howtobeaheartbreaker

Hurts how you didn't include Swish Swish and If We Ever Meet Again.

I hope she has a Marina diss track on Brat

After giving the free Sky campaign the idea for the billboard, here's the next step I think we should take in this delusional campaign: gaslighting Capitol into thinking there's a new Sky song they're supposed to be releasing (Descending) by talking about it openly on social media and "tipping off" music publications / journalists about it. Whether they decide to seek confirmation from the label or just go with the story I'm sure that'll trigger at least a few questions / some interest within the label lol

Seeing her live tonight... Will report back if I resurface unscathed. I'm sure the setlist will be the same as when I saw her pre NTMT in 2013. I'll eat it up anyways.

1 Night
Tears & Tantrums
Champion
Our Boyfriend
Love Gang
Rrring
Dirty Sexy Money
Here I Am
Million
Teenage Kicks
Genius
Love Dealer
Money Where Your Mouth Is
Like Me
Bad Chicks
 
2017 Commercial EDM Charli is such a serve 

She deserves multiple awards for the BOTTOMS soundtrack/score. Some of those songs legitimately bring me to tears.

She deserves multiple awards for the BOTTOMS soundtrack/score. Some of those songs legitimately bring me to tears.

She deserves multiple awards for the BOTTOMS soundtrack/score. Some of those songs legitimately bring me to tears.

on the topic of how terribly sexualized she was when she was still a minor in her career,  look at this terrible interview from when she was 16??
 
"Prior to meeting 16-year-old Sky Ferreira in her hometown of LA, I mentally envision a sketchy Roman Polanski-esque aftermath to our first encounter. The V-card-holding model and soon-to-be-pop star chills in LA clubs that I can’t even get into. She can hold engaging conversations with people twice her age. She’s gospel-trained with the same vocal range as Mariah Carey and prefers Sarah Brightman to Cat Power. What’s not to desire? It’s practically a setup for “Catch a Predator.”

the opening lines are disturbing enough
 

Lmao late to the party as usual but All My Lovers Die leaking is the last piece I needed. Thanks very much to anyone who shared it. No more craving for Sky leaks from my side  
Also,
Downhill Lullaby Don't Forget The Woods Finders Keepers Descending Guardian Pray for Rain All My Lovers Die Legends Always Ready to Lose You All to Myself Innocent Kind Voices Carry Bonus track

the fact that i was so close to getting pretty dull (with the stems), it even had the bpm on the file name 

She mentioned it once or twice through the years, but nothing concrete really.. people are just hyped due to the album's 10th anniversary coming up

i mean… “confirmed” in the sky ferreira universe. she just talked about it and then nothing happened 

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

Is the NTMT reissue confirmed? I've seen it discussed here multiple times, but I always assumed it was hypothetical. I'd love Guardian, Pretty Dull, and I'm Not Alright to make it on.

this is gonna be a possibly unpopular opinion
how i'm feeling now is her best album
it feels like the good parts of pop 2 + self-titled expanded upon and fully realized (edit: also she managed to sneak some true romance in there as well it's the most noticeable on forever & detonate)
 
crash is a good second option but for the exact opposite reasons ; it completely reinvented her sound and image in such a fresh way

she doesn't have other songs

She knew its my fave and she adores me so

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

pretty dull leak when?

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...