White Dress

I know Charles well and I can tell she’s very effected by how much we don’t love In The City. I think she thought she’d have a little smash on her hands and is probs gonna do the whole “I don’t like that one anyway” thing a year down the line. 
 
I kind of wish she didn’t put it out because it just was such a mess even without the Sam feature (para MI)

I know Charles well and I can tell she’s very effected by how much we don’t love In The City. I think she thought she’d have a little smash on her hands and is probs gonna do the whole “I don’t like that one anyway” thing a year down the line. 
 
I kind of wish she didn’t put it out because it just was such a mess even without the Sam feature (para MI)

I know Charles well and I can tell she’s very effected by how much we don’t love In The City. I think she thought she’d have a little smash on her hands and is probs gonna do the whole “I don’t like that one anyway” thing a year down the line. 
 
I kind of wish she didn’t put it out because it just was such a mess even without the Sam feature (para MI)

I know Charles well and I can tell she’s very effected by how much we don’t love In The City. I think she thought she’d have a little smash on her hands and is probs gonna do the whole “I don’t like that one anyway” thing a year down the line. 
 
I kind of wish she didn’t put it out because it just was such a mess even without the Sam feature (para MI)

Agreed probably wouldn’t be as let down if not for the terrible descriptions on what to expect people need to stop calling this basic ass music eXpErImEnTaL pls Oprah thesaurus giveaway when  like parts of this are catchy for sure bridge and outro standout but this is categorically not what people thought it was 

This is so safe for what I was expecting. Literally could go smack in the middle of FN which isn’t bad per se but like… I was expecting more idk
 
Chorus is also just such a non-event 

This is so safe for what I was expecting. Literally could go smack in the middle of FN which isn’t bad per se but like… I was expecting more idk
 
Chorus is also just such a non-event 

I know Charles well and I can tell she’s very effected by how much we don’t love In The City. I think she thought she’d have a little smash on her hands and is probs gonna do the whole “I don’t like that one anyway” thing a year down the line. 
 
I kind of wish she didn’t put it out because it just was such a mess even without the Sam feature (para MI)

This is so safe for what I was expecting. Literally could go smack in the middle of FN which isn’t bad per se but like… I was expecting more idk
 
Chorus is also just such a non-event 

I know Charles well and I can tell she’s very effected by how much we don’t love In The City. I think she thought she’d have a little smash on her hands and is probs gonna do the whole “I don’t like that one anyway” thing a year down the line. 
 
I kind of wish she didn’t put it out because it just was such a mess even without the Sam feature (para MI)

I do. And I can hear what was done with who. It sounds like a demo that Charli made with George, was sent to AG to help with some percussion here and there plus the outro fx. The generic bass drop is very George. 

Revisiting this song, I really love it. Don’t know why it got so much hate… it’s like SOPHIE’s take in We Can’t Stop by Miley which is kind of camp 

This sounds like a soulless Zara Larson EDM collab 

This. It’s undoubtedly because Ali Payami was at the helm of production choices. I can respect him pushing his usual sterile pop boundaries to do something vaguely more industrial leaning but he just doesn’t seem to have those tools in his toolbox. 
 
Good ideas across this thing, poor execution. It’s like if you asked Dua Lipa to make a Nine Inch Nails album lol

This letter says nothing wrong and Lana can put her name to it if she likes, like the many other celebrities who have. The criticism some people seem to have is what the letter doesn’t say. I personally think that celebrities shouldn’t sign open letters which tend to be broad and bland. If they really feel they must comment, a statement should be personally issued so it can be more nuanced. I can only imagine the pressure to sign them though and avoid the “Lana Del Rey refuses to condemn terrorists” stories. If you feel it’s a mistake, it’s a small one and doesn’t mean anything anyway. Stop holding her to some sort of impossible standard please. She’s just trying to be empathetic. 

Just because Lana wants civilian hostages freed, doesn't mean she's "pro right wing Israeli gov" or "Anti Palestine." Could she do more to support Palestinians, sure, but the idea that people are upset with this one opinion that hostages should be free is just baffling to me.
 
TBH, it could also be argued that she and others could have done MORE to support the Jewish community after the 10/7 attacks, which resulted in the greatest loss of jewish life since the Holocaust, and yet you people are upset about a letter advocating for the freeing of hostages?
 
Genuinely shocked at this community right now....

So… is this song doing anything commercially? Was it really worth it Charles?

Out out and hot in it  let’s not lie 
It would be better received if it was unreleased me thinks 

What does she do on the daily exactly? 

What does she do on the daily exactly? 

ok the hate towards sam is getting way too much. i was having a giggle and being catty because i don’t really like their voice/music but they’ve done nothing wrong and the amount of hate is insane. weird fr, i feel like no one else gets this level of criticism and backlash.
 
now the song on the other hand…generic!

Stop it, you know there’s a difference between Out Out Charli and Dreamer Charli or Hot On It Charli and Pink Diamond Charli, she always attempts to do those producer/pop-girl collab hits and they fail every-time

I do. And I can hear what was done with who. It sounds like a demo that Charli made with George, was sent to AG to help with some percussion here and there plus the outro fx. The generic bass drop is very George. 

She needs to stop with these Anne Marie/Zara Larsson/Jess Glynne songs, Dirty Sexy Money was the most palatable but when she does these songs it’s so  like?? You’re better than this Charles

Revisiting this song, I really love it. Don’t know why it got so much hate… it’s like SOPHIE’s take in We Can’t Stop by Miley which is kind of camp