West Coast

"hold my beer" - jackoff

I just want that grand, rich, opulent, cinematic sound she used to have. A song with strings will never sound dry and flat.

This is exactly why I want Dan to make his glorious comeback as Lana's producer. Sorry, but Jack's production, while it was somewhat cute (I guess?), was lifeless, flat and dry. Whereas Dan's production style was much more balanced, Jack's style is way too subtle and subdued. Just listen to the demo and final versions of both West Coast and Sad Girl. That is God's work!

This is exactly why I want Dan to make his glorious comeback as Lana's producer. Sorry, but Jack's production, while it was somewhat cute (I guess?), was lifeless, flat and dry. Whereas Dan's production style was much more balanced, Jack's style is way too subtle and subdued. Just listen to the demo and final versions of both West Coast and Sad Girl. That is God's work!

Screw you. I honestly can't with y'all fake ass feminists going against other women for sharing their experiences, calling them problematic and saying they romanticize shit and whatnot. She's an artist she doesn't have to oblige to your so called SJWs book of rules, she can do what she wants. If anything trying to act like she's all about girl power/Hollywood feminism all of a sudden actually makes her look quite disingenuous in my honest opinion. She was just tired of being labeled as problematic by these so called music critics and twitter/tumblr SJWs so she just changed her narrative and it shows, and it's honestly just sad.
 

I mean Kacey had no support from country radio. She was blacklisted.

True, but also Kacey hasn't had the entire music industry working against her for the past seven years 

NFR for Best Pop instead of Alternative and not a single rock song submission? Whack.

Kacey won last year tho, which gives me hope

i would be here for songs about dancing and partying set somewhere that isnt california 

This is exactly why I want Dan to make his glorious comeback as Lana's producer. Sorry, but Jack's production, while it was somewhat cute (I guess?), was lifeless, flat and dry. Whereas Dan's production style was much more balanced, Jack's style is way too subtle and subdued. Just listen to the demo and final versions of both West Coast and Sad Girl. That is God's work!

This is exactly why I want Dan to make his glorious comeback as Lana's producer. Sorry, but Jack's production, while it was somewhat cute (I guess?), was lifeless, flat and dry. Whereas Dan's production style was much more balanced, Jack's style is way too subtle and subdued. Just listen to the demo and final versions of both West Coast and Sad Girl. That is God's work!

This is exactly why I want Dan to make his glorious comeback as Lana's producer. Sorry, but Jack's production, while it was somewhat cute (I guess?), was lifeless, flat and dry. Whereas Dan's production style was much more balanced, Jack's style is way too subtle and subdued. Just listen to the demo and final versions of both West Coast and Sad Girl. That is God's work!

This is exactly why I want Dan to make his glorious comeback as Lana's producer. Sorry, but Jack's production, while it was somewhat cute (I guess?), was lifeless, flat and dry. Whereas Dan's production style was much more balanced, Jack's style is way too subtle and subdued. Just listen to the demo and final versions of both West Coast and Sad Girl. That is God's work!

Thinking about if Dan produced California

If she's already made a few songs from this album it's mostly likely been produced by Jack which is a huge bummer. I really dont know what to make of his production. It's really good but at the same time it feels lifeless, i want rick or someone new. Im so over this beachy, calming, free loving aesthetic

i remember when a bunch of LB gays kept saying that she looks the same. BITCH WHAT! she looks like a fucking chipmunk! ever since 2015!! (except in 2017 she actually looked pretty normal)

Auburn Sharon tate Honeymoon Era Lana remains a SUPERIOR

I don't know why she gets all these fillers when she doesn't even bother to put any effort into her appearance these days.

The original incarnation of Beautiful People from 2014 was actually pretty good; it wasn’t until it saw a release on LFL that it had become a mess: 
https://youtu.be/OXUlLpXYvbM
 
But honestly same. I’d love if she teamed up with Justin again

I don't understand why she dyes her hair these glorious shades for like, three fucking days? Like, iirc the blonde above was only for about a week, and then she literally dyed it auburn earlier this year for the Doin' Time snippet and then changed it back after about 48 hours.
 
Honestly, she should rename this album so it has the acronym WHY or WTF, not WHF.
 

Aren't we over these critics though? Like you know damn well that if Lana were to release Ultraviolence and Honeymoon today it would get critical acclaim, by the same critics I might add. Born To Die is the most innovative and influential pop album of the 2010s and critics paid it dust, it's literally still charting to this day. I stopped giving a crap about critics when Lana got like 5/10 for BTD by Pitchfork and called it a "fake orgasm" or something, and now they try and convince us that "Oh look at Lana Del Rey she finally released a great album, let's give her 9.4 to make us look like we know what we're talking about", give me a break, Jared.
 
Edit: Another thing about Born To Die, if Lana hadn't released that album, there would be no Halsey, Lorde, Melanie Martinez, Troye Sivan and even Billie Eillish. 

Let's just hope you're right about that.
 
 
 
There's no arguing there though, Honeymoon, from a production point of view, is her best album! It has the most lush, refined and cinematic sound of all her albums. I can't believe this masterpiece turns four years old tomorrow!
 

Another day of pretending like the production of this album is not all over the place and doesn't sound like the music equivalent of Chuck's photography and editing skills. It has literally the least immaculate sound of all her albums. I honestly suggest you to go back and revisit her discography. You might stumble across an album called Honeymoon, which has literally the most immaculate sound and is far from pop music!  
 
There's a difference between wanting good production values and wanting Lana to go down the pop road again, henny. 
 

 
and also Halsey, Melanie Martinez, Billie Eyelash and all those little effers are trash.

All the instrumentals of this album (except Cinnamon and also How To Disappear) they pretty much all lack that climax moment, like you keep waiting for it to happen but the song they never kinda take off? And also as much as I enjoy Happiness Is A Butterfly, to me it sounds like she mashed three different songs together, the transition between each verse is very non-sensical to me. Jack is a wannabe great producer, he likes to think that he's like the best at this game and like Lana seems to think so too, which is odd to me since she has worked with Emile Haynie, Dan Auerbach, Rick Nowels, Tim Larcombe and even Rick Rubin (even though it was just for one song, to me, from a production standpoint, Ride is literally her best track).