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Dangerous Girl liked a post in a topic by HeyBlueBaby in Random Lana Discussion Thread
2023 was great for leaks. I feel like we got a lot of songs that really spoke to Lana's mindset at the time, which I thoroughly enjoy because I'm so fascinated and amazed by her.
Melancholia
Come With Me
Madly
Pink Champagne
Crazy For You
and so many more I'm missing
But these songs definitely paint a clearer picture (for me at least) about what Lana felt and was going through. Imagine how GUTTED I was reading Come With Me lyrics for the first time! Wow, I really hate that for her. But she came out on top like we always knew she would.
But yeah, this was such an iconic year for leaks. I mean the fact that we have Madly and Pink Champagne alone is completely earth shattering for me. But everything else???? We were really fed a buffet this year. So many beautiful beautiful songs I love them all so much
And how could I forget California?!?!?! Hauntingly gorgeous and breathtaking....
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taco truck liked a post in a topic by HeyBlueBaby in Date the Lana (by Year)
LOL I bombed but some of yall are way too good at clocking her facial tea lmaoo
But I KNEW that was that pic of her w the hat !!!! She slayed that day
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honeybadger liked a post in a topic by HeyBlueBaby in Date the Lana (by Year)
LOL I bombed but some of yall are way too good at clocking her facial tea lmaoo
But I KNEW that was that pic of her w the hat !!!! She slayed that day
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The Siren liked a post in a topic by HeyBlueBaby in Lana signs publishing deal with Universal Music Publishing Group
Quick searching I did:
While the record deal establishes ownership of and royalties paid on the recordings made by an artist for a record label, the publishing deal is all about exploiting the copyright in the songs themselves (ie, melodies and lyrics), and ensuring that the songwriter gets paid whenever they’re played on the radio, online or live in front of an audience.
There are hundreds of publishing companies operating in the global music industry, spearheaded by the heavyweight likes of Kobalt, BMG and Warner/Chappell. No matter how big or small any given publisher is, though, they all serve the same purpose: maximising the income generated by their artists’ songs. As well as doing everything they can to get the original recordings of those songs licensed for public play as often as possible, this also means convincing other musicians to record and release cover versions of them, thereby multiplying the revenue stream.
Someone who has more knowledge can confirm but I don't think this impacts anything really? Hopefully the group she is with now is good and can maybe get some more exposure for her.
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Ocean Boulevard liked a post in a topic by HeyBlueBaby in Lana signs publishing deal with Universal Music Publishing Group
Quick searching I did:
While the record deal establishes ownership of and royalties paid on the recordings made by an artist for a record label, the publishing deal is all about exploiting the copyright in the songs themselves (ie, melodies and lyrics), and ensuring that the songwriter gets paid whenever they’re played on the radio, online or live in front of an audience.
There are hundreds of publishing companies operating in the global music industry, spearheaded by the heavyweight likes of Kobalt, BMG and Warner/Chappell. No matter how big or small any given publisher is, though, they all serve the same purpose: maximising the income generated by their artists’ songs. As well as doing everything they can to get the original recordings of those songs licensed for public play as often as possible, this also means convincing other musicians to record and release cover versions of them, thereby multiplying the revenue stream.
Someone who has more knowledge can confirm but I don't think this impacts anything really? Hopefully the group she is with now is good and can maybe get some more exposure for her.
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Cult Leader liked a post in a topic by HeyBlueBaby in Lana signs publishing deal with Universal Music Publishing Group
Quick searching I did:
While the record deal establishes ownership of and royalties paid on the recordings made by an artist for a record label, the publishing deal is all about exploiting the copyright in the songs themselves (ie, melodies and lyrics), and ensuring that the songwriter gets paid whenever they’re played on the radio, online or live in front of an audience.
There are hundreds of publishing companies operating in the global music industry, spearheaded by the heavyweight likes of Kobalt, BMG and Warner/Chappell. No matter how big or small any given publisher is, though, they all serve the same purpose: maximising the income generated by their artists’ songs. As well as doing everything they can to get the original recordings of those songs licensed for public play as often as possible, this also means convincing other musicians to record and release cover versions of them, thereby multiplying the revenue stream.
Someone who has more knowledge can confirm but I don't think this impacts anything really? Hopefully the group she is with now is good and can maybe get some more exposure for her.
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The Sun Also Rises liked a post in a topic by HeyBlueBaby in Lana signs publishing deal with Universal Music Publishing Group
Quick searching I did:
While the record deal establishes ownership of and royalties paid on the recordings made by an artist for a record label, the publishing deal is all about exploiting the copyright in the songs themselves (ie, melodies and lyrics), and ensuring that the songwriter gets paid whenever they’re played on the radio, online or live in front of an audience.
There are hundreds of publishing companies operating in the global music industry, spearheaded by the heavyweight likes of Kobalt, BMG and Warner/Chappell. No matter how big or small any given publisher is, though, they all serve the same purpose: maximising the income generated by their artists’ songs. As well as doing everything they can to get the original recordings of those songs licensed for public play as often as possible, this also means convincing other musicians to record and release cover versions of them, thereby multiplying the revenue stream.
Someone who has more knowledge can confirm but I don't think this impacts anything really? Hopefully the group she is with now is good and can maybe get some more exposure for her.
-
Ocean Boulevard liked a post in a topic by HeyBlueBaby in Random Lana Discussion Thread
2023 was great for leaks. I feel like we got a lot of songs that really spoke to Lana's mindset at the time, which I thoroughly enjoy because I'm so fascinated and amazed by her.
Melancholia
Come With Me
Madly
Pink Champagne
Crazy For You
and so many more I'm missing
But these songs definitely paint a clearer picture (for me at least) about what Lana felt and was going through. Imagine how GUTTED I was reading Come With Me lyrics for the first time! Wow, I really hate that for her. But she came out on top like we always knew she would.
But yeah, this was such an iconic year for leaks. I mean the fact that we have Madly and Pink Champagne alone is completely earth shattering for me. But everything else???? We were really fed a buffet this year. So many beautiful beautiful songs I love them all so much
And how could I forget California?!?!?! Hauntingly gorgeous and breathtaking....
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rabbit liked a post in a topic by HeyBlueBaby in Honeymoon - Post-Release Discussion Thread + Poll
Her best body of work to date. Please bring Rick Knowles back.
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Embach liked a post in a topic by HeyBlueBaby in Lana signs publishing deal with Universal Music Publishing Group
Quick searching I did:
While the record deal establishes ownership of and royalties paid on the recordings made by an artist for a record label, the publishing deal is all about exploiting the copyright in the songs themselves (ie, melodies and lyrics), and ensuring that the songwriter gets paid whenever they’re played on the radio, online or live in front of an audience.
There are hundreds of publishing companies operating in the global music industry, spearheaded by the heavyweight likes of Kobalt, BMG and Warner/Chappell. No matter how big or small any given publisher is, though, they all serve the same purpose: maximising the income generated by their artists’ songs. As well as doing everything they can to get the original recordings of those songs licensed for public play as often as possible, this also means convincing other musicians to record and release cover versions of them, thereby multiplying the revenue stream.
Someone who has more knowledge can confirm but I don't think this impacts anything really? Hopefully the group she is with now is good and can maybe get some more exposure for her.
-
SalvaWHORE liked a post in a topic by HeyBlueBaby in Lana signs publishing deal with Universal Music Publishing Group
Quick searching I did:
While the record deal establishes ownership of and royalties paid on the recordings made by an artist for a record label, the publishing deal is all about exploiting the copyright in the songs themselves (ie, melodies and lyrics), and ensuring that the songwriter gets paid whenever they’re played on the radio, online or live in front of an audience.
There are hundreds of publishing companies operating in the global music industry, spearheaded by the heavyweight likes of Kobalt, BMG and Warner/Chappell. No matter how big or small any given publisher is, though, they all serve the same purpose: maximising the income generated by their artists’ songs. As well as doing everything they can to get the original recordings of those songs licensed for public play as often as possible, this also means convincing other musicians to record and release cover versions of them, thereby multiplying the revenue stream.
Someone who has more knowledge can confirm but I don't think this impacts anything really? Hopefully the group she is with now is good and can maybe get some more exposure for her.
-
Orville Peck liked a post in a topic by HeyBlueBaby in Lana signs publishing deal with Universal Music Publishing Group
Quick searching I did:
While the record deal establishes ownership of and royalties paid on the recordings made by an artist for a record label, the publishing deal is all about exploiting the copyright in the songs themselves (ie, melodies and lyrics), and ensuring that the songwriter gets paid whenever they’re played on the radio, online or live in front of an audience.
There are hundreds of publishing companies operating in the global music industry, spearheaded by the heavyweight likes of Kobalt, BMG and Warner/Chappell. No matter how big or small any given publisher is, though, they all serve the same purpose: maximising the income generated by their artists’ songs. As well as doing everything they can to get the original recordings of those songs licensed for public play as often as possible, this also means convincing other musicians to record and release cover versions of them, thereby multiplying the revenue stream.
Someone who has more knowledge can confirm but I don't think this impacts anything really? Hopefully the group she is with now is good and can maybe get some more exposure for her.
-
takemybreath liked a post in a topic by HeyBlueBaby in Lana signs publishing deal with Universal Music Publishing Group
Quick searching I did:
While the record deal establishes ownership of and royalties paid on the recordings made by an artist for a record label, the publishing deal is all about exploiting the copyright in the songs themselves (ie, melodies and lyrics), and ensuring that the songwriter gets paid whenever they’re played on the radio, online or live in front of an audience.
There are hundreds of publishing companies operating in the global music industry, spearheaded by the heavyweight likes of Kobalt, BMG and Warner/Chappell. No matter how big or small any given publisher is, though, they all serve the same purpose: maximising the income generated by their artists’ songs. As well as doing everything they can to get the original recordings of those songs licensed for public play as often as possible, this also means convincing other musicians to record and release cover versions of them, thereby multiplying the revenue stream.
Someone who has more knowledge can confirm but I don't think this impacts anything really? Hopefully the group she is with now is good and can maybe get some more exposure for her.
-
That Venice Bitch liked a post in a topic by HeyBlueBaby in Lana signs publishing deal with Universal Music Publishing Group
Quick searching I did:
While the record deal establishes ownership of and royalties paid on the recordings made by an artist for a record label, the publishing deal is all about exploiting the copyright in the songs themselves (ie, melodies and lyrics), and ensuring that the songwriter gets paid whenever they’re played on the radio, online or live in front of an audience.
There are hundreds of publishing companies operating in the global music industry, spearheaded by the heavyweight likes of Kobalt, BMG and Warner/Chappell. No matter how big or small any given publisher is, though, they all serve the same purpose: maximising the income generated by their artists’ songs. As well as doing everything they can to get the original recordings of those songs licensed for public play as often as possible, this also means convincing other musicians to record and release cover versions of them, thereby multiplying the revenue stream.
Someone who has more knowledge can confirm but I don't think this impacts anything really? Hopefully the group she is with now is good and can maybe get some more exposure for her.
-
rightofjupiter liked a post in a topic by HeyBlueBaby in Random Lana Discussion Thread
2023 was great for leaks. I feel like we got a lot of songs that really spoke to Lana's mindset at the time, which I thoroughly enjoy because I'm so fascinated and amazed by her.
Melancholia
Come With Me
Madly
Pink Champagne
Crazy For You
and so many more I'm missing
But these songs definitely paint a clearer picture (for me at least) about what Lana felt and was going through. Imagine how GUTTED I was reading Come With Me lyrics for the first time! Wow, I really hate that for her. But she came out on top like we always knew she would.
But yeah, this was such an iconic year for leaks. I mean the fact that we have Madly and Pink Champagne alone is completely earth shattering for me. But everything else???? We were really fed a buffet this year. So many beautiful beautiful songs I love them all so much
And how could I forget California?!?!?! Hauntingly gorgeous and breathtaking....
-
Bereaved By You liked a post in a topic by HeyBlueBaby in Random Lana Discussion Thread
2023 was great for leaks. I feel like we got a lot of songs that really spoke to Lana's mindset at the time, which I thoroughly enjoy because I'm so fascinated and amazed by her.
Melancholia
Come With Me
Madly
Pink Champagne
Crazy For You
and so many more I'm missing
But these songs definitely paint a clearer picture (for me at least) about what Lana felt and was going through. Imagine how GUTTED I was reading Come With Me lyrics for the first time! Wow, I really hate that for her. But she came out on top like we always knew she would.
But yeah, this was such an iconic year for leaks. I mean the fact that we have Madly and Pink Champagne alone is completely earth shattering for me. But everything else???? We were really fed a buffet this year. So many beautiful beautiful songs I love them all so much
And how could I forget California?!?!?! Hauntingly gorgeous and breathtaking....
-
ivory almond liked a post in a topic by HeyBlueBaby in December 2023 Leakfest Wishlist
How do we know this? I'm kinda gagged
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ivory almond liked a post in a topic by HeyBlueBaby in December 2023 Leakfest Wishlist
We need a good leak, something unexpected sound wise.....the LFL leaks have been sort of disappointing so far....
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ivory almond liked a post in a topic by HeyBlueBaby in December 2023 Leakfest Wishlist
Btw, Come With Me and Crazy For You leaks were great.....I'd love more from Honeymoon if there is any. Maybe some scrapped Norman stuff we've never heard.
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ivory almond liked a post in a topic by HeyBlueBaby in December 2023 Leakfest Wishlist
I'm live for once please leak something omg I'm shaking
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ivory almond liked a post in a topic by HeyBlueBaby in December 2023 Leakfest Wishlist
We need laugh reacts
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ivory almond liked a post in a topic by HeyBlueBaby in December 2023 Leakfest Wishlist
Will a leak ever top SYTH for Christmas?