couldn't have even dreamed of, as a free app on your phone. Because there's no difference between the medium used to record off somebody's laptop, or in a major recording studio, tracks can be interchanged without the listener to a record ever having any idea what sort of room a part or whole of song were made in, unless the artist wants them to.
In the 1980s, when studio bootlegs and box sets full out 'outtakes', 'alternative mixes' and 'demos' started to appear, you really had to think hard as an artist if you wanted to spend the money on studio time to properly mix down a song, then once it was down, whether to keep it or tape over it again to save money. Now, your producer can generate those 700 mixes on his laptop while watching the latest season of Stranger Things, for no cost at all beyond his time.
tl;dr nowadays, you can call non-released versions/songs whatever you want, because there's no reason anybody aside from the artist/producers would even know their exact recording lineage.

Whatever a lipster is...

You should get an award I think @bunoner

it's such a mess because I'm pretty sure some "demos" are actually final versions that were considered at some point before Emile hopped in... so many people involved in this album

I agree in some part... he's one of those producers that always needs a co-producer to save his songs because otherwise they'll be flavourless
You & Me could've easily been saved by removing those atrocious drums (he didn't know what he was doing by adding that shit)

if it had been reworked I'm pretty sure Emile would remove the drums and all the vibes  like he did with Lucky Ones

one thing that has always intrigued me a lot are the considered original titles for BTD like... we need more tea on these
G. B. A. (God Bless America) The Best of Lana Del Rey The Revenge of Lana Del Rey The World is Ours Do You Luv Me Yet?

I agree in some part... he's one of those producers that always needs a co-producer to save his songs because otherwise they'll be flavourless
You & Me could've easily been saved by removing those atrocious drums (he didn't know what he was doing by adding that shit)

one thing that has always intrigued me a lot are the considered original titles for BTD like... we need more tea on these
G. B. A. (God Bless America) The Best of Lana Del Rey The Revenge of Lana Del Rey The World is Ours Do You Luv Me Yet?

does anyone know where the Dan Grech Mix of Lolita came from? she literally uses that version mixed with the final in live performances

I agree in some part... he's one of those producers that always needs a co-producer to save his songs because otherwise they'll be flavourless
You & Me could've easily been saved by removing those atrocious drums (he didn't know what he was doing by adding that shit)

I'm actually creating two separate album worth of 2010-2011 leaked tracks using the names The Revenge of Lana Del Rey (for tracks like Jealous Girl, Is It Wrong?, St Tropez) and The World Is Ours (for tracks like Never Let Me Go, Afraid, Queen of Disaster). Mind you these "albums" are almost 30 tracks long, plus I have a BTD Outtakes album too

I agree! same thing about You & Me specially since it's a Dan Heath song it could've gotten a really good reworked production.

it's such a mess because I'm pretty sure some "demos" are actually final versions that were considered at some point before Emile hopped in... so many people involved in this album

no its true and I also edit tracklists by adding spare singles and better tagging so last.fm is good for proper year recap

does anyone know where the Dan Grech Mix of Lolita came from? she literally uses that version mixed with the final in live performances

The songs featured on the album sampler that did make the final cut are "National Anthem", "Born to Die", "Hey Lolita Hey", "Million Dollar Man", "Video Games", "This Is What Makes Us Girls", "Diet Mountain Dew", "Carmen" and "Blue Jeans".