Steeqhen

1. her albums aesthetics are very digestible and marketable
2. she's VERY intelligent
3. she has great songs to get ready to
4. she has a great band and really knows how to improve a song for live performances!

I thought the photo was real considering this photo 

She’s found a way to connect Cola to her pussy so she’ll find a way

1. i like her song new romantics
2. she is very pretty
3. i adore her ambition
4. that song she did with t pain is very funny

ok i'm gonna start the say 3 nice things about taylor swift challenge and i encourage everyone to join in
i'll start
1. she's really great at writing a killer melody
2. she's very good at cashing in on trends at the right moment but not in a way that is annoying (most of the time)
3. she has a pretty good taste in fashion
and bonus thing: i love her cats
ok your turn

no I agree but there was like 3 pages of people calling her music bland..I mean I'm not saying I disagree but this is just gonna cause chaos

I truly believe Taylor has gotten into a rut with her songwriting, where she's stuck in 2016, because nothing of note has really happened since then. When things have happened, she has written pretty great songs, but Lover and Midnights feel like Reputation 2 and 3. She also seems to just not be able to write a song without including a god-awful millenial lyric that pulls you out of an otherwise well-written track. Maybe she had always written kinda cringe lines, but they felt way more tongue-in-cheek because she was a part of the younger generation, and had a better understanding of the cultural landscape, but now it comes across as forced or awkward. folklore and evermore were pretty incredible, Lover and Midnights also have some pretty incredible songs, but I fear that her musical peak has passed if she doesn't take a step back, work with new producers, and experiment with different genres. To compare her to Joni Mitchell, she was taking risks with her music and sound at this point in her career, creating albums like Hissings of Summer Lawn, and Hejira. the folkmore albums felt like a step in Taylor's artistic development, but Midnights was a giant step back. And that photoshoot, that incredible 70s inspired photoshoot, wasted on a pretty standard pop album. I feel like such a hater, but I'm not, I am a huge fan of her music, her albums from her debut to 1989 are some of my favourite albums, and the folkmore albums I adore, but I cannot stand seeing her songwriting potential being wasted on "safe" music. Midnights was such a giant disappointment, and I really hope she doesn't continue down this route, when she could be delving into rock, folk, jazz, chamber, ANYTHING.

I truly believe Taylor has gotten into a rut with her songwriting, where she's stuck in 2016, because nothing of note has really happened since then. When things have happened, she has written pretty great songs, but Lover and Midnights feel like Reputation 2 and 3. She also seems to just not be able to write a song without including a god-awful millenial lyric that pulls you out of an otherwise well-written track. Maybe she had always written kinda cringe lines, but they felt way more tongue-in-cheek because she was a part of the younger generation, and had a better understanding of the cultural landscape, but now it comes across as forced or awkward. folklore and evermore were pretty incredible, Lover and Midnights also have some pretty incredible songs, but I fear that her musical peak has passed if she doesn't take a step back, work with new producers, and experiment with different genres. To compare her to Joni Mitchell, she was taking risks with her music and sound at this point in her career, creating albums like Hissings of Summer Lawn, and Hejira. the folkmore albums felt like a step in Taylor's artistic development, but Midnights was a giant step back. And that photoshoot, that incredible 70s inspired photoshoot, wasted on a pretty standard pop album. I feel like such a hater, but I'm not, I am a huge fan of her music, her albums from her debut to 1989 are some of my favourite albums, and the folkmore albums I adore, but I cannot stand seeing her songwriting potential being wasted on "safe" music. Midnights was such a giant disappointment, and I really hope she doesn't continue down this route, when she could be delving into rock, folk, jazz, chamber, ANYTHING.

Like the hottest she’s ever been…

She’s said she wouldn’t do this anymore. Deluxe editions are a way for the label to get more money/sales. Lana said that the album is the album.
Also have different mixes on the first pressing of vinyl is pretty common. Summer Bummer, Groupie Love, Fuck it I love you and Beautiful all had their demo versions on the first pressing. Wonder which song it’ll be on this album.

PT stands for unreleased Silent Hill

My hope is that it’s an AKA track, maybe another “lights camera accìon” reference to make a little trilogy of her growth, but maybe a Pawn Shop Blues or Kill Kill sample. But also The Greatest seems most likely 

RIP to God Please Sail Over The Sea On Monday For When He Docks At San Francisco 

These are INCREDIBLE. I love the consistent themes within each era. The Honeymoon ones are so beautiful, and the BB singles are perfect, she should have really used something like that.

get ready for a nice wall of text eheh
 
during the quarantine I had enjoyed rearranging my offline collection of downloaded music, released and not, of some of my favorite artists. the peculiarity was to put individual covers to each song (singles and not), since the metadata allow it, while keeping them in a single album. for example:
 

 
in lana's case, I had also created three big "albums" to catalog the unreleased, demo, and "dreamy" versions from youtube since I was obsessed at the time
 

 

 

 
however, as you may have noticed, there was a bit of discontinuity from some points of view: to certain songs I had put horrendous covers taken from the internet because there wasn't so much choice (or I didn't commit myself to looking for or create other ones), some files are in mp3 and others in m4a, so some in better quality and some worse, but above all I haven't updated it for a while with new unreleased for example. and that's why a few weeks ago I started again, and tried to "update" everything, organizing it in a better way.
 
unfortunately, however, I have many exams in university in the next weeks, I have to study a lot, and I get distracted easily with many things... like the 100+ pages of threads these days with all these interesting news. and for this reason some ideas that I had in mind for this updated collection have also been "changed", given the new vision that we have of the albums following what we have learned. so I'll be very slow, in updating them, and at the moment I've only started with (some) BTD unreleased, and its demos... in the future if you want I'll update you on how I'll organize the rest, it would be interesting to create a thread with all our collections! probably for albums in which there are few unreleased + demo leaked I'll make a single album (as for lfl sadly at the moment), or we'll see! below I show you what I did in the mentioned and updated versions of BTD... sorry for writing so much, but I'm very proud of this work, and I hope you can appreciate it 

 

 

I truly believe Taylor has gotten into a rut with her songwriting, where she's stuck in 2016, because nothing of note has really happened since then. When things have happened, she has written pretty great songs, but Lover and Midnights feel like Reputation 2 and 3. She also seems to just not be able to write a song without including a god-awful millenial lyric that pulls you out of an otherwise well-written track. Maybe she had always written kinda cringe lines, but they felt way more tongue-in-cheek because she was a part of the younger generation, and had a better understanding of the cultural landscape, but now it comes across as forced or awkward. folklore and evermore were pretty incredible, Lover and Midnights also have some pretty incredible songs, but I fear that her musical peak has passed if she doesn't take a step back, work with new producers, and experiment with different genres. To compare her to Joni Mitchell, she was taking risks with her music and sound at this point in her career, creating albums like Hissings of Summer Lawn, and Hejira. the folkmore albums felt like a step in Taylor's artistic development, but Midnights was a giant step back. And that photoshoot, that incredible 70s inspired photoshoot, wasted on a pretty standard pop album. I feel like such a hater, but I'm not, I am a huge fan of her music, her albums from her debut to 1989 are some of my favourite albums, and the folkmore albums I adore, but I cannot stand seeing her songwriting potential being wasted on "safe" music. Midnights was such a giant disappointment, and I really hope she doesn't continue down this route, when she could be delving into rock, folk, jazz, chamber, ANYTHING.

‘come on baby you can thrive’ but i CAN’T!

when’s it gonna be my turn?

don’t FORGET me

when’s it gonna be my turn?

I've already finished the Ultraviolence era! I will post that one next, so stay tuned!

when the next single is Fingertips and the music video is in black and white of Lana walking around her bedroom. 

Leak Pink Champagne and I will sign up to be organ donor.