Jeanne Dielman

Kintsugi confirmed real x2 YUPPPP

BoZ about the interludes: 
 
If you ignore the pastor on the first one, they are not at all. In fact the instrumental production on both is amazing and I wish they were proper songs with Lana.
 
That being said it's very odd how Candy Necklace is squished between them, but that song... is gonna have a solid segment on some 2025 lanaboards LDR album process spilling session

I'm looking forward to learning about the mess that is apparently the history behind Candy Necklace then 

“Are the interludes that bad though”
Boz: If you ignore the pastor on the first one, they are not at all. In fact the instrumental production on both is amazing and I wish they were proper songs with Lana.
 
That being said it's very odd how Candy Necklace is squished between them, but that song... is gonna have a solid segment on some 2025 lanaboards LDR album process spilling session

Funny how he didn't mention anything about the Dua shade  I guess that makes it true then cause otherwise he would have said something like "do you really believe Lana is randomly shading Dua unprovoked?"
 
We talked extensively about it so I doubt he missed the whole dulagate 

Also didn’t he compare the GEOFOSPWOFISOWO song to MAC. maybe that was more of a hint to the sample than we realized 

an *almost* correct title of the GPOTSJFHVJSDKCDVFJ acronym posted either on atrl or twitter 
????????????????
 
WE NEED TO FIND IT
 

I have no idea where it actually comes from, but yeah I can confirm I've seen the almost correct title on here or twitter I dont remember

BOZ on ATLR

It has to be Cinnamon Girl, Venice Bitch, or Tulsa Jesus Freak

So the sample is a Jack or Drew song then, BOZ said that the sample would have to have ALL of the original songwriters credited on the album 
 
so i think it has to be any of: NFR, MAC, VB, LS, CG, HTD, TG, HIADT…, any song from COCC except Yosemite and BUS/FF, Arcadia, Beautiful, VFR as these are the only songs that have just Lana and Jack/Drew credited as writers

since he said fan fav, my guess is CG or VB at this point
 
i might be forgetting some songs too though

BOZ on atrl just now:  
 
"No shade, but please use MORE brain.
We have entire album credits and yall be guessing the sampled song to be some Rick tracks. Does nobody on the forum know that for any sample or interpolation clearance entire set of writers of the original track gets credited"
 
fvhvdcsjkdcfhjust killed the Honeymoon theories 
 
 

I've been lurking on this forum since just before lust for life! I finally made an account. I'm really excited about this era. I really do think it's gonna be one of her best. Ocean BLVRD really moved me. I do think we will get another single in Febuary but I don't think it will be American Whore probably something we haven't heard about yet
 

BlackoutZone is in the ATRL thread  
 
help us king
 
edit: it’s all real he confirmed  

Pussy Talk feat. Judah Smith 

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major. 
 
 
 

i think this will be the Tommy sample/collab. Specifically the part where she says “they gonna write about it like the right about it.”
 

This is just a very random thought I had as I've been listening to a lot of Ultraviolence lately, but I feel like Ocean Boulevard is going to be the true reaction album to 2020 and the post NFR world, the same way that Ultraviolence was a reaction album to 2012 in a sense. We got moments on Blue Banisters that hinted at everything that went on in songs like Black Bathing Suit, Arcadia and Beautiful, but this album feels like it's going to be the shift back to the rawness that the reception to Lana after Born To Die created in Ultraviolence just based on what we've heard. I don't think it's going to be like Ultraviolence, sonically, though. If anything, I think it's going to be something completely different to anything Lana's done before. I truly believe she's at her best when she's experimenting and incorporating things into her work that other artists wouldn't think to. 
 
I could be completely off the mark here, but it's more so of an observation than anything else. I genuinely cannot contain my excitement for this record 

The number of times the word wild has been used to define the album

these were pretty much my exact thoughts when i heard there’s a "fan fav sample" + I know it’s been so long now but i still haven’t forgotten her final lanadelrey insta post being from the HBTB music video   since then i’ve been expecting a little return to it in some way

He posted a link from that Aha music of the link to track 16 which would only be possible to generate through submitting a snippet of the song to the site. It’s the same way we got the candy necklace title and confirmed fingertips is on the album
 
so at the very least, he does have track 16 on the album

Piano Theme  Part Time Pacific Time Pink Toes Psychedelic Trips   Private Tales Poor Thing People Talk Physical Therapy Passing Through Personal Time Plain Truth Pad Thai Passing Time Point Taken Paramount Trip Pleasant Times  Paradise Takeoff Public Theories Poor Taste Perfect Thief  Post Tension Pearly Thighs 

When the GPSOTSOMFWHDSF reveal is nestled in a print-only Tulsa newspaper as a personals column and is an emasculating dig at Sean. 
 

What if PT is Poor Thing and it’s a Sean diss track 

GPSOTSOMFWHDSF
God Priapus Statue Of The Sins Of My Fathers Who Had Died Seeking Fertility

 

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major.