forkpt1

didn't know what to expect tbh and i'm surprised. i really like it, very subtle grace vibes

she needs to be working on blackout 2.0 not another contract!

looking sluttier than ever 

Did you guys see that?
Its so fucking amazing!! I wish someone did a full version already

Yes you're right she said his friend I think I have a video of her talking when I get home I'll check and post

this is martin right...?
 

Close look of 13 Beaches.

 
It seems as if she’s made it through Lust for Life so far -
http://instagram.com/p/Bd6hLo0FewY/

Suddenly I despise the Boston twinks!

I’m on a patriots live chat during games and I recruited some new Stans

i hope she keeps wearing her hair like this

Photos are beginning to roll in - 

 
Selfies with fans - 

KING!!!!

Hello everyone. Not sure if many of you know, but i'm pretty good with editing music. So i decided to create a Deluxe Edition for LFL. It includes my own edited versions of songs, along with BAR, and an Interlude to better transition into the second half of the album. For a taste of how it transitions with the interlude, here's a snippet http://picosong.com/wyC4T/
Tracklist



Note 1. Songs with ** Next to them are special mixes created by me.
Note 2. For Daisy Chains, i mixed the Alt. Mix and Album Version together. It's wayyy better imo
Note 3. When the instrumentals leak, i plan on making solo versions for all songs with features. Then i will add them as bonus tracks.

Link


 
(Update March 18) 
 
 
 
ENJOY :)

Hey everyone!
One thing I love to do is look at Lana's activity from when she was working on a record or what she says about working on a record and use that evidence to help formulate a timeline of when she began or finished writing songs on that record. 
 
I feel like LFL was the perfect record to do this with, considering Lana was pretty active outside of the studio with this record, and a lot of it deals with themes that were very current and had to do with the real world.
 
Please share your ideas and thoughts and discuss! 
__________________________________________________________________________________________________________________________
September 2015 - November 2015
“Lust for Life" (solo, "art song" version)
-Lana states that this was the first song she wrote for the record
-in an interview with KROQ in July 2017, Lana states that she began working on the record the day she put out “Honeymoon”
December 2015 - February 2016
“Heroin”
-December 2015, Lana attends a Motley Crüe concert (“Life rocked me like Motley”)
-February 2016, Lana talks about “a clarity of inner dialogue” regarding her new album during a Billboard event
-that same event, her hair resembles that of an iconic look of Sharon Tate, whose death is referenced in the song (“Writing in blood on all my walls…” She also told Billboard mag in October 2015 that she was asked to play the role of Sharon Tate in a film
March 2016
“Get Free”
-Originally titled “Malibu” - Lana was spotted in Malibu frequently during this time, and the song was regarded as an earlier, darker track in the Billboard 2017 interview
-She posted about being in the studio this month 
 
 
April 2016
“Love”
-Lana spotted with Emile Haynie frequently
-Love lyrics tweeted by insider/leaker as early as April 2016
 
“Groupie Love”
-Lana saw A$AP Rocky perform at Coachella, and has stated that she was inspired by Rocky’s “groupie” female fans
 
May 2016
“13 Beaches”/"Something Real"
-Lana spent a lot of time on the beach during Spring 2016 and in the Billboard 2017 interview, this was regarded as an earlier, darker track.
-She posted about being in the studio this month
(cr: @@Eclipse for month/year)
 
June 2016
"Yosemite"
-I know it's not on the record, but Lana was spotted at Yosemite National Park on June 13, 2016 with Chuck and Stella, so maybe around this time, she was inspired to write Yosemite?
 
July - August 2016
“13 Beaches” (also worked on in summer?)
as Paris Match Mag stated that Lana wrote the song “last summer” in spring 2017
 
 
September 2016
“Lust for Life” (recording with The Weeknd)
-Lana stated in an interview Zane Lowe for Beats Radio 1 that he jumped on the track soon after his dramatic haircut
-it was also around this time that Lana most likely recorded her vocals for The Weeknd's album, Starboy, which she featured on "Party Monster" and "Stargirl (Interlude)"
 
September 2016 - January 2017
“God Bless America - And All the Beautiful Women In It”
-Lana talked a lot about the importance of politics on social media and this was most likely the record’s “stylistic turn” she referred to in a KROQ interview in July 2017
 
October 2016
"Groupie Love"
-potentially re-recorded Rocky verse done during this time which was stated to be done 6 months after initial recording (potentially April 2016) in interview with Zane Lowe for Beats Radio 1
 
October 2016 - November 2016
"Best American Record"/"Architecture" VIDEO
- Again, not on the record, but I thought it should be included.
- I don't have any evidence as to when this track could have been potentially written but the video (which turned out to be for White Mustang) was most likely filmed in Oct/Nov 2016, so it was done before then. I would say it was an earlier track, so it could be anywhere from September 2015 (assuming it was a song written after HM) to the time the video was filmed
- lyrics posted on November 27, 2016:  http://lanaboards.com/index.php?/statuses/user/1645-eclipse/?status_id=109008
 
November 2016 - January 2017
"Groupie Love"
- another potential date, as Lana also saw A$AP Rocky at Camp Flog Gnaw Carnival with Stella in Nov. 2016 (seeing his female fans go wild for him, inspiring the song, as Lana has said)
 
“When the World Was at War We Kept Dancing”
-The timeframe between Trump’s election and appointment in office, and the song is a commentary and staying hopeful in the era of Trump
 
January 2017
“Tomorrow Never Came”
-Most likely worked on in 2016, but it is known that Sean Ono Lennon added his production and vocals around this time
 
March - April 2017
“Cherry”
-Stated that this was written “at the end of the record” in interview with Zane Lowe for Beats Radio 1
-finished before May 18, 2017
 
"Roses Bloom For You"
-Again, not on the record, but in a snippet Lana posted on Instagram in June 2017, she stated that she wrote the song in March in the caption. 
 
“Coachella - Woodstock in My Mind”
-Began on Lana’s way home from Coachella on April 17, 2017
-Possibly worked on in May 2017 as well
 
“Beautiful People Beautiful Problems”
-Registered in 2015, possibly worked on with Justin Parker in 2012 OR Nov. 2015
- News of collab with Stevie Nicks broke in late April 2017, most likely track already had Stevie’s vocals ready in early-mid April 2017 before news was revealed
 
May  - June 2017
"Groupie Love"
-potentially re-recorded Rocky verse done during this time which was stated to be done 6 months after initial recording (potentially November 2016) in interview with Zane Lowe for Beats Radio 1
 
“Summer Bummer”
-one of the last songs for the record, considering the record “loosened up” as it progressed
-features "Magnolia" vocal stems from Playboi Carti, which was released in April 2017
-one version finished before June 2, 2017 (snippet posted that day)
 
“In My Feelings”
-after G-Eazy and Lana’s break-up in May 2017
 
“White Mustang”
-written about Barrie James O’Neill OR G-Eazy (most likely the latter, with Lana’s “AND IT WASN’T EVEN THAT GOOD!” comment at the Denver Show on 1/7/18)
-finished before June 8, 2017
 
“Change”
-last song written for the record
-written on June 8 at approx 8:00 PM and finished on June 9 at 2:00 AM (June 8 is the same day the WM snippet was posted, her cap and makeup from the recording sessions are the same as the snippet, a fan also saw her that day, confirming the date)

"my songs know what you did in the dark (light em up)"
 
perfect analogy for those 2 songs rn   

Have no fear, I asked the I Ching if Lana will win lmao
 
 
 

Radiohead hasn't been relevant for years. They are just trying for publicity. I've listened to both songs and while they are similar the idea that Lana plagiarized is baseless. The songs are two completely different songs. They are not the same song and the chord procession while similar is not the same. 

I hope the judge is a lana stan

Ewwww shame on Radiohead acting like a bunch of pricks!!! It's tragic that such an iconic band would stoop to such a low level. I'm absolutely disgusted!! They could have compromised with 40% which Lana so benevolently offered to them. They will lose the case for sure. They don't deserve even 1%. Bloody Greedy Motherfuckers

Lmao they were so ridiculous and petty for only accepting 100% Lana offered them 40% which is more than enough for a little similar pre-chorus but wow....They truly are fucking desperate 

Where are the youtube videos that compare both songs? I can't find any? I don't think they sound similar enough to go to court. They want 100% of the publishing? Let's mash up Get Free and Creep and call it Greed!
 
How ironic... Radiohead have to pay royalties to the Hollies. Nice circle of copycats!
 

 

Thanks Radiohead for ruining the potential of a great song to close shows with. Greedy assholes.

https://pitchfork.com/news/radiohead-sue-lana-del-rey-for-allegedly-copying-creep/
 
https://twitter.com/LanaDelRey/status/950065789549166592?
 
 
https://www.alternativenation.net/radiohead-call-lana-del-rey-lying-plagiarism-lawsuit/
 
 
As Radiohead’s music publisher, it’s true that we’ve been in discussions since August of last year with Lana Del Rey’s representatives. It’s clear that the verses of “Get Free” use musical elements found in the verses of “Creep” and we’ve requested that this be acknowledged in favour of all writers of “Creep.” To set the record straight, no lawsuit has been issued and Radiohead have not said they “will only accept 100%” of the publishing of “Get Free.”

She better win her case! If those old hags win i

Agreed. Rumor has it, MGM Grand offered her a contract for a residency in 2019 though