BoardingSchool

Or "Gosh darnit, manchild, you fricked me so good...but you don't know half of the doody you put me through".   .As hilarious as Norman Rocking Rockwell is (  ) "you rocked me so good" could be kinda hot for a clean version. 

Or "Gosh darnit, manchild, you fricked me so good...but you don't know half of the doody you put me through".   .As hilarious as Norman Rocking Rockwell is (  ) "you rocked me so good" could be kinda hot for a clean version. 

Or "Gosh darnit, manchild, you fricked me so good...but you don't know half of the doody you put me through".   .As hilarious as Norman Rocking Rockwell is (  ) "you rocked me so good" could be kinda hot for a clean version. 

Or "Gosh darnit, manchild, you fricked me so good...but you don't know half of the doody you put me through".   .As hilarious as Norman Rocking Rockwell is (  ) "you rocked me so good" could be kinda hot for a clean version. 

Or "Gosh darnit, manchild, you fricked me so good...but you don't know half of the doody you put me through".   .As hilarious as Norman Rocking Rockwell is (  ) "you rocked me so good" could be kinda hot for a clean version. 

Or "Gosh darnit, manchild, you fricked me so good...but you don't know half of the doody you put me through".   .As hilarious as Norman Rocking Rockwell is (  ) "you rocked me so good" could be kinda hot for a clean version. 

Or "Gosh darnit, manchild, you fricked me so good...but you don't know half of the doody you put me through".   .As hilarious as Norman Rocking Rockwell is (  ) "you rocked me so good" could be kinda hot for a clean version. 

Or "Gosh darnit, manchild, you fricked me so good...but you don't know half of the doody you put me through".   .As hilarious as Norman Rocking Rockwell is (  ) "you rocked me so good" could be kinda hot for a clean version. 

Or "Gosh darnit, manchild, you fricked me so good...but you don't know half of the doody you put me through".   .As hilarious as Norman Rocking Rockwell is (  ) "you rocked me so good" could be kinda hot for a clean version. 

My absolute favorite thing about Pale Moonlight is how it goes from "no pressure, it's chill" to "...but I'm literally stalking you and telling everyone I'M GONNA get-GET HIM!"   
 
I love that song but think it, and songs like "This is What Makes Us Girls," aren't coming back because her style and image are more mature; like, on NFR she's a grown woman who doesn't have time for playing games and will call you on your shit, you know? Not a Lolita ingenue any more. Which is kind of sad for us but also probably healthy for her.  

I wish that instead of putting the full album title and her initials, she reversed it: her full name (I know she's famous but not everyone on earth knows her name) and "NFR" 'cuz that's mysterious and would make the viewer want to google it.     Just my marketing background showing.  
 
Anyway, I agree with the comment upthread that she might be doing a "witchy" cover song for Maleficent 2 since she was on the first Maleficent, plus they used "Season of the Witch" on the promo. Still doesn't explain what the "witchy" UO cover has to do with NFR though! 
 
I listed to Architecture aka BAR again last night; dying to know what the re-done version will sound like.    Such a beautiful song. I wonder how it will fit into the rest of the album, which seems more hopeful about relationships...BAR is definitely a post-breakup song unless the lyrics changed, so I would've made it a bonus track personally.

My absolute favorite thing about Pale Moonlight is how it goes from "no pressure, it's chill" to "...but I'm literally stalking you and telling everyone I'M GONNA get-GET HIM!"   
 
I love that song but think it, and songs like "This is What Makes Us Girls," aren't coming back because her style and image are more mature; like, on NFR she's a grown woman who doesn't have time for playing games and will call you on your shit, you know? Not a Lolita ingenue any more. Which is kind of sad for us but also probably healthy for her.  

My absolute favorite thing about Pale Moonlight is how it goes from "no pressure, it's chill" to "...but I'm literally stalking you and telling everyone I'M GONNA get-GET HIM!"   
 
I love that song but think it, and songs like "This is What Makes Us Girls," aren't coming back because her style and image are more mature; like, on NFR she's a grown woman who doesn't have time for playing games and will call you on your shit, you know? Not a Lolita ingenue any more. Which is kind of sad for us but also probably healthy for her.  

My absolute favorite thing about Pale Moonlight is how it goes from "no pressure, it's chill" to "...but I'm literally stalking you and telling everyone I'M GONNA get-GET HIM!"   
 
I love that song but think it, and songs like "This is What Makes Us Girls," aren't coming back because her style and image are more mature; like, on NFR she's a grown woman who doesn't have time for playing games and will call you on your shit, you know? Not a Lolita ingenue any more. Which is kind of sad for us but also probably healthy for her.  

My absolute favorite thing about Pale Moonlight is how it goes from "no pressure, it's chill" to "...but I'm literally stalking you and telling everyone I'M GONNA get-GET HIM!"   
 
I love that song but think it, and songs like "This is What Makes Us Girls," aren't coming back because her style and image are more mature; like, on NFR she's a grown woman who doesn't have time for playing games and will call you on your shit, you know? Not a Lolita ingenue any more. Which is kind of sad for us but also probably healthy for her.  

My absolute favorite thing about Pale Moonlight is how it goes from "no pressure, it's chill" to "...but I'm literally stalking you and telling everyone I'M GONNA get-GET HIM!"   
 
I love that song but think it, and songs like "This is What Makes Us Girls," aren't coming back because her style and image are more mature; like, on NFR she's a grown woman who doesn't have time for playing games and will call you on your shit, you know? Not a Lolita ingenue any more. Which is kind of sad for us but also probably healthy for her.  

My absolute favorite thing about Pale Moonlight is how it goes from "no pressure, it's chill" to "...but I'm literally stalking you and telling everyone I'M GONNA get-GET HIM!"   
 
I love that song but think it, and songs like "This is What Makes Us Girls," aren't coming back because her style and image are more mature; like, on NFR she's a grown woman who doesn't have time for playing games and will call you on your shit, you know? Not a Lolita ingenue any more. Which is kind of sad for us but also probably healthy for her.  

My absolute favorite thing about Pale Moonlight is how it goes from "no pressure, it's chill" to "...but I'm literally stalking you and telling everyone I'M GONNA get-GET HIM!"   
 
I love that song but think it, and songs like "This is What Makes Us Girls," aren't coming back because her style and image are more mature; like, on NFR she's a grown woman who doesn't have time for playing games and will call you on your shit, you know? Not a Lolita ingenue any more. Which is kind of sad for us but also probably healthy for her.  

I wish that instead of putting the full album title and her initials, she reversed it: her full name (I know she's famous but not everyone on earth knows her name) and "NFR" 'cuz that's mysterious and would make the viewer want to google it.     Just my marketing background showing.  
 
Anyway, I agree with the comment upthread that she might be doing a "witchy" cover song for Maleficent 2 since she was on the first Maleficent, plus they used "Season of the Witch" on the promo. Still doesn't explain what the "witchy" UO cover has to do with NFR though! 
 
I listed to Architecture aka BAR again last night; dying to know what the re-done version will sound like.    Such a beautiful song. I wonder how it will fit into the rest of the album, which seems more hopeful about relationships...BAR is definitely a post-breakup song unless the lyrics changed, so I would've made it a bonus track personally.

I wish that instead of putting the full album title and her initials, she reversed it: her full name (I know she's famous but not everyone on earth knows her name) and "NFR" 'cuz that's mysterious and would make the viewer want to google it.     Just my marketing background showing.  
 
Anyway, I agree with the comment upthread that she might be doing a "witchy" cover song for Maleficent 2 since she was on the first Maleficent, plus they used "Season of the Witch" on the promo. Still doesn't explain what the "witchy" UO cover has to do with NFR though! 
 
I listed to Architecture aka BAR again last night; dying to know what the re-done version will sound like.    Such a beautiful song. I wonder how it will fit into the rest of the album, which seems more hopeful about relationships...BAR is definitely a post-breakup song unless the lyrics changed, so I would've made it a bonus track personally.

I like both the pink and bright green vinyl, but I don't like that both covers have so much focus on other people...it looks like a duet album (official cover) or a girl group (UO cover). Like, if I didn't recognize Lana's face, I'd think the official one was a new She & Him album and the UO was a new witchier Spice Girls.  All her albums before now have shown only her, even LFL with all its duets and "featuring...". It just seems confusing and off-brand to me. 
 
(But to be honest, now that I've seen the album trailer, I think the cover should just be the shot of her booty in the Lust/Wrath shorts    ) 

I like both the pink and bright green vinyl, but I don't like that both covers have so much focus on other people...it looks like a duet album (official cover) or a girl group (UO cover). Like, if I didn't recognize Lana's face, I'd think the official one was a new She & Him album and the UO was a new witchier Spice Girls.  All her albums before now have shown only her, even LFL with all its duets and "featuring...". It just seems confusing and off-brand to me. 
 
(But to be honest, now that I've seen the album trailer, I think the cover should just be the shot of her booty in the Lust/Wrath shorts    ) 

I think the bright windbreaker and sailboat are a visual depiction of how she's *not* a debutante in a pink dress on a yacht, but rather more casual and retro-Americana, so I think it works. For a second I thought the guy next to her was Jack Antonoff, which would have been hilarious! 

I think the bright windbreaker and sailboat are a visual depiction of how she's *not* a debutante in a pink dress on a yacht, but rather more casual and retro-Americana, so I think it works. For a second I thought the guy next to her was Jack Antonoff, which would have been hilarious! 

I think the bright windbreaker and sailboat are a visual depiction of how she's *not* a debutante in a pink dress on a yacht, but rather more casual and retro-Americana, so I think it works. For a second I thought the guy next to her was Jack Antonoff, which would have been hilarious!