Jeanne Dielman

Lana has the second single snippet in her IG drafts but has to cancel the post every time the scat troll gets executed 

Sweet is giving orchestral sister of Cherry/White Mustang/Fuck it I love you/Love song/Tulsa Jesus Freak vibes, tbh. It'll probably be a (relatively) short track - definitely under 4 minutes, IMO - and will probably be overshadowed by the lengthier and wordier tracks of Side A, but Lana never puts a filler song near the top of the tracklist, so I think it's going to be nice (BOZ likes it so there's that). 

RIOPY is a French-born and London-based British composer. I wonder if Rob's random travel to London last summer had something to do with the recording of Track 11. 

Lana do something your community is begging for shit porn again 
 
Although every time it does happen it is literally always followed up by news so....

Sweet is giving orchestral sister of Cherry/White Mustang/Fuck it I love you/Love song/Tulsa Jesus Freak vibes, tbh. It'll probably be a (relatively) short track - definitely under 4 minutes, IMO - and will probably be overshadowed by the lengthier and wordier tracks of Side A, but Lana never puts a filler song near the top of the tracklist, so I think it's going to be nice (BOZ likes it so there's that). 

Yes, BOZ said that, while the title track is a generally good representation of the (orchestral) sound and lyrical content of the album, Lana shouldn't have released any singles, because none of the tracks work as standalone singles. Apparently one should experience the entire album without having being "teased" by a track beforehand. I think that it's a very intriguing observation; I know that BOZ loves cohesive projects, so it's interesting that the album has been described as wild, chaotic, poetic/conversational/wordy and with a lot of sonic variety, but doesn't feel messy. It's the first time I've heard someone describe a Lana album that way - that it works better as an experience -, so I'm very very excited about it.
 

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

Sweet is giving orchestral sister of Cherry/White Mustang/Fuck it I love you/Love song/Tulsa Jesus Freak vibes, tbh. It'll probably be a (relatively) short track - definitely under 4 minutes, IMO - and will probably be overshadowed by the lengthier and wordier tracks of Side A, but Lana never puts a filler song near the top of the tracklist, so I think it's going to be nice (BOZ likes it so there's that). 

Sweet is giving orchestral sister of Cherry/White Mustang/Fuck it I love you/Love song/Tulsa Jesus Freak vibes, tbh. It'll probably be a (relatively) short track - definitely under 4 minutes, IMO - and will probably be overshadowed by the lengthier and wordier tracks of Side A, but Lana never puts a filler song near the top of the tracklist, so I think it's going to be nice (BOZ likes it so there's that). 

Sweet is gonna be a short and sweet bop 

You're right, it could be the sexy double 

Sweet is giving orchestral sister of Cherry/White Mustang/Fuck it I love you/Love song/Tulsa Jesus Freak vibes, tbh. It'll probably be a (relatively) short track - definitely under 4 minutes, IMO - and will probably be overshadowed by the lengthier and wordier tracks of Side A, but Lana never puts a filler song near the top of the tracklist, so I think it's going to be nice (BOZ likes it so there's that). 

Sweet is giving orchestral sister of Cherry/White Mustang/Fuck it I love you/Love song/Tulsa Jesus Freak vibes, tbh. It'll probably be a (relatively) short track - definitely under 4 minutes, IMO - and will probably be overshadowed by the lengthier and wordier tracks of Side A, but Lana never puts a filler song near the top of the tracklist, so I think it's going to be nice (BOZ likes it so there's that). 

Sweet is giving orchestral sister of Cherry/White Mustang/Fuck it I love you/Love song/Tulsa Jesus Freak vibes, tbh. It'll probably be a (relatively) short track - definitely under 4 minutes, IMO - and will probably be overshadowed by the lengthier and wordier tracks of Side A, but Lana never puts a filler song near the top of the tracklist, so I think it's going to be nice (BOZ likes it so there's that). 

RIOPY is a French-born and London-based British composer. I wonder if Rob's random travel to London last summer had something to do with the recording of Track 11. 

When the pastor interlude gets more daily streams than the entirety of Miley's album, then what? 

I never noticed White Mustang and Blue Velvet are less than 3 minutes long 

This has made me realise how good she is at making long songs. Most of these don’t feel that long at all. 13 beaches 5 mins, honeymoon nearly 6 mins? What..

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

Yes, BOZ said that, while the title track is a generally good representation of the (orchestral) sound and lyrical content of the album, Lana shouldn't have released any singles, because none of the tracks work as standalone singles. Apparently one should experience the entire album without having being "teased" by a track beforehand. I think that it's a very intriguing observation; I know that BOZ loves cohesive projects, so it's interesting that the album has been described as wild, chaotic, poetic/conversational/wordy and with a lot of sonic variety, but doesn't feel messy. It's the first time I've heard someone describe a Lana album that way - that it works better as an experience -, so I'm very very excited about it.
 

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context.