Rivers

She could arrange a lot of interesting songs now that she has 3 gospel singers. I also love how she talks about God and things like that. 
Not many in alternative music is really doing that anymore besides Kanye, and a very few others. 

The lyrics and the way she sung it both had these strong representations of a nostalgic style, but in the modern day.   A modern day 50s,60s and 70s lounge style singer, but also the lyric subject nature is reflective in a nostalgic way, and it was being expressed that it was all being lost. That is one of her saddest songs. It's like the world is ending and we don't know if we can do anything about it.   
 
 

Like I said I just got back into her music again, and there are a number of things she does that really impress me.
 
One is when I heard her freestyle singing at soundcheck. I was like there were so many good pieces.
And she came up with a cool, whole song, off the top. I was like, what the fxck?
 
Another is that Billie Holiday kinda effect in her voice she did sometimes as well as all these other vocal styles. 
 
I know I lost some of the voices I could do once I got older and don't know if she can still do them. 
 
But her lyrics are always pretty out there too and I am impressed with all the literary works she ad libs. 
 

The lyrics and the way she sung it both had these strong representations of a nostalgic style, but in the modern day.   A modern day 50s,60s and 70s lounge style singer, but also the lyric subject nature is reflective in a nostalgic way, and it was being expressed that it was all being lost. That is one of her saddest songs. It's like the world is ending and we don't know if we can do anything about it.   
 
 

Making really nice beats like A and W is really really hard and so are dance type tracks that aren't over the top or too formulaic. They take a lot of time and rarely come together pretty quickly. The details jack put into a and w seem pretty elaborately involved. 
 
I like the little details too like the soundscape stuff from the cicadas or insects on God knows I tried or the intro to blackest day.  A lot of small things like that go a long way in album.
 
I guess she's gonna be super busy for awhile though and will probably wanna chill out after the tour so it's gonna be a long time. 

Like I said I just got back into her music again, and there are a number of things she does that really impress me.
 
One is when I heard her freestyle singing at soundcheck. I was like there were so many good pieces.
And she came up with a cool, whole song, off the top. I was like, what the fxck?
 
Another is that Billie Holiday kinda effect in her voice she did sometimes as well as all these other vocal styles. 
 
I know I lost some of the voices I could do once I got older and don't know if she can still do them. 
 
But her lyrics are always pretty out there too and I am impressed with all the literary works she ad libs. 
 

I really love her aesthetic of flowers and stars in her shows themes.
I would love a film theme with something like her singing on a piano covered or surrounded with flowers and against a starry sky, with meteors.  
 
 

The lyrics and the way she sung it both had these strong representations of a nostalgic style, but in the modern day.   A modern day 50s,60s and 70s lounge style singer, but also the lyric subject nature is reflective in a nostalgic way, and it was being expressed that it was all being lost. That is one of her saddest songs. It's like the world is ending and we don't know if we can do anything about it.   
 
 

The lyrics and the way she sung it both had these strong representations of a nostalgic style, but in the modern day.   A modern day 50s,60s and 70s lounge style singer, but also the lyric subject nature is reflective in a nostalgic way, and it was being expressed that it was all being lost. That is one of her saddest songs. It's like the world is ending and we don't know if we can do anything about it.   
 
 

Like I said I just got back into her music again, and there are a number of things she does that really impress me.
 
One is when I heard her freestyle singing at soundcheck. I was like there were so many good pieces.
And she came up with a cool, whole song, off the top. I was like, what the fxck?
 
Another is that Billie Holiday kinda effect in her voice she did sometimes as well as all these other vocal styles. 
 
I know I lost some of the voices I could do once I got older and don't know if she can still do them. 
 
But her lyrics are always pretty out there too and I am impressed with all the literary works she ad libs. 
 

There are some interesting suggestions in the thread. The psychedelic country was interesting as well as some more hardened acoustic songs. 
So here's my take after getting back into her music again and what's she's been working on  recently.
If I were hanging out at Jack Antonoffs studio to design or consult for Lana's 10th album, this is how I would structure it.
 
I would start off with a theatrical or some type of themed intro and go into nature boy, or a nature boy interlude part 1, maybe with Jon, or jack, or rob on piano.
 
Next I would build some type of beat similar to her recent free style she recorded during sound check. Something kinda chill but also has a good beat and can flow, possibly hip hop like or danceable. Think like the roots meets jazz funk.
 
Then I would try to crank it up, and do some type of hardened acoustic song, or a more hardened dance beat type track like a and w or body electric. 
 
Then I would calm it down a bit, into some type of surf rock, or down tempo surf rock type of song, something like the greatest. 
 
Then would have a poetry interlude of some sort, which segways into a country type vibe. Which would go into a different version of stand by your man.
 
Then maybe another poetry piece of some sort which goes into something that's somewhat bluesy, or hardened blues rock type of song.
 
After that I'm not too sure, lots of room, but I would try to get a soft ballad or two in there. 
But I would like to hear some more poetry and a complex symphonic arrangement. 
 
For the outro of the record I would have nature boy interlude part 2 with maybe her own lyrics, and an instrumental nature boy outro after that like she did at her show. 
 
 
 
 

There are some interesting suggestions in the thread. The psychedelic country was interesting as well as some more hardened acoustic songs. 
So here's my take after getting back into her music again and what's she's been working on  recently.
If I were hanging out at Jack Antonoffs studio to design or consult for Lana's 10th album, this is how I would structure it.
 
I would start off with a theatrical or some type of themed intro and go into nature boy, or a nature boy interlude part 1, maybe with Jon, or jack, or rob on piano.
 
Next I would build some type of beat similar to her recent free style she recorded during sound check. Something kinda chill but also has a good beat and can flow, possibly hip hop like or danceable. Think like the roots meets jazz funk.
 
Then I would try to crank it up, and do some type of hardened acoustic song, or a more hardened dance beat type track like a and w or body electric. 
 
Then I would calm it down a bit, into some type of surf rock, or down tempo surf rock type of song, something like the greatest. 
 
Then would have a poetry interlude of some sort, which segways into a country type vibe. Which would go into a different version of stand by your man.
 
Then maybe another poetry piece of some sort which goes into something that's somewhat bluesy, or hardened blues rock type of song.
 
After that I'm not too sure, lots of room, but I would try to get a soft ballad or two in there. 
But I would like to hear some more poetry and a complex symphonic arrangement. 
 
For the outro of the record I would have nature boy interlude part 2 with maybe her own lyrics, and an instrumental nature boy outro after that like she did at her show. 
 
 
 
 

There are some interesting suggestions in the thread. The psychedelic country was interesting as well as some more hardened acoustic songs. 
So here's my take after getting back into her music again and what's she's been working on  recently.
If I were hanging out at Jack Antonoffs studio to design or consult for Lana's 10th album, this is how I would structure it.
 
I would start off with a theatrical or some type of themed intro and go into nature boy, or a nature boy interlude part 1, maybe with Jon, or jack, or rob on piano.
 
Next I would build some type of beat similar to her recent free style she recorded during sound check. Something kinda chill but also has a good beat and can flow, possibly hip hop like or danceable. Think like the roots meets jazz funk.
 
Then I would try to crank it up, and do some type of hardened acoustic song, or a more hardened dance beat type track like a and w or body electric. 
 
Then I would calm it down a bit, into some type of surf rock, or down tempo surf rock type of song, something like the greatest. 
 
Then would have a poetry interlude of some sort, which segways into a country type vibe. Which would go into a different version of stand by your man.
 
Then maybe another poetry piece of some sort which goes into something that's somewhat bluesy, or hardened blues rock type of song.
 
After that I'm not too sure, lots of room, but I would try to get a soft ballad or two in there. 
But I would like to hear some more poetry and a complex symphonic arrangement. 
 
For the outro of the record I would have nature boy interlude part 2 with maybe her own lyrics, and an instrumental nature boy outro after that like she did at her show. 
 
 
 
 

There are some interesting suggestions in the thread. The psychedelic country was interesting as well as some more hardened acoustic songs. 
So here's my take after getting back into her music again and what's she's been working on  recently.
If I were hanging out at Jack Antonoffs studio to design or consult for Lana's 10th album, this is how I would structure it.
 
I would start off with a theatrical or some type of themed intro and go into nature boy, or a nature boy interlude part 1, maybe with Jon, or jack, or rob on piano.
 
Next I would build some type of beat similar to her recent free style she recorded during sound check. Something kinda chill but also has a good beat and can flow, possibly hip hop like or danceable. Think like the roots meets jazz funk.
 
Then I would try to crank it up, and do some type of hardened acoustic song, or a more hardened dance beat type track like a and w or body electric. 
 
Then I would calm it down a bit, into some type of surf rock, or down tempo surf rock type of song, something like the greatest. 
 
Then would have a poetry interlude of some sort, which segways into a country type vibe. Which would go into a different version of stand by your man.
 
Then maybe another poetry piece of some sort which goes into something that's somewhat bluesy, or hardened blues rock type of song.
 
After that I'm not too sure, lots of room, but I would try to get a soft ballad or two in there. 
But I would like to hear some more poetry and a complex symphonic arrangement. 
 
For the outro of the record I would have nature boy interlude part 2 with maybe her own lyrics, and an instrumental nature boy outro after that like she did at her show. 
 
 
 
 

Colbert side kick? The guy is as New Orleanian as it gets.
1.)Jon is extremely talented. His piano style is entirely original.
2.)The lil Wayne song is a far cry from any type boomerism.
3.)the Macklemore - Lamar claim you made is just something you made up in your head which has no semblance to reality, or the general populous' tastes and beliefs
 
 

There are some interesting suggestions in the thread. The psychedelic country was interesting as well as some more hardened acoustic songs. 
So here's my take after getting back into her music again and what's she's been working on  recently.
If I were hanging out at Jack Antonoffs studio to design or consult for Lana's 10th album, this is how I would structure it.
 
I would start off with a theatrical or some type of themed intro and go into nature boy, or a nature boy interlude part 1, maybe with Jon, or jack, or rob on piano.
 
Next I would build some type of beat similar to her recent free style she recorded during sound check. Something kinda chill but also has a good beat and can flow, possibly hip hop like or danceable. Think like the roots meets jazz funk.
 
Then I would try to crank it up, and do some type of hardened acoustic song, or a more hardened dance beat type track like a and w or body electric. 
 
Then I would calm it down a bit, into some type of surf rock, or down tempo surf rock type of song, something like the greatest. 
 
Then would have a poetry interlude of some sort, which segways into a country type vibe. Which would go into a different version of stand by your man.
 
Then maybe another poetry piece of some sort which goes into something that's somewhat bluesy, or hardened blues rock type of song.
 
After that I'm not too sure, lots of room, but I would try to get a soft ballad or two in there. 
But I would like to hear some more poetry and a complex symphonic arrangement. 
 
For the outro of the record I would have nature boy interlude part 2 with maybe her own lyrics, and an instrumental nature boy outro after that like she did at her show. 
 
 
 
 

God knows I loved.
God knows I lied.
God knows I lost, 
cause God gave me life... 
 
 
 
 
 

There are some interesting suggestions in the thread. The psychedelic country was interesting as well as some more hardened acoustic songs. 
So here's my take after getting back into her music again and what's she's been working on  recently.
If I were hanging out at Jack Antonoffs studio to design or consult for Lana's 10th album, this is how I would structure it.
 
I would start off with a theatrical or some type of themed intro and go into nature boy, or a nature boy interlude part 1, maybe with Jon, or jack, or rob on piano.
 
Next I would build some type of beat similar to her recent free style she recorded during sound check. Something kinda chill but also has a good beat and can flow, possibly hip hop like or danceable. Think like the roots meets jazz funk.
 
Then I would try to crank it up, and do some type of hardened acoustic song, or a more hardened dance beat type track like a and w or body electric. 
 
Then I would calm it down a bit, into some type of surf rock, or down tempo surf rock type of song, something like the greatest. 
 
Then would have a poetry interlude of some sort, which segways into a country type vibe. Which would go into a different version of stand by your man.
 
Then maybe another poetry piece of some sort which goes into something that's somewhat bluesy, or hardened blues rock type of song.
 
After that I'm not too sure, lots of room, but I would try to get a soft ballad or two in there. 
But I would like to hear some more poetry and a complex symphonic arrangement. 
 
For the outro of the record I would have nature boy interlude part 2 with maybe her own lyrics, and an instrumental nature boy outro after that like she did at her show. 
 
 
 
 

im not that talented
 
i can play around tho
 

Colbert side kick? The guy is as New Orleanian as it gets.
1.)Jon is extremely talented. His piano style is entirely original.
2.)The lil Wayne song is a far cry from any type boomerism.
3.)the Macklemore - Lamar claim you made is just something you made up in your head which has no semblance to reality, or the general populous' tastes and beliefs
 
 

Colbert side kick? The guy is as New Orleanian as it gets.
1.)Jon is extremely talented. His piano style is entirely original.
2.)The lil Wayne song is a far cry from any type boomerism.
3.)the Macklemore - Lamar claim you made is just something you made up in your head which has no semblance to reality, or the general populous' tastes and beliefs
 
 

Nevermind. Got one on seat geek.
But, vip front row a 90,000$ ?!?!?!?! 
90. 1000. Dollars... 90. 1000. Dollars...
 

Nevermind. Got one on seat geek.
But, vip front row a 90,000$ ?!?!?!?! 
90. 1000. Dollars... 90. 1000. Dollars...