KillKillQueen

LMAO QUEEN OF BEING A GOOD SPORT

spoiler alert: you can love both Lana and her work and still be multi-facetedly critical of the political and cultural dynamics/connotations she and it can sometimes exploit (for better or for worse and for different purposes and contexts)

I can't believe you're all this salty over 2 tracks that happen not to be coma inducing. You still have Love.

I can't believe you're all this salty over 2 tracks that happen not to be coma inducing. You still have Love.

I feel like this is the concept for MTWBT

I feel like this is the concept for MTWBT

I feel like this is the concept for MTWBT

And I dont give a rats ass WHERE you are from, i cant change how you act offline but I'll be damned if one of you even ATTEMPTS to use the N word on here. "IT Me@nS bRo".
Ima bro my foot up your digital ass

The snippets make it sound like it's full of tracks that sound like Religion, HBTB, Freak, and Art Deco.     

The snippets make it sound like it's full of tracks that sound like Religion, HBTB, Freak, and Art Deco.     

The guitar solo in SOC is one of the most iconic moments on UV. People have bad opinions regarding that album in general

Some of you bitches thinking that you're cool for not listening to Tyler or Frank. Heads up honey- you're not half the interesting person you think you are

The guitar solo in SOC is one of the most iconic moments on UV. People have bad opinions regarding that album in general

I agree, though she's made so many morally/ethically ambiguous statements in her own music about gender roles, sex, money, and class that it would be laughable to call hip-hop/R&B out on it. In fact, I would say that those hazy visions of lifestyles, dynamics and timelines that never existed is what draws her to it in the first place. 
 
However! For all these people who sit here praising BTD, an album that makes heavy use of hip hop sampling, references, and imagery, to suddenly get their panties in a knot when they're confronted with actual hip hop artists fully embedded in the culture, not filtered through the hand of a white dude named Emilie Haynie? It's not a good look. So I'm not calling Lana out because I do believe Lana to feel some affection for the genre. Her fans who need the blackness of it sanitized are the people I'm side eyeing as of now. 

The guitar solo in SOC is one of the most iconic moments on UV. People have bad opinions regarding that album in general

I agree, though she's made so many morally/ethically ambiguous statements in her own music about gender roles, sex, money, and class that it would be laughable to call hip-hop/R&B out on it. In fact, I would say that those hazy visions of lifestyles, dynamics and timelines that never existed is what draws her to it in the first place. 
 
However! For all these people who sit here praising BTD, an album that makes heavy use of hip hop sampling, references, and imagery, to suddenly get their panties in a knot when they're confronted with actual hip hop artists fully embedded in the culture, not filtered through the hand of a white dude named Emilie Haynie? It's not a good look. So I'm not calling Lana out because I do believe Lana to feel some affection for the genre. Her fans who need the blackness of it sanitized are the people I'm side eyeing as of now. 

The guitar solo in SOC is one of the most iconic moments on UV. People have bad opinions regarding that album in general

I agree, though she's made so many morally/ethically ambiguous statements in her own music about gender roles, sex, money, and class that it would be laughable to call hip-hop/R&B out on it. In fact, I would say that those hazy visions of lifestyles, dynamics and timelines that never existed is what draws her to it in the first place. 
 
However! For all these people who sit here praising BTD, an album that makes heavy use of hip hop sampling, references, and imagery, to suddenly get their panties in a knot when they're confronted with actual hip hop artists fully embedded in the culture, not filtered through the hand of a white dude named Emilie Haynie? It's not a good look. So I'm not calling Lana out because I do believe Lana to feel some affection for the genre. Her fans who need the blackness of it sanitized are the people I'm side eyeing as of now. 

I agree, though she's made so many morally/ethically ambiguous statements in her own music about gender roles, sex, money, and class that it would be laughable to call hip-hop/R&B out on it. In fact, I would say that those hazy visions of lifestyles, dynamics and timelines that never existed is what draws her to it in the first place. 
 
However! For all these people who sit here praising BTD, an album that makes heavy use of hip hop sampling, references, and imagery, to suddenly get their panties in a knot when they're confronted with actual hip hop artists fully embedded in the culture, not filtered through the hand of a white dude named Emilie Haynie? It's not a good look. So I'm not calling Lana out because I do believe Lana to feel some affection for the genre. Her fans who need the blackness of it sanitized are the people I'm side eyeing as of now. 

The guitar solo in SOC is one of the most iconic moments on UV. People have bad opinions regarding that album in general

She's fucking him

I agree, though she's made so many morally/ethically ambiguous statements in her own music about gender roles, sex, money, and class that it would be laughable to call hip-hop/R&B out on it. In fact, I would say that those hazy visions of lifestyles, dynamics and timelines that never existed is what draws her to it in the first place. 
 
However! For all these people who sit here praising BTD, an album that makes heavy use of hip hop sampling, references, and imagery, to suddenly get their panties in a knot when they're confronted with actual hip hop artists fully embedded in the culture, not filtered through the hand of a white dude named Emilie Haynie? It's not a good look. So I'm not calling Lana out because I do believe Lana to feel some affection for the genre. Her fans who need the blackness of it sanitized are the people I'm side eyeing as of now. 

I agree, though she's made so many morally/ethically ambiguous statements in her own music about gender roles, sex, money, and class that it would be laughable to call hip-hop/R&B out on it. In fact, I would say that those hazy visions of lifestyles, dynamics and timelines that never existed is what draws her to it in the first place. 
 
However! For all these people who sit here praising BTD, an album that makes heavy use of hip hop sampling, references, and imagery, to suddenly get their panties in a knot when they're confronted with actual hip hop artists fully embedded in the culture, not filtered through the hand of a white dude named Emilie Haynie? It's not a good look. So I'm not calling Lana out because I do believe Lana to feel some affection for the genre. Her fans who need the blackness of it sanitized are the people I'm side eyeing as of now. 

I agree, though she's made so many morally/ethically ambiguous statements in her own music about gender roles, sex, money, and class that it would be laughable to call hip-hop/R&B out on it. In fact, I would say that those hazy visions of lifestyles, dynamics and timelines that never existed is what draws her to it in the first place. 
 
However! For all these people who sit here praising BTD, an album that makes heavy use of hip hop sampling, references, and imagery, to suddenly get their panties in a knot when they're confronted with actual hip hop artists fully embedded in the culture, not filtered through the hand of a white dude named Emilie Haynie? It's not a good look. So I'm not calling Lana out because I do believe Lana to feel some affection for the genre. Her fans who need the blackness of it sanitized are the people I'm side eyeing as of now.