Venice Peach

I love how she puts out the longest and wordiest titles that may seem unmarketable but they still end up being memes all over the internet 
 
It's so funny how Lana was (still is by some people) associated with coke, cigarettes, daddies etc. and now it's poetry, long random titles, sad songs where she gets fucked... 
The growth 

I love how she puts out the longest and wordiest titles that may seem unmarketable but they still end up being memes all over the internet 
 
It's so funny how Lana was (still is by some people) associated with coke, cigarettes, daddies etc. and now it's poetry, long random titles, sad songs where she gets fucked... 
The growth 

+ Fingertips 

That could just mean that the song was referenced, but not that Lana covered it.

BoZ said he doesn't know anything about music videos.

It's just his voice saying And God said, Let there be light and then Lana starts with Lights, camera, acción!

Gorgeous  I think it’s safe to bet this still Neil posted is from the music video 

Okay but why anyone good at editing has not posted her old album artworks in the style of Ocean Blvd yet? 

not clicking on a xtincta aguilera song thank you very much 

So I caved and bought all the variants 💀 this woman, I swear 

BOZ said one specific thing that hits double hard when its relatable.. to enjoy her newer music since 2021 we need to let old style lana go... thats just really true, and accept the literal growth of her vision and poetry to be able to say free that i enjoy it, this is what ive always felt the lack of since nfr, and im really happy i finally understanding it, so im very excited for this intimate autobiographical masterpiece to destroy me

We love a polarizing song!!
It sounds like Drew put so much work & effort in it hence her describing it as sth that sounds like it got worked on for a year & it sounds like it's gonna be the wordiest or one of the most wordiest songs on the album. Super curious to hear it, how that one turned out!!
 
 

sobbing  rick will be forever my fav of Lana's producers

I think cuz most of us have been in here for like 4 days straight amassing hundreds of pages and not really sleeping

I feel like this album is going to be big (NFR big). Already it's had way more promo and attention than BB, and I think has been received in a more positive manner than COCC did (I think because COCC came after the controversy). IDK I think she's back on track to making BIG albums again, because I think the last 2 were enjoyed by fans and fans only.
 

like yeah it’s nothing groundbreaking for her but it’s classic lana, the production is better than most things on cocc and bb, the song doesn’t sound empty of muffled, has good lyrics, the production is grand and rich, you hear orchestra, you hear an electric guitar, there’s a bridge…and it’s only 1 song out of 16 like can some people stop whining already 
 
Every single sign points into a great direction this time and to something miles ahead of her last two records yet some people are STILL not happy bc iTs nOt uLtRaViOlEncE or trap 

sorry but this song its going to be some classic shit, that bridge and then the chorus and the outro 10/10 If it is not clicking for you I think that with the full album you will see the vision of the song

I’m currently at work and I catch myself singing “don’t forget me” part. Instant classic 

Also the intro is so fucking beautiful,  with the piano,  the strings,  her deep breathing
I love how the end brings the song together and ends it in such a grand way. I love when songs do that 
Also I get that ppl say it's sounds similiar to her last albums but Ocean Boulevard sounds more full & rich , we also got her deeper vocals back and the lyrics just hit. Also keep in mind it's only track 2 & I have a feeling the epic outro was just a hint at what the album will build up to , I can imagine it growing into a even bigger sound but also into sth more chaotic and weird but in a good way. So far this song is a nice blend between older & newer Lana for me , absolutely love the title track and I can see it even sounding  better within the album. It was a nice single choice,  nothing too shockingly new sonically but it feels warm & full sounding and I think it's a nice introduction on what's to come without spoiling too much

35th stream - no signs of aging so far.

some of the people on here are NEVER happy, with anything  
and that’s coming from me lmao let that sink in 

Lana still has the magic to create such cinematic songs. People here are too focused on the fact that it's similar to her past two albums, because it has a different emotion, there's a lot of instruments, and it builds up throughout the song. Lana has moved away from the typical pop song structures and now finds herself in small details, long verses, and making space for her poetry to shine. Even though she sings such "wordy" songs now, she devoted almost two minutes to harmonies with "don't forget me" and beautiful backing vocals. The 2nd part of the song also shows Lana's passion for making MUSIC and not just singing her verses with random noises in the background. Imo, this is her most cinematic song since Lust For Life, and this is how I imagined Lana would sound when she got older. Full of emotions, lyricism, and orchestras.

I found a website where you can virtually explore the tunnel and Lana's song is linked here 👀
https://craigsauer3d.com/3d-model/jergins-tunnel/

the tunnel song really resembles "Don't Forget Me" by Harry Nilsson in so many aspects
He is our Nina Simone for this album