DinahLee

I honestly think every music video that didn't happen should be considered wasted pontential. Maybe except the military\war one lol.
 
Image used to be such a high standard and appeal of the "Lana Del Rey Brand". Music videos for Dark Paradise, Cola, Get Free, Cherry... all of them had potential. I mourn a little she packed a punch with her videography but ever since Lust For Life it took a real backseat. We did get The Greatest + Fuck It I Love You but... meh. 

Oh we do have the White Mustang but I really mean the original cut. I'm sure there's a lot of extra footage they just couldn't use because of lip synching and the white mustang recut is just... what was salvageable.
Also; Ultraviolence\freak original video. No surprise the pool scenes were so gorgeous that she actually recycled it twice.

James Dean is top notch and I'd love her to go further the demented-electro sound. It reminds me of Sunshine (rip her best unreleased). Make Up is fine; great bones but the demo was hitting harder. Starfucker is fantastic in every shape and form (both album & song). I love the funky bass of the demo but the final is also closer to James Dean\Erotic Electronic soundscape.

James Dean is top notch and I'd love her to go further the demented-electro sound. It reminds me of Sunshine (rip her best unreleased). Make Up is fine; great bones but the demo was hitting harder. Starfucker is fantastic in every shape and form (both album & song). I love the funky bass of the demo but the final is also closer to James Dean\Erotic Electronic soundscape.

James Dean is top notch and I'd love her to go further the demented-electro sound. It reminds me of Sunshine (rip her best unreleased). Make Up is fine; great bones but the demo was hitting harder. Starfucker is fantastic in every shape and form (both album & song). I love the funky bass of the demo but the final is also closer to James Dean\Erotic Electronic soundscape.

James Dean is top notch and I'd love her to go further the demented-electro sound. It reminds me of Sunshine (rip her best unreleased). Make Up is fine; great bones but the demo was hitting harder. Starfucker is fantastic in every shape and form (both album & song). I love the funky bass of the demo but the final is also closer to James Dean\Erotic Electronic soundscape.

James Dean is top notch and I'd love her to go further the demented-electro sound. It reminds me of Sunshine (rip her best unreleased). Make Up is fine; great bones but the demo was hitting harder. Starfucker is fantastic in every shape and form (both album & song). I love the funky bass of the demo but the final is also closer to James Dean\Erotic Electronic soundscape.

Yeah she always been sort of... ~problematic, but back then she wasn't try to give her opinion over everything and trying to look smart "out of the bubble!".
 
 
I blame it on people who wanted Savages as a single.

Hell it posted before I even started writing nn.
 
Lana's too caught up with the "Folk/Americana/Songwriter" vibe, that's why. She wants her quick piano chords and acoustic guitar to do the heavy lifting instead of cooking up with the synths, pads, heavier guitars to wash the sound. I do miss it. I've always wanted a full on synth-y dreamy record in the vein of the original Lust For Life demo and these great cinematic soundscape, but she keeps doubling down on taking percussion out and stripping the songs away.

Hell it posted before I even started writing nn.
 
Lana's too caught up with the "Folk/Americana/Songwriter" vibe, that's why. She wants her quick piano chords and acoustic guitar to do the heavy lifting instead of cooking up with the synths, pads, heavier guitars to wash the sound. I do miss it. I've always wanted a full on synth-y dreamy record in the vein of the original Lust For Life demo and these great cinematic soundscape, but she keeps doubling down on taking percussion out and stripping the songs away.

Hell it posted before I even started writing nn.
 
Lana's too caught up with the "Folk/Americana/Songwriter" vibe, that's why. She wants her quick piano chords and acoustic guitar to do the heavy lifting instead of cooking up with the synths, pads, heavier guitars to wash the sound. I do miss it. I've always wanted a full on synth-y dreamy record in the vein of the original Lust For Life demo and these great cinematic soundscape, but she keeps doubling down on taking percussion out and stripping the songs away.

Hell it posted before I even started writing nn.
 
Lana's too caught up with the "Folk/Americana/Songwriter" vibe, that's why. She wants her quick piano chords and acoustic guitar to do the heavy lifting instead of cooking up with the synths, pads, heavier guitars to wash the sound. I do miss it. I've always wanted a full on synth-y dreamy record in the vein of the original Lust For Life demo and these great cinematic soundscape, but she keeps doubling down on taking percussion out and stripping the songs away.

Hell it posted before I even started writing nn.
 
Lana's too caught up with the "Folk/Americana/Songwriter" vibe, that's why. She wants her quick piano chords and acoustic guitar to do the heavy lifting instead of cooking up with the synths, pads, heavier guitars to wash the sound. I do miss it. I've always wanted a full on synth-y dreamy record in the vein of the original Lust For Life demo and these great cinematic soundscape, but she keeps doubling down on taking percussion out and stripping the songs away.

Hell it posted before I even started writing nn.
 
Lana's too caught up with the "Folk/Americana/Songwriter" vibe, that's why. She wants her quick piano chords and acoustic guitar to do the heavy lifting instead of cooking up with the synths, pads, heavier guitars to wash the sound. I do miss it. I've always wanted a full on synth-y dreamy record in the vein of the original Lust For Life demo and these great cinematic soundscape, but she keeps doubling down on taking percussion out and stripping the songs away.

Hell it posted before I even started writing nn.
 
Lana's too caught up with the "Folk/Americana/Songwriter" vibe, that's why. She wants her quick piano chords and acoustic guitar to do the heavy lifting instead of cooking up with the synths, pads, heavier guitars to wash the sound. I do miss it. I've always wanted a full on synth-y dreamy record in the vein of the original Lust For Life demo and these great cinematic soundscape, but she keeps doubling down on taking percussion out and stripping the songs away.

Hell it posted before I even started writing nn.
 
Lana's too caught up with the "Folk/Americana/Songwriter" vibe, that's why. She wants her quick piano chords and acoustic guitar to do the heavy lifting instead of cooking up with the synths, pads, heavier guitars to wash the sound. I do miss it. I've always wanted a full on synth-y dreamy record in the vein of the original Lust For Life demo and these great cinematic soundscape, but she keeps doubling down on taking percussion out and stripping the songs away.

Hell it posted before I even started writing nn.
 
Lana's too caught up with the "Folk/Americana/Songwriter" vibe, that's why. She wants her quick piano chords and acoustic guitar to do the heavy lifting instead of cooking up with the synths, pads, heavier guitars to wash the sound. I do miss it. I've always wanted a full on synth-y dreamy record in the vein of the original Lust For Life demo and these great cinematic soundscape, but she keeps doubling down on taking percussion out and stripping the songs away.

Hell it posted before I even started writing nn.
 
Lana's too caught up with the "Folk/Americana/Songwriter" vibe, that's why. She wants her quick piano chords and acoustic guitar to do the heavy lifting instead of cooking up with the synths, pads, heavier guitars to wash the sound. I do miss it. I've always wanted a full on synth-y dreamy record in the vein of the original Lust For Life demo and these great cinematic soundscape, but she keeps doubling down on taking percussion out and stripping the songs away.

I def think it's about Lorde lol this post and the song go hand in hand together
 

"Unknown Complextro Masterpiece" is something she said on the lm.com chats back in 2012 while describing what became "Partynauseous" and the conflicts with Indonesia. She mentioned she wrote "some songs", one of them a "Complextro Masterpiece" and the other as "Hip-Hop/Jpop/pop" song.

 
 
Kick It, Element Of Crime, Private In Public and White Rose Thorns are all pieces that came from her social media, mostly Tumblr and Twitter, between 2012/2013. Since she used to tease a lot of lyrics and titles before we were aware of their existences, there's a big possibility these are all real lyrics. White Rose Thorns especially got some traction because she was posting about white roses like crazy in 2011 and early 2012.
 

https://amenfashion.tumblr.com/post/7078822073
 

https://www.tumblr.com/amenfashion/7226456419
 
 
 
 
 
Pretty sure the rest is all fake or very baseless speculation.
 
--
 
Edit: About the demos, I'm 90% sure they're all real. Well, at least the ARTPOP ones are for sure since they're very early concepts. The rest could be Stems edits since they're labeled as "pre-mix" and there's hardly a major difference, but after so long and within a lot of "real stuff" going all together... Don't think random fake leaks would be bundled together.

omg that’s crazy thank u so much

"Unknown Complextro Masterpiece" is something she said on the lm.com chats back in 2012 while describing what became "Partynauseous" and the conflicts with Indonesia. She mentioned she wrote "some songs", one of them a "Complextro Masterpiece" and the other as "Hip-Hop/Jpop/pop" song.

 
 
Kick It, Element Of Crime, Private In Public and White Rose Thorns are all pieces that came from her social media, mostly Tumblr and Twitter, between 2012/2013. Since she used to tease a lot of lyrics and titles before we were aware of their existences, there's a big possibility these are all real lyrics. White Rose Thorns especially got some traction because she was posting about white roses like crazy in 2011 and early 2012.
 

https://amenfashion.tumblr.com/post/7078822073
 

https://www.tumblr.com/amenfashion/7226456419
 
 
 
 
 
Pretty sure the rest is all fake or very baseless speculation.
 
--
 
Edit: About the demos, I'm 90% sure they're all real. Well, at least the ARTPOP ones are for sure since they're very early concepts. The rest could be Stems edits since they're labeled as "pre-mix" and there's hardly a major difference, but after so long and within a lot of "real stuff" going all together... Don't think random fake leaks would be bundled together.

WHEN PATRIK SANDBERG TAKES OVER SKYFERREIRA.COM
AND WE GET A NEW WEBSITE
SKY'S STATEMENT IN A LETTER
ALONG WITH TOUR DATES, OFFICIAL MERCH (NTMT 10TH ANNIVERSARY REISSUE INCLUDED!!!)
AND PRE-SAVE LINK TO NEW MUSIC
 
 
MASOCHISM 2024!!!!

record labels also don't run tours, its management specifically, management will typically ask for a budget from the label tho. honestly labels mainly just function as banks 

Catch
Black Eye
Regulars
Fresh Landry
Not So Bad in LA
 
... (a giant void)
All The Rage
Bitch
Paper Love
Too Much To Dream
(Sanctuary)
 
Casanova
(That's So Us)
Sunflower
 
 
Paper Love & Casanova are awkward because they clearly have bigger budget than all the rest summed up and multiplied and somehow they managed to fuck everything up. Casanova I remember being super let down by how... basic it was, coming from all the teasing with Verité, the text messages aesthetic, the mirror single cover... and then we got that. Too Much To Dream, All The Rage and Bitch are all quite good but still forgettable. That's So Us & Sanctuary being scrapped... I see the vision why, but they'd cute additions to her short videography. The way she's fighting for her life, quite literally, against these kids in Sanctuary... lord.
 
I'd also put I Will Love You More within the first group and Tongue Tied on the higher half of the second batch.