Miss Doing Nothing

Lana said she was really inspired for this project. Before NFR she didn’t feel inspired at all. Jack would just play cords and she would sing to it. So, it’s save to say it does sound different then NFR. Looking For America might be her starting point for the sound and I love that!!!

Maybe ‘Tulsa Jesus Freak: White Hot Forever’ is the title?

Super excited for the potential double release of TJF and WHF!

Maybe ‘Tulsa Jesus Freak: White Hot Forever’ is the title?

Maybe ‘Tulsa Jesus Freak: White Hot Forever’ is the title?

Lana said she was really inspired for this project. Before NFR she didn’t feel inspired at all. Jack would just play cords and she would sing to it. So, it’s save to say it does sound different then NFR. Looking For America might be her starting point for the sound and I love that!!!

Maybe ‘Tulsa Jesus Freak: White Hot Forever’ is the title?

Lana said she was really inspired for this project. Before NFR she didn’t feel inspired at all. Jack would just play cords and she would sing to it. So, it’s save to say it does sound different then NFR. Looking For America might be her starting point for the sound and I love that!!!

I have to reread her controversial post, honestly, because a lot was going on in that one. About the possible controversy of her lyrics on COCC, what I think it’s about is her going back to topics like sadness, depression (didn’t she post Leather Patent right after that, which hints at being fragile and contemplating taking your own life by stepping into the sea?), wanting to be in love (which is considered « anti-feminist” these days, more often than not).
So, I’m expecting lyrics in the range of Sad Girl, Hope, and so on, rather than assertive and controversial lyrics like Cola or Fucked My Way Up to the Top. Again, like I said, I need to reread the whole thing to make sure it’s what she meant.

Lana said she was really inspired for this project. Before NFR she didn’t feel inspired at all. Jack would just play cords and she would sing to it. So, it’s save to say it does sound different then NFR. Looking For America might be her starting point for the sound and I love that!!!

Lana said she was really inspired for this project. Before NFR she didn’t feel inspired at all. Jack would just play cords and she would sing to it. So, it’s save to say it does sound different then NFR. Looking For America might be her starting point for the sound and I love that!!!

I just realized I want her to stop saying one word over and over in her songs

I just realized I want her to stop saying one word over and over in her songs

I just realized I want her to stop saying one word over and over in her songs

She might rhyme chemtrails with fingernails

Sonically :
 
Shades of Cool
West Coast
Thunder
Venice Bitch
FILLY
The greatest
Looking for America

I was hoping it would rhyme with up, shut up, fucked up. Something like that. Also I hope she manages another ‘cause he knows I’m wasted/Casino Oasis rhyme again

I was hoping it would rhyme with up, shut up, fucked up. Something like that. Also I hope she manages another ‘cause he knows I’m wasted/Casino Oasis rhyme again

chemtrails over the country club fuck it now give me your cock my love

The instrumentations are a bit witchy. I recently listened to them and I felt it held a sound of it

the pandemic's sorta just working for her imo. I mean, aside from more of the intensity of internet n social media use bc of it, she literally just needs to post something, and her fanbase'll just eat it up. pros would b she's always been this way anyway, con is that there's just a magnification to it bc people have less to do w more time in their hands. 
 
w the poetry book, I hope people really soak it in properly, and w the music as well. it's easy to quote someone for ur own purposes but takes a lot more dedication to hear and listen to what she has to say as a whole, or even in chunks. 
 
I do think a good interview or two would do her well to sort of prevent that from happening, as some kind of failsafe. 
 
they opened up studios and filming I think earlier last month, so I'm sure they'd be able to pull something off w videos/photoshoots if they wanted to. though I don't really mind more home videos, as long as they're at least well thought of. Snap a few pics, format them. and her music/work'll just simmer everything together like it usually does imo

I only thought of Lust for Life with the do-do-do and the shut up, shut up in between. I didn’t think of sotw, but that’s the same sound! I would love it if COtCC sounds like season of the witch It would be really nice

When I read that, I imagined they would sound a bit like Season of the Witch, which I’m all for, but not on Chemtrails?!

Especially since a lot of the rejects from NFR are Shangri-la inspired

I’m torn between loving and hating deluxe editions. She hates them because it kinda changes the narrative of the album and she is one of the few artists nowadays whose albums always tell a story. BTD and UV’s stories do end with the last track of the standard edition; the only project where the bonus track doesn’t change the narrative is Paradise with Burning Desire. So I prefer no deluxe editions to her albums. However, we also got stellar tracks from Deluxe editions, like Lucky Ones, Black Beauty, Flipside and Is This Happiness...
I’m not sure about the rejects from NFR and LFL though. She could keep them for an Unreleased collection for the next years, especially if they don’t fit the narrative of COCC.