IanadeIrey

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

Thank you so much! You too!
and yes, I'm praying too 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

The whole album. 

The whole album. 

Thank you so much! You too!
and yes, I'm praying too 

Here is my alternate interpretation of the lyrics. I believe that this song is talking about letting go of the past and embracing the future, through the lens of a lost relationship (Barrie if I had to guess) and some of the Manson references we've already talked about a lot. Hear me out! I think the storyline here is she is up awake at night in her home, restlessly thinking about the past and looking to the future. This is SO long - sorry!
 
 

- When legend Stevie and Lana sing together at the end of Beautiful People
- The opening of 13 Beaches with the movie sample and orchestra
- The White Mustang whistling
- The drums before the Cherry chorus
- The whole bridge of Heroin
- The humming at the end of Change. I cry

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

The whole album. 

The whole album. 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

oops, I heard "out" this whole time. I kind of like it better though 
 
and thank you! You've got near perfect taste too, then

Heroin is one of her most magical songs she's ever released, the whole song is a MOMENT

Up* 
 
Edit: your taste is near identical to mine<3 I agree with almost alllll of these specificities 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

To be specific, 
Love - the last "and in love" where her notes soar high, and the outro, "don't worry baby"
Lust for Life - the anticipation of the moment the song starts; you hear air clearing, with the revving of a motorcycle, and then BAM! "(Uhhmmm) Climb up the H." The twinkling piano notes are beautiful as well.
13 Beaches -  the moments the satellite noise hits in the pre-chorus, so unique.
Cherry - the drumroll pattern, when the beat drops, the quiet swear words laced throughout the tracks, and the "Why?" part
White Mustang "You're revving and revving it up" and the moment after the second whistle (you can hear some strings and piano and bass, it sounds like a sci-fi show theme)
Summer Bummer - the siren notes in the background after Rocky's verse, and the outro of those siren notes.
​Groupie Love - the plucked strings in the pre chorus and the hazy, dreaminess in the chorus, the backing whisper of  "having my baby" right after she sings "Having my baby right next to me" the faint moan/sigh right before "And every time we hook up"
In My Feelings - the moment the beat drops right before "Cause you got me in my feelings" and the bridge vocals. Bop alert!1!!!11!!!
Coachella - Woodstock in My Mind - that futuristic sound the moment the song starts, the first "I'd trade it all" and of course, the bridge
God Bless America - And all the Beautiful Women In It -  the bridge, and the slightly folksy but regal instrumental when she says "Even when I'm alone"
WTWWAWWKD - "Shake it out, throw your hands up and get loose..." and the soprano vocals in the choruses
BPBP - The hums in the bridge, the last moment when Lana and Stevie alternate between "yeah" 
TNC - the first triadic chord of "hey, lady lay" and the bridge
Heroin - the whole song. The bridge is bliss. Best song on the record.
Change - the transition between first chorus and second verse, the last piano note of the song.
Get Free - whole stanza about the rainbows, the "shadup, shadup!" and "touch, touch!" in the background. The moment towards the end where the shouty Lizzy vocals begin to overpower the sweet, languorous Lana vocals. The entire last minute, with the seagulls and the beach sounds, the sound of freedom. 

The whole album. 

the piercing wall of sound released at the chorus of Love
 
the glimmering piano twinkles and howling wolves on Lust For Life
 
the vocal synth applied when she sings "across that county line" and the little techno blipips n bloops on 13 Beaches
 
the drum roll bombarding the repetition on Cherry, along with the final chorus adlib when she says "why" 
 
the genuine revving sounds and the simplistic yet winding melody on White Mustang
 
her highpitch vocals on the 'bridge' of Summer Bummer where it sounds like she's saying 'like doves in the summah' 
 
the little pling pling pling of the guitar before the chorus n verses, along with her hazy n breathy vocals come second verse
 
'crying while im cumming' and the overall badass bitchery of In My Feelings
 
the bridge on Woodstock is reminiscent of Honeymoon's, in which it's fucking ethereal and majestic and that's on that.
 
the guitar and her vocals upon GBA, i actually like the gunshots tbh
 
the melody and attitude within the pre-chorus and the hypnotizing repeating of 'is it the end of an era etc.'
 
her and spongebob's duet on beautiful people beautiful problems is great, plus the ending where they're like softly fighting their 'yeah's is great
 
ALL OF TOMORROW NEVER CAME IS MAGIC HENNY
 
ALL OF HEROIN IS MAGIC HUN
 
ALL OF CHANGE IS INCREDIBLE
 
ALL OF GET FREE IS LIBERATING AND GORGEOUS

Imagine Spotify Sessions or something like that and we miraculously get all songs acoustic  
 
This alongside your icon makes me like you random person have a nice day
Let's pray LDR6 is all about beachy happy imagery

I want a surf rock, more 50's glamour California sound. Something like the fake snippet of Love from January that sounded very beach-y and like a mature Lizzy (a la Kill Kill or Trash Magic demo)
 
My icon is an aesthetic I'd like for LDR6, maybe a title like "Good Vibrations."
 
I was saying it in another thread, but it's very possible, as "into the blue" (AKA water AKA being freed) is a jumping off point for LDR6, and the end of Get Free is basically what you hear at the beach, so  

I'm thinking latest July 2019, but definitely not before March 2019.
She's going to be touring as well, so I feel like the wait will be similar to the wait between Paradise and UV

I want a surf rock, more 50's glamour California sound. Something like the fake snippet of Love from January that sounded very beach-y and like a mature Lizzy (a la Kill Kill or Trash Magic demo)
 
My icon is an aesthetic I'd like for LDR6, maybe a title like "Good Vibrations."
 
I was saying it in another thread, but it's very possible, as "into the blue" (AKA water AKA being freed) is a jumping off point for LDR6, and the end of Get Free is basically what you hear at the beach, so