sunday afternoon

It kills me that people say that NFR is her best album.
I don't understand the hype around this record, it's good but clearly impersonal when you know Lana's deep work.
An artist always has to get smooth for critics to approve of their work and that's sad. To my taste Ultraviolence was much more successful and more consistent visually and musically, Born to die also with baroque pop and warm visuals. These two records alone represent the career of this girl.
I would be clearly disappointed if Chemtrails ... Club goes in that direction. Jack Antonoff really has to stop working with her, he doesn't know how to capture her world and makes it a mountain of waste.

It kills me that people say that NFR is her best album.
I don't understand the hype around this record, it's good but clearly impersonal when you know Lana's deep work.
An artist always has to get smooth for critics to approve of their work and that's sad. To my taste Ultraviolence was much more successful and more consistent visually and musically, Born to die also with baroque pop and warm visuals. These two records alone represent the career of this girl.
I would be clearly disappointed if Chemtrails ... Club goes in that direction. Jack Antonoff really has to stop working with her, he doesn't know how to capture her world and makes it a mountain of waste.

It kills me that people say that NFR is her best album.
I don't understand the hype around this record, it's good but clearly impersonal when you know Lana's deep work.
An artist always has to get smooth for critics to approve of their work and that's sad. To my taste Ultraviolence was much more successful and more consistent visually and musically, Born to die also with baroque pop and warm visuals. These two records alone represent the career of this girl.
I would be clearly disappointed if Chemtrails ... Club goes in that direction. Jack Antonoff really has to stop working with her, he doesn't know how to capture her world and makes it a mountain of waste.

FROOT is truly musical and visual perfection in Marina's world. A diamond. I always ask myself the question "why doesn't it work more than that?"
In fact I'm frustrated when I see that this artist is so transparent, no it's really unfair.
 
Man's world is very good and the views don't take off, grrrrr I don't know what Marina has to do to have a minimum of success, I think she doesn't care today but it still breaks my heart, the same thing when Electra Heart went completely unnoticed while in the top 3 of the best pop albums of the 2010s, hands down.
 
Coming back to FROOT, this album is so good. I regret that this is the last "and The Diamonds", I hope that she will not completely remove all the rather crazy musical touches that were her trademark on her new album and that L + F so lacked.
 
Even Weeds and Gold are little nuggets over time I've grown to appreciate them as I skipped them before. 

FROOT is truly musical and visual perfection in Marina's world. A diamond. I always ask myself the question "why doesn't it work more than that?"
In fact I'm frustrated when I see that this artist is so transparent, no it's really unfair.
 
Man's world is very good and the views don't take off, grrrrr I don't know what Marina has to do to have a minimum of success, I think she doesn't care today but it still breaks my heart, the same thing when Electra Heart went completely unnoticed while in the top 3 of the best pop albums of the 2010s, hands down.
 
Coming back to FROOT, this album is so good. I regret that this is the last "and The Diamonds", I hope that she will not completely remove all the rather crazy musical touches that were her trademark on her new album and that L + F so lacked.
 
Even Weeds and Gold are little nuggets over time I've grown to appreciate them as I skipped them before. 

FROOT is truly musical and visual perfection in Marina's world. A diamond. I always ask myself the question "why doesn't it work more than that?"
In fact I'm frustrated when I see that this artist is so transparent, no it's really unfair.
 
Man's world is very good and the views don't take off, grrrrr I don't know what Marina has to do to have a minimum of success, I think she doesn't care today but it still breaks my heart, the same thing when Electra Heart went completely unnoticed while in the top 3 of the best pop albums of the 2010s, hands down.
 
Coming back to FROOT, this album is so good. I regret that this is the last "and The Diamonds", I hope that she will not completely remove all the rather crazy musical touches that were her trademark on her new album and that L + F so lacked.
 
Even Weeds and Gold are little nuggets over time I've grown to appreciate them as I skipped them before. 

Je suis tellement d'accord avec toi.

J'adore le fait que Lana ne reste pas dans sa bulle parfaite et ne s'ouvre pas aux gens, le fait qu'elle soit une personne simple en fait, mais je trouve que ses clips faits maison n'ont plus la même saveur car elle est moins mise en scène et invite trop de monde, ça ressemble plus à un album de souvenirs de vacances sorti sur Instagram.
J'adore le fait qu'elle fasse ses vidéos maison mais quand elle est seule ou incorpore un personnage en accord avec sa musique pour que ça ait du sens (comme Barrie pour sa reprise de SW) et surtout avec ses anciens filtres, sinon on se sent tout de suite plus impersonnel et oubliable.
 
Elle me manque aussi lorsqu'elle a sorti de vrais chefs-d'œuvre sous forme de vidéoclips: Ride et son scénario emblématique, National Anthem, Born to Die, voire des jeux vidéo et de la tristesse estivale. 
 
Le chef-d'œuvre de Tropico trop sous-estimé! J'espère qu'elle recommencera un jour, avec une Lana iconique, belle et conquérante de l'Amérique de la débauche, avec sa musique empoisonnée sans oublier ses vieillards qui vous font fantasmer. 
 
Et je n'aime pas le fait qu'elle mette Chuck partout. Je ne la trouve pas si talentueuse et elle prend les pires photos de Lana, ou les moins spectaculaires.
Lana a besoin de travailler avec des personnes spécifiques, elle a une beauté et un style très spécifiques. Neil Krug reste le meilleur photographe pour elle, j'espère qu'il fera ses clips un jour.
 
Mais je sais qu'elle reviendra un jour quand elle sera fatiguée de sa vie ennuyeuse 

FROOT is truly musical and visual perfection in Marina's world. A diamond. I always ask myself the question "why doesn't it work more than that?"
In fact I'm frustrated when I see that this artist is so transparent, no it's really unfair.
 
Man's world is very good and the views don't take off, grrrrr I don't know what Marina has to do to have a minimum of success, I think she doesn't care today but it still breaks my heart, the same thing when Electra Heart went completely unnoticed while in the top 3 of the best pop albums of the 2010s, hands down.
 
Coming back to FROOT, this album is so good. I regret that this is the last "and The Diamonds", I hope that she will not completely remove all the rather crazy musical touches that were her trademark on her new album and that L + F so lacked.
 
Even Weeds and Gold are little nuggets over time I've grown to appreciate them as I skipped them before. 

You are painful to reduce everything to sex.
No, Lana will never do porn, keep her away from it.
Music is music, and this site is made to talk about that

I oddly liked the interview and I like its frankness. I don't find her so haughty, so many others do much worse and are musical crap. Lana has been modest for quite a long time, so yes I love it when she's simple and down to earth but let's be honest: she's really, really superior to all those artists we hear too much and I love the fact that she shows this that she is, even if that irritates a little. She is aware of her music and does it with an incredible quality-passion that we rarely find. She can take that ego and I don't blame her. After all, she owes us nothing. Let's appreciate the artist and what he has to offer while he's still alive and cut out the rest that isn't music.
 
As for Jack, I hate this guy. Lana's friends are all boring and him too. Another rich boring farting in the silk at every opportunity. It's those clichés of the rich man who finds poor people's activities weird and too cool when one of these friends sets foot there. It is overpriced. Starbucks man hanging out with his disconnected Burgundy girlfriend, talking about spending a day in a popular suburb, and rushing to fill his Instagram with photos he thinks too risky to show his pals he's been through the real life. A cardboard adventurer. Lana is the same I know, but I don't feel that way, at least before. If it rubs off on this guy, it's disappointing. I'm really disappointed that Lana decides to sit with him, her productions are really bland, weak, pretentious and don't bring out anything interesting about her unlike her former producers who were cut out for her. NFR is the album that I like the least, and it didn't deserve the praise because everything is boring in my opinion.
 
Like someone said, either CCOTC is a good record (it won't be great with Jack going to put down his two-chord acoustic piano shit anyway) or it's a real shit. And given the place and who she's heading musically, I feel like it's going to sound like something pompous and overpriced. I hope I am wrong. Obviously as it is less pop and less dark, the critical magazines - which are pure trash cans full - will throw themselves on it to rate this shit 9/10 while they have not stopped pushing BTD (Paradise) deeply and UV which are very very good. No, I still haven't forgiven.
 
I go to bed.

I oddly liked the interview and I like its frankness. I don't find her so haughty, so many others do much worse and are musical crap. Lana has been modest for quite a long time, so yes I love it when she's simple and down to earth but let's be honest: she's really, really superior to all those artists we hear too much and I love the fact that she shows this that she is, even if that irritates a little. She is aware of her music and does it with an incredible quality-passion that we rarely find. She can take that ego and I don't blame her. After all, she owes us nothing. Let's appreciate the artist and what he has to offer while he's still alive and cut out the rest that isn't music.
 
As for Jack, I hate this guy. Lana's friends are all boring and him too. Another rich boring farting in the silk at every opportunity. It's those clichés of the rich man who finds poor people's activities weird and too cool when one of these friends sets foot there. It is overpriced. Starbucks man hanging out with his disconnected Burgundy girlfriend, talking about spending a day in a popular suburb, and rushing to fill his Instagram with photos he thinks too risky to show his pals he's been through the real life. A cardboard adventurer. Lana is the same I know, but I don't feel that way, at least before. If it rubs off on this guy, it's disappointing. I'm really disappointed that Lana decides to sit with him, her productions are really bland, weak, pretentious and don't bring out anything interesting about her unlike her former producers who were cut out for her. NFR is the album that I like the least, and it didn't deserve the praise because everything is boring in my opinion.
 
Like someone said, either CCOTC is a good record (it won't be great with Jack going to put down his two-chord acoustic piano shit anyway) or it's a real shit. And given the place and who she's heading musically, I feel like it's going to sound like something pompous and overpriced. I hope I am wrong. Obviously as it is less pop and less dark, the critical magazines - which are pure trash cans full - will throw themselves on it to rate this shit 9/10 while they have not stopped pushing BTD (Paradise) deeply and UV which are very very good. No, I still haven't forgiven.
 
I go to bed.

Marina is so talented that we have to put a lot of pressure on her. I was disappointed with L + F, except the acoustic clip versions and Handmade Heaven. With Baby, I thought his heyday had finally arrived (the clip has several hundred million views, and continues to air on TV), and then not much happened.
She deserves so much more recognition from the mainstream, and I can understand how frustrating it is for someone as creative as she is to be left out when the whole top 50 is filled with shit, and that in addition she gets attacked hard when others release very bad albums and are praised by their non-talent. Actually, she should be as famous as Lana (if you take the alt singers).
I think we shouldn't blame her so loudly, even though L + F was disappointing because we all expected an album with a strong character and a strong musical identity like its previous ones, let's encourage it for its next opus. It can surprise us.
Like you, I hope for something a little crazy, like in her "and The Diamonds" period, but I think she doesn't want that anymore, she doesn't want to be an extravagant artist anymore ( judge the simple and basic name of Marina, the look, the more serious side and her age). I hope she won't lose all the magic and perfection that made her reputation that said, she can surprise us and take us far with little.

I love the clip of Ultraviolence filmed on mobile, I couldn't help but watch it over and over again with those summer colors and this amateur thing that makes me crack at Lana + I hope the next record will not be like NFR otherwise it will be a big disappointment for me.

These are obviously unpopular opinions.
I love Lana with all my heart and I will never hate her because she remains one of the most beautiful artists that the Internet has offered us for a very long time.

Marina is so talented that we have to put a lot of pressure on her. I was disappointed with L + F, except the acoustic clip versions and Handmade Heaven. With Baby, I thought his heyday had finally arrived (the clip has several hundred million views, and continues to air on TV), and then not much happened.
She deserves so much more recognition from the mainstream, and I can understand how frustrating it is for someone as creative as she is to be left out when the whole top 50 is filled with shit, and that in addition she gets attacked hard when others release very bad albums and are praised by their non-talent. Actually, she should be as famous as Lana (if you take the alt singers).
I think we shouldn't blame her so loudly, even though L + F was disappointing because we all expected an album with a strong character and a strong musical identity like its previous ones, let's encourage it for its next opus. It can surprise us.
Like you, I hope for something a little crazy, like in her "and The Diamonds" period, but I think she doesn't want that anymore, she doesn't want to be an extravagant artist anymore ( judge the simple and basic name of Marina, the look, the more serious side and her age). I hope she won't lose all the magic and perfection that made her reputation that said, she can surprise us and take us far with little.

You are right on this point.
Her best albums were made when maybe she wasn't well, and now she's at peace with it, so she doesn't need to express herself so much. I hope the fact that L + F didn't work (let alone the previous ones) won't put her off.

Marina is so talented that we have to put a lot of pressure on her. I was disappointed with L + F, except the acoustic clip versions and Handmade Heaven. With Baby, I thought his heyday had finally arrived (the clip has several hundred million views, and continues to air on TV), and then not much happened.
She deserves so much more recognition from the mainstream, and I can understand how frustrating it is for someone as creative as she is to be left out when the whole top 50 is filled with shit, and that in addition she gets attacked hard when others release very bad albums and are praised by their non-talent. Actually, she should be as famous as Lana (if you take the alt singers).
I think we shouldn't blame her so loudly, even though L + F was disappointing because we all expected an album with a strong character and a strong musical identity like its previous ones, let's encourage it for its next opus. It can surprise us.
Like you, I hope for something a little crazy, like in her "and The Diamonds" period, but I think she doesn't want that anymore, she doesn't want to be an extravagant artist anymore ( judge the simple and basic name of Marina, the look, the more serious side and her age). I hope she won't lose all the magic and perfection that made her reputation that said, she can surprise us and take us far with little.

Oh yes I agree so much. To be honest, Lana never does bad covers. These are perfect.

I love the clip of Ultraviolence filmed on mobile, I couldn't help but watch it over and over again with those summer colors and this amateur thing that makes me crack at Lana + I hope the next record will not be like NFR otherwise it will be a big disappointment for me.

I apologize for my horrible english lol

Marina is so talented that we have to put a lot of pressure on her. I was disappointed with L + F, except the acoustic clip versions and Handmade Heaven. With Baby, I thought his heyday had finally arrived (the clip has several hundred million views, and continues to air on TV), and then not much happened.
She deserves so much more recognition from the mainstream, and I can understand how frustrating it is for someone as creative as she is to be left out when the whole top 50 is filled with shit, and that in addition she gets attacked hard when others release very bad albums and are praised by their non-talent. Actually, she should be as famous as Lana (if you take the alt singers).
I think we shouldn't blame her so loudly, even though L + F was disappointing because we all expected an album with a strong character and a strong musical identity like its previous ones, let's encourage it for its next opus. It can surprise us.
Like you, I hope for something a little crazy, like in her "and The Diamonds" period, but I think she doesn't want that anymore, she doesn't want to be an extravagant artist anymore ( judge the simple and basic name of Marina, the look, the more serious side and her age). I hope she won't lose all the magic and perfection that made her reputation that said, she can surprise us and take us far with little.

Marina is so talented that we have to put a lot of pressure on her. I was disappointed with L + F, except the acoustic clip versions and Handmade Heaven. With Baby, I thought his heyday had finally arrived (the clip has several hundred million views, and continues to air on TV), and then not much happened.
She deserves so much more recognition from the mainstream, and I can understand how frustrating it is for someone as creative as she is to be left out when the whole top 50 is filled with shit, and that in addition she gets attacked hard when others release very bad albums and are praised by their non-talent. Actually, she should be as famous as Lana (if you take the alt singers).
I think we shouldn't blame her so loudly, even though L + F was disappointing because we all expected an album with a strong character and a strong musical identity like its previous ones, let's encourage it for its next opus. It can surprise us.
Like you, I hope for something a little crazy, like in her "and The Diamonds" period, but I think she doesn't want that anymore, she doesn't want to be an extravagant artist anymore ( judge the simple and basic name of Marina, the look, the more serious side and her age). I hope she won't lose all the magic and perfection that made her reputation that said, she can surprise us and take us far with little.

Marina is so talented that we have to put a lot of pressure on her. I was disappointed with L + F, except the acoustic clip versions and Handmade Heaven. With Baby, I thought his heyday had finally arrived (the clip has several hundred million views, and continues to air on TV), and then not much happened.
She deserves so much more recognition from the mainstream, and I can understand how frustrating it is for someone as creative as she is to be left out when the whole top 50 is filled with shit, and that in addition she gets attacked hard when others release very bad albums and are praised by their non-talent. Actually, she should be as famous as Lana (if you take the alt singers).
I think we shouldn't blame her so loudly, even though L + F was disappointing because we all expected an album with a strong character and a strong musical identity like its previous ones, let's encourage it for its next opus. It can surprise us.
Like you, I hope for something a little crazy, like in her "and The Diamonds" period, but I think she doesn't want that anymore, she doesn't want to be an extravagant artist anymore ( judge the simple and basic name of Marina, the look, the more serious side and her age). I hope she won't lose all the magic and perfection that made her reputation that said, she can surprise us and take us far with little.

I apologize for my horrible english lol

Oh yes I agree so much. To be honest, Lana never does bad covers. These are perfect.