Super Movie

I was listening to Paradise today and I came to the conclusion that I really want that sort of lyrical energy. Paradise and UV are, in my opinion, her most bold albums in terms of lyrics, so to have a comeback of that would be great 
Also: I'm still manifesting Dealer for this album 

I was listening to Paradise today and I came to the conclusion that I really want that sort of lyrical energy. Paradise and UV are, in my opinion, her most bold albums in terms of lyrics, so to have a comeback of that would be great 
Also: I'm still manifesting Dealer for this album 

I was listening to Paradise today and I came to the conclusion that I really want that sort of lyrical energy. Paradise and UV are, in my opinion, her most bold albums in terms of lyrics, so to have a comeback of that would be great 
Also: I'm still manifesting Dealer for this album 

If Rock Candy Sweet means actually candy, then I think a cute little pop up where she sells merch and rock candy sticks would be cool 
 
If Rock Candy Sweet is a metaphor for jewelry however, I'll be expecting my diamond necklace on June 1st, Ms. Del Rey 
 

Something I've been thinking about a lot recently is the similarities in the fan receptions of COCC and LFL - both albums have songs that have gone on to become fan favorites and will probably become LDR classics (13 beaches, cherry, heroin, change, get free - white dress, tulsa jesus freak, dark but just a game, and yosemite to some extent), and they have songs that are generally hated by most fans and are considered by a lot of them to be her worst tracks (lust for life, coachella, when the world was at war, BPBP - LMLYLAW, breaking up slowly, and for free). I don't think this is something uncommon for an artist/album, but it's something I've really noticed with these two 

I'm not one who usually partakes in smoking and/or drugs, but if Lana wanted to release something related to that for this era's merch, I wouldn't be opposed to it in the slightest. I mean, one of her most infamous pieces of merch is the coke spoon necklace -  just imagine what else she could come up with 

If Rock Candy Sweet means actually candy, then I think a cute little pop up where she sells merch and rock candy sticks would be cool 
 
If Rock Candy Sweet is a metaphor for jewelry however, I'll be expecting my diamond necklace on June 1st, Ms. Del Rey 
 

I'm the kind of person where I associate different albums with time periods in my life, so for me, Sirens is spring 2019. 
But in terms of general things it makes me think of, I think of wide fields, cups of coffee, Fordham, and shifting from a child/teenager to an adult

I'm not one who usually partakes in smoking and/or drugs, but if Lana wanted to release something related to that for this era's merch, I wouldn't be opposed to it in the slightest. I mean, one of her most infamous pieces of merch is the coke spoon necklace -  just imagine what else she could come up with 

I'm not one who usually partakes in smoking and/or drugs, but if Lana wanted to release something related to that for this era's merch, I wouldn't be opposed to it in the slightest. I mean, one of her most infamous pieces of merch is the coke spoon necklace -  just imagine what else she could come up with 

If Rock Candy Sweet means actually candy, then I think a cute little pop up where she sells merch and rock candy sticks would be cool 
 
If Rock Candy Sweet is a metaphor for jewelry however, I'll be expecting my diamond necklace on June 1st, Ms. Del Rey 
 

If Rock Candy Sweet means actually candy, then I think a cute little pop up where she sells merch and rock candy sticks would be cool 
 
If Rock Candy Sweet is a metaphor for jewelry however, I'll be expecting my diamond necklace on June 1st, Ms. Del Rey 
 

Manifesting two picture disc vinyl variants like the ones from the Ultraviolence boxset - 

First of all....ew. Second of all....ew. Men who make comments like this one are literally so gross. Women (and people in general) should be able to post pictures of themselves without others commenting publicly that they're getting off to it. In my own experience, it doesn't make us feel good about ourselves - it makes us feel objectified. 

I can promise you that this album isn’t coming on June 1st lol. This is someone who’s notorious for not committing/sticking to release dates 

forgive me if this is long, but I want backstory with it!!!
So Paolo De Gregorio is an Italian producer who was living in Brooklyn around 2007 when he signed up to be a juror for a songwriting competition, which a young Lizzy Grant was apart of. He thought she had potential and invited her to his studio to record some stuff for free (generous king!) and they ended up recording two songs in the session. One being "Rahab" (which has a separate mix titled "Rahab II") and another, unknown song which he previously described to another user on here back in 2017 as a "4-5 minute blues ballad." He told them back then that he wouldn't feel comfortable sharing the title and if he were to ever share the song he would only sell it to a label. Today he mentioned that the song is actually still on his hard drive, and that he's "not sure what to do with it." He described "Rahab" as being just a simple voice and guitar demo and was aware that it eventually was finished and retitled "For K, Pt. 2". While searching for "For K, Pt. 2" on YouTube, he stumbled upon "Rahab" and was really shocked (and considered asking them to take it down) as he didn't know it had leaked, so I informed him of the infamous stolen laptop. After he found that out he seemed a little bit disinterested in the conversation, so I didn't pry any more for the song we don't have other than a final try at knowing the title, to which he replied that he actually didn't remember.
This is all stuff he revealed to me today. The only previous knowledge of his existence was just his name being attached to "Rahab" and the unheard song. He is like the nicest person ever as he didn't have to share any of this with me yet still did and was willing to converse casually. This is how producers should be treated btw, not scammed

opening this thread, seeing every other post go back and forth between polar opposite ideas

I wouldn't say that I fully want a return to the BTD sound, but I would like a return to the extravagant strings produced by emile haynie, dan heath, and even rick. We got a slight glimpse of it again in COCC thanks to dan, but I'd love to have it back in full

I wouldn't say that I fully want a return to the BTD sound, but I would like a return to the extravagant strings produced by emile haynie, dan heath, and even rick. We got a slight glimpse of it again in COCC thanks to dan, but I'd love to have it back in full

I need more acid cowboy sonics period. Body Electric and Cruel World. Give me anger!!! I know you angry!!!!! 

I need more guitar church songs like body electric 

I wouldn't say that I fully want a return to the BTD sound, but I would like a return to the extravagant strings produced by emile haynie, dan heath, and even rick. We got a slight glimpse of it again in COCC thanks to dan, but I'd love to have it back in full

I have never had a problem with the lyrics of “Ultraviolence” (the song). I’ve always believed true art expresses the ugly and fucked up in a beautiful way so that we can understand the mindset of the individuals under less-than-desirable circumstances.

It's not a cover people talk about very often, but I would love vocals like she did on summertime. They're super strong and she sounds incredible on that track, so to hear more vocal delivery like that from her on this album would be a dream 

Something I've been thinking about a lot recently is the similarities in the fan receptions of COCC and LFL - both albums have songs that have gone on to become fan favorites and will probably become LDR classics (13 beaches, cherry, heroin, change, get free - white dress, tulsa jesus freak, dark but just a game, and yosemite to some extent), and they have songs that are generally hated by most fans and are considered by a lot of them to be her worst tracks (lust for life, coachella, when the world was at war, BPBP - LMLYLAW, breaking up slowly, and for free). I don't think this is something uncommon for an artist/album, but it's something I've really noticed with these two