Get Drunk

Not at all, Billie can hold her own & definitely has her own place on the music scene. BUT, I don’t think much would change if Billie/Finneas produced for Lana. They’ve got their distinct sound & they’ve both said it’s LDR influenced. If they wrote FOR Lana, it would either lose the Billie/Finneas touch and become very LDR or it would remain as a Billie song. I just don’t think it would be valuable. Definitely interesting tho

Imagine a remix of "Brite Lites" by FINNEAS

they would dieeeee to work w lana but i hope she never gives them the satisfaction lmao 
 
Edit: i think it wouldn't benefit lana as much as it would them bc they obviously learn sm from and are inspired by lana. lana needs to work w ppl she herself can learn from and be inspired by 

Honestly? I think Billie and Finneas produce for Lana already if that makes sense. I can imagine Lana on every single one of Billie's songs, they are both so heavily influenced by her. So yeah, I really don't think we'd hear anything special, it'd just be a Billie album sung by Lana

lana will finally cover one of the greatest, legendary, theatrical, jazzy hits of all time: the 2008 umbeeerrrellaaa     

this might sound strangely specific but i'm hoping for more drug references on this record because i've always really loved the way lana writes about drugs. obviously not expecting "snort coke off my tits daddy then fuck me on the balcony" or whatever   maybe it's just bc i'm a druggy myself idk but i've always loved some of her lines about drugs, even her recent ones, like on cinnamon girl for example: "all the pills that you take / violet, blue, green, red to keep me at arms length don't work". such a sad and poetic line that says so much about our self-medicating culture and also how so many of us deal with the pressures of relationships and stuff idk  and of course all of heroin is super heartbreaking and beautiful. but then you have fun, cheeky lines like in heavy hitter - "lets ch-ch-change our dna" - and since drugs are kind of a taboo topic it's always fun to see how an artist might tackle writing about them!

ol man river keeps roooooollllllliiin  
ohhhhhhhh hhhhhhaauuuuuuu aaaaaaawwwwoooooohhnnnnn 

I feel like this is the pre pre pre release thread 

Me, to Lana every damn pre-release era that is disorganized :
 

Lol no let's not give the woman any more excuses she's gone thru nfr n the thread w hints of her sifting thru the forum n taking into consideration plenty of things. uncertainty coupled w waiting just isn't it. she's probably just enjoying her family time w their new kid addition (which is real great, more love) but an update would or even an announcement towards an update would be amazing. 

Not impossible

the photo of her with the rose…number 1 angel the sequel is arriving girlies 

Her new pic on Instagram with the rose & big hair is giving Lana and I’m just obsessed 

Including your post  But at least 100% is high quality spam.

so........... re u guys readi four the Boom Like That interlude?

that's lanaboards pre release for you
 
not to mention the cycle of trashing her previous work and then praising it 

All of these people believing in insiders... 
 
Insiders: *source: trust me bro*

I love how this thread switches constantly between "Omg I can't wait BB will be ethereal" and "Lana's music ain't shit in 2021, here comes another flop again" and people who manifest and create fake tracklists. 

"reliable analboards insider COCC revealed that Lana will post the tracklist today" -LDR fan accounts on Twitter

I have to replay WW for the “it’s true darling” part .. so good

that's true! i find Text Book and Wildfire Wildflower easier to listen to casually, but Blue Banisters.... that song makes me so sad i've barely listened to it 

she‘ll post the tracklist today  

i still blame annie for that interview omg she set lana up so hard idc

The three singles are all excellent so I'm willing to trust her on this era, even if it resembles NFR/Chemtrails but I want some sort of hint at progression. I don't mind NFR/COCC incorporation but if it doesn't show any sort of evolution towards the end of the album, I'll be a little annoyed, even if the songs are amazing. But as I said, the three songs have me pretty hopeful (especially the ending of WW). 
 
Either way, I don't really understand the discourse, especially those arguing for her to remain in the NFR/COCC vein. Like, nobody's gonna hate her if she decides to not change it up much (well, we might pretend to for dramatic effect) but surely those of you who are defending the idea must want something different? Like, it's okay to not be okay with the direction of Lana's music. 

i'm so out of touch that when i think "country + lana" i still think western cowboy movie cinematic shootouts the godfather gunfights tarantino and florida. i'm constantly manifesting that she makes it SIZZZZZZZZZLE again like on 24