Jeanne Dielman

Lmao imagine, if it looks like miley’s going to go number 1 so Taylor drops one of her re-recorded albums to block her  it would be so iconic
But anyway I don’t think Lana has much to worry about. Like I said b4, tiktok is absolutely OBSESSED with her. If they found out about Lanaboards it would be so crazy in here

Yeah but she doesn’t like miley apparently and is a fake bitch in general (tbf which other artist, especially female ones, does that girl not have a problem with) 
 
 
same i actually haven’t seen many people outside of 42 year old atrlrs talk about her or that album  
 
Lana and her 26 vinyl variants will eat her up, streaming wise we’ll see if miley gets a hit but if it’s yet another flop from her it’ll be crickets. + lana has a rabid cult fanbase who’d buy jars full of her farts, miley doesn’t really have a fanbase at all 
 
will be fun either way, the first 3 months of a new year are always so boring and empty pop culture/music wise 

I think she's going to be more aggressive this album, take some risks. It feels like she has some things that have to be said and there's just a necessity to it all. And just everything said by everyone in the know, there's just a different (and very positive) vibe to everything. 

this track list will be the fucking death of me 😭😭😭
 
on the bright side, tomorrow we’ll officially be 1/3 of a way through the 93 day wait

Tayter likes Lana tho so probably won’t release on the same day to give her at least a week at 1 or 2.
 
I also don’t think Miley will be that hard to beat. Most people on the vinyl pages I follow are gagging her for using ugly/basic colors that don’t match the artwork. Or they aren’t buying because it’s too expensive for a 1LP. Lana definitely has the pure sales in the bag and tbh that’s all I really care about.

I have the same feeling! Except I’m getting Cherry meets Bartender vibes, idk why.
 
Also an LP can hold up to 22 min of music. If The Grants is 5ish min(just a guess), TUOB is 4:45, A&W is over 7 then there’s 3-4 minutes for Sweet. Glad each side will be full of music this time tho, the BB vinyls we’re split weird as there was SO MUCH dead wax.

In his last comment in this forum BOZ named Ocean Blvd as "amazing". I am very excited. 

Idk why but I have a feeling as well Sweet will be a shorter song. Maybe like 3 minutes & sth long & it will be a bop alá Cherry before we transcend into the wild unexpected slutty Magnus Opus that is A&W 
I have a feeling the Grants will be nearly 6 minutes long for some reason like 5:58. Manifesting A&W will be like 7:42 or maybe even 7:55 

i must have amnesia so quick, please fresh up my memory : why exactly do some people think mikey’s album will debut higher than tunnel ?  i mean i like her but absolutely no one cares about her or her albums since they are rarely good (besides some singles) and full of fillers…
 
cocc and it’s ugly ass cover still outsold plastic hearts with ease and younger now barely had 10k more sales than bb  (without physicals on release week). let’s also not forget cocc outsold justin bieber in pure sales too. and did that all while being the most hated person on the internet for like a year and a half lol. tunnel having more hype than flopcc and bb combined is a nice bonus. 
 
i did read that a certain blonde, money hungry girl will release another one of her scammy cash grabs rereleases in march so probably neither of them will go #1 

Ever since the announcement I had the vibe that this might be her Fetch the Bolt Cutters. I don't see Pitchfork giving this less than a 9. Or less than an 8.5 if we're being very cynical. 

Not that it matters that much but am I the only one who has the feeling this one will have a reception similar to NFR? It won’t carry the same “omg Lana is actually one of the best songwriters we have!” narrative because that has already been consolidated but I genuinely think this album will be the portal to a new stage of her career ala Fiona Apple where her albums will get consistently raved and talked about. I can see Pitchfork creaming themselves over this one (long tracks, conceptually dense, unusual use of features, etc) as opposed to the most modest reaction Chemtrails and BB had. This one feels more ambitious and perhaps a more incisive statement from her. 

Sweet is the Cherry/TJF of the album I'm sure 
 
What I'm not sure is about its duration. Assuming The Grants is around 5 minutes, there's still like 7 minutes left on Side A... so I guess sweet is around 4 minutes and she didn't have any 3 minute song to fill the side so either Sweet or the interlude are longer than we think  
 
I don't know why we went with the "Sweet is short" but I also feel it for some reason 

The Grants, Track 10 and/or Track 11 - both have long ass titles, at least one of them should be over 5 minutes, now come on now - and/or Track 16 are my bets. 

The Grants, Track 10 and/or Track 11 - both have long ass titles, at least one of them should be over 5 minutes, now come on now - and/or Track 16 are my bets. 

The Grants, Track 10 and/or Track 11 - both have long ass titles, at least one of them should be over 5 minutes, now come on now - and/or Track 16 are my bets. 

The Grants, Track 10 and/or Track 11 - both have long ass titles, at least one of them should be over 5 minutes, now come on now - and/or Track 16 are my bets. 

The Grants, Track 10 and/or Track 11 - both have long ass titles, at least one of them should be over 5 minutes, now come on now - and/or Track 16 are my bets. 

The Grants, Track 10 and/or Track 11 - both have long ass titles, at least one of them should be over 5 minutes, now come on now - and/or Track 16 are my bets. 

The Grants, Track 10 and/or Track 11 - both have long ass titles, at least one of them should be over 5 minutes, now come on now - and/or Track 16 are my bets. 

RIOPY is a French-born and London-based British composer. I wonder if Rob's random travel to London last summer had something to do with the recording of Track 11. 

The Grants, Track 10 and/or Track 11 - both have long ass titles, at least one of them should be over 5 minutes, now come on now - and/or Track 16 are my bets. 

The Grants, Track 10 and/or Track 11 - both have long ass titles, at least one of them should be over 5 minutes, now come on now - and/or Track 16 are my bets. 

The Grants, Track 10 and/or Track 11 - both have long ass titles, at least one of them should be over 5 minutes, now come on now - and/or Track 16 are my bets. 

Six songs over five minutes, and we know that there will be at least one other song above 6 minutes 

The long title is probably another of the 5+ minute songs. It would be really anticlimactic if a paragraph for a title was a 3 minute song