I know some might find that interpretation of Born to Die to be a bit out there, but look at this very revealing quote from Lana:
There's a new revolution
A loud evolution
That I saw
Back in 2012, she was still trying to play dumb at being some Marilyn Monroe type. They ask her about metaphysics, and she starts dancing around the subject like it's on fire:
At the end of the Tropico film, you see them ascending to heaven and flying saucers appear. From what I can gather from the crumbs she's dropped, she wanted the world to attain a higher level of consciousness so they could finally go into space and make alien contact (itself a very New Age idea). "I'm more into SpaceX and Tesla, what's going to happen with our intergalactic possibilities."
On Born to Die's meaning, the only lie is one of omission:
I was so confused as a little child
Born of confusion
And quiet collusion of which
Mostly I've known
On how she uses men from her past as archetypal figures in her work (2012):
On how particular she is about choosing everything in her videos to fit into her archetypal world (2014):
Cigarettes and Robitussin
Will I ever get to heaven?
I’m gentle.
I’m funny when I’m drunk,
But I haven’t been drunk for 14 years.
Lana points back to 2006 as being the pivotal year.
Hello it's the most famous woman you know on the iPad
Calling from beyond the grave, I just wanna say
"Hi dad"
Rob still knows her as Lizzy; does she call him from "beyond the grave" because Lizzy died on the day she saw palm trees in black and white?
On how nobody understands her music and she'd like to keep it that way:
Get out of my blood, salamander!...
And yet, everywhere I go, it seems there you are,
And there I am.
Before touching on Kundalini in a poem, Lana uses blatant alchemical symbolism with the salamander (called, like Jim, a fire-eater). The salamander being another fire emblem (not the Video Games); the Sulphur as all-consuming fire that is the source of true poetic insight. She would rather keep her inner life private, but the fire in her veins compels her. (Since this part of the board is indexed on Google, maybe I'm even giving away too much? Or maybe this is all just mad ravings.)
On fighting her Shadow and monsters:
Shaking my ass is the only thing that's
Got this black narcissist off my back
She couldn't care less
And I never cared more
In her "Money Power Glory" commentary, she mentions that it was inspired by Carl Jung and the concept of projection--but it also serves as an exorcism of her degenerate beauty queen persona (and let's face it, it was a persona).
Monsters still under my bed
That I could never fight off
A gatekeeper carelessly dropping the keys on my nights off
What gatekeeper? To what gate? The only one I can remember is from, again, "Bel Air"--
@DeadAgainst i just wanted to say, it makes me so, so happy to see somebody making contributions to this amazing, spellbinding thread, even if sometimes it’s difficult to keep up with it all lol!
do you have any thoughts about the track “born to die”? it’s a song i’ve been quite into lately, it feels significant to me, at this moment, somehow, spiritually? subconsciously? psychologically? it could be anything, but i definitely feel like there’s a lot to be said about that song, it just feels so subtle, abstract, as she said in “joshy & i” so hard to reel in