gmcoleman94

I hadn't realized how long I've gone without posting in here but I've been keeping up. Yesterday I saw Charli at the Z100 Jingle Ball pre-show. She did I Love It, Breaking Up, Break the Rules, and Boom Clap. I also ended up getting to meet her after! Pictures are in the spoiler. I also love Sucker and it turned out to be a really cohesive album (minus Boom Clap, but that's another story). I'm excited for her to come back and tour the US again so I can hear the new songs she didn't do on the last leg.
 
 
 

I hadn't realized how long I've gone without posting in here but I've been keeping up. Yesterday I saw Charli at the Z100 Jingle Ball pre-show. She did I Love It, Breaking Up, Break the Rules, and Boom Clap. I also ended up getting to meet her after! Pictures are in the spoiler. I also love Sucker and it turned out to be a really cohesive album (minus Boom Clap, but that's another story). I'm excited for her to come back and tour the US again so I can hear the new songs she didn't do on the last leg.
 
 
 

I hadn't realized how long I've gone without posting in here but I've been keeping up. Yesterday I saw Charli at the Z100 Jingle Ball pre-show. She did I Love It, Breaking Up, Break the Rules, and Boom Clap. I also ended up getting to meet her after! Pictures are in the spoiler. I also love Sucker and it turned out to be a really cohesive album (minus Boom Clap, but that's another story). I'm excited for her to come back and tour the US again so I can hear the new songs she didn't do on the last leg.
 
 
 

I hadn't realized how long I've gone without posting in here but I've been keeping up. Yesterday I saw Charli at the Z100 Jingle Ball pre-show. She did I Love It, Breaking Up, Break the Rules, and Boom Clap. I also ended up getting to meet her after! Pictures are in the spoiler. I also love Sucker and it turned out to be a really cohesive album (minus Boom Clap, but that's another story). I'm excited for her to come back and tour the US again so I can hear the new songs she didn't do on the last leg.
 
 
 

I hadn't realized how long I've gone without posting in here but I've been keeping up. Yesterday I saw Charli at the Z100 Jingle Ball pre-show. She did I Love It, Breaking Up, Break the Rules, and Boom Clap. I also ended up getting to meet her after! Pictures are in the spoiler. I also love Sucker and it turned out to be a really cohesive album (minus Boom Clap, but that's another story). I'm excited for her to come back and tour the US again so I can hear the new songs she didn't do on the last leg.
 
 
 

I hadn't realized how long I've gone without posting in here but I've been keeping up. Yesterday I saw Charli at the Z100 Jingle Ball pre-show. She did I Love It, Breaking Up, Break the Rules, and Boom Clap. I also ended up getting to meet her after! Pictures are in the spoiler. I also love Sucker and it turned out to be a really cohesive album (minus Boom Clap, but that's another story). I'm excited for her to come back and tour the US again so I can hear the new songs she didn't do on the last leg.
 
 
 

i really hope charli doesn't put i want candy on the album. its a cute cover and all, but i feel like its a waste of a track. idk

http://www.complex.com/style/2014/07/neil-krug-interview
 
How did you and Lana get in touch to do the artwork for Ultraviolence?
It's something that has been in the air for the long time. Since 2012, Lana's fans have sent messages to me asking the two of us to collaborate.  (this literally being a shoutout to me)
I generally don't get mail from other musicians' fans, but her audience is dedicated and had me on blast even before we met. Strangely, Lana had picked up a copy of Pulp Art Book years ago but was told that I was dead from a friend of hers, so it came as a surprise when someone at her label suggested that we work together on Ultraviolence. This was the right one for us to do together, as well. It has all of the right elements, and I'm in a good phase to jump on her moving train.
The album cover is a striking, almost haunting image. How did you decide on this shot in the end? 
The cover photograph of her getting out of the car was always one of our top selects. The image was taken in her driveway on our first day of shooting and stood out from the beginning. When we met, we discussed the idea of the cover being the reverse of what you would expect from such a bold album name. When you hear the title Ultraviolence, you almost expect some sort of explosion happening or her shirt covered in blood.
We both agreed that the artwork should have all the undertones present without having to blast it in your face. Stylistically, I was going for something that felt like a lobby card from a bygone midnight movie. In my mind, the cover needed to feel like the last frame of a '60s Polanski film, where the audience has been properly traumatized, and this is the last thing they see before the credits roll.

How does the cover represent the album concept or the title, Ultraviolence?
For me, it says it all without saying anything. It's an easy read when you look at it from a marketing perspective, because it perfectly communicates Lana's vision and is a clear image of her to absorb. For the fans who sit and listen, I think the image will reveal itself like a magic eye pattern. The image is like a window into the narrative.
What do the other photos in the box set represent? The ripped jeans, Lana in the car, the flowers, the city, etc. Where did you shoot them?
All the images she chose are pieces of a bigger picture that work as devices to put you in the right mood or frame of mind—the same way an author can lead you down the rabbit hole with the situation in which he or she places you. We called the selections "in-between moments" when we did the edits in my studio. Everything you see is the moment or action before and after, but not "the moment," if that makes sense. The ripped jeans Polaroid was taken in my living room, and the car shots were taken in her driveway. The allegorical smoking in the hydrangea image is a favorite of mine and was taken at Frank Sinatra's house outside of Los Angeles.

You also shot Lana for our Complex cover. What was that experience like, and what were you going for having done her album photography?
For me, the magazine shoot and the album packaging are two completely separate ideas, so the creative shift is how she is styled and the location choice.  The overall vibe is similar, probably because it's the same guy behind the camera. All of my shoots with her were done so quickly that's it difficult for me to be objective right now, simply because there are so many photographs over such a short period of time.
How did your style as a photographer develop? Have you always been into colorful images, warm hues, Americana, psychedelia, and graininess?
Since the early days I've always tried to keep the work in this space between illustration and photography. Whether the unnatural vividness of the colors is the narrative device or whatever else might be going on, the style is a hodgepodge of many ingredients.
"Window Water Baby Moving" versus "Gantz Graf" if you like. I love making images but never thought I would make photography a career in any capacity. In fact, photography is the only class I ever completely failed in high school. I remember my teacher passing along advice in the vein of "find another outlet for creative ideas." 

Do you have any plans to make a third Pulp Art Book? Why or why not?
Right now I don't have any plans to make another Pulp Book. It's a slightly complicated story, but Joni and I parted ways in 2013, so I don't see any new work from that project happening anytime soon. That being said, we have a giant archive of unreleased work that may come out in some form, but it's hard to say. I could see us releasing a collection of unseen prints, but sitting down to make a new book together again would be difficult. I will forever be proud of that imagery, but it does feel like the old me in a lot of ways. I want the next monograph I do to be completely different.
Is the present ever as intriguing as the past?
The present is far more intriguing and unknown.
If you had unlimited money or resources, what types of projects would you do?
I don't think I would change much to be honest. I love what I do and feel blessed to be in a position to shoot the type of projects that interest me. With unlimited resources I would probably spend a little more time getting the look and narrative just right, or going to more exotic locations, but at the end of the day, you can make magic anywhere. For me, limiting yourself forces the creative side to find a solution which keeps the work more focused.

I've never cringed so much

I just realized this bitch doesn't have a Vevo
 
How's she ever gonna get a hit

I think Lana is doing this because I remember reading somewhere that Lana had to cut down on the songs on Ultraviolence. I think this is Lana's way of giving us all of the songs that she wanted. I mean, Interscope probably doesn't want her to do a 16 song album (or more, if she gives us any more surprises. *crosses fingers*) because I *think* it's typically in contracts how big albums will be, but they probably wouldn't mind letting have exclusive tracks. They know that hardcore fans will buy multiple copies to have every song, if they have the money.

This might sound stupid but I actually kind of like collecting all the different additional tracks to merge them into one album, it was quite a similar situation with Electra Heart. It makes me feel like I have a fan-exclusive super deluxe edition

Our fanbase has the best problems
They leaked too many songs of our fave!
Our fave is giving us too many songs!
Horrible

We get it, you don't like it 
An 11 track album was "too short" to some, now we have 16 tracks and it's still not perfect. C'mon, 16! It's exciting!

We don't even need AF remastered. It's finished--fully produced, mixed, and mastered. I don't know what else people could need...?

12,000 copies sold 

I love how the guy interviewing doesn't even realize Charli has already put out a record

It really differs at each show. In Connecticut, I showed up at 11:30 and got front row, but in Philly, if I had showed up at 11:30, I would have been farther back. I'd get there at 7 or so to guarantee that you'll get barricade.

So, it's 12:30 at night, I'm procrastinating my homework. decided to listen to some good ol' Lizzy Grant. I come across this cute newport commercial on youtube and i slap it together with audacity because i thought it would sound cool
 
NOT TO BE TAKEN SERIOUSLY lol
but yeah i had fun with this in the 30seconds i made it..
 
https://soundcloud.com/florida-yayo/for-k-part-2-newport-mix

Are we just gonna forget Lana shading Cedric
https://vine.co/v/MJbtTTY5jE9
 

Same actually. I wasn't before, but I got used to it and now I am. Especially after Boom Clap... It's a really cute song but just has no character to it. It's very bubblegum and generic. If she's not going to serve the intense retro synthpop of True Romance, then she might as well at least do some awesome punk. Boom Clap is just straight pop with nothing else to it.

Recently, in a manner of vagueness we've come to expect from her, Lana Del Rey announced "The Dreamland Sessions"--what appears to be another photographic collaboration with her sister, Chuck Grant. Both have posted about it and we've gained these pictures:
 
 
 
 
Dreamland was once "an ambitious amusement park at Coney Island", known to put on many freak shows. An appropriate enough photo shoot for the Queen of Coney Island. Will it be more than photos? Why are they so vague? Will there be backlash for her Indian-inspired boots? Do they support her frame?! We shall see.

I much prefer Superlove to Boom Clap though. Boom Clap just doesn't have the same energy as Superlove. I can't go crazy dancing and singing to it in the same way. I was actually just listening to Superlove a bit ago after Boom Clap and after all this time it still has more power than Boom Clap. It really became one of my favorite Charli songs.

She's just a mess.mp3

Idk I think lana already has enough pairs of shoes :/