paradise27390
-
Content Count
140 -
Joined
-
Last visited
Reputation Activity
-
reflecting liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
It's been one week and the thread is dying? I'm still on a high from this album!
I play it in the car... I hear something different. I play it on my sonos... I hear the expansive production. I play at night in bed in my Head Phones and the quiet little background details come to life.
I'm still not done processing it and yall have disappeared?
-
paradise27390 liked a post in a topic by #FreeCandyNecklace in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
I truly don’t mean this in a rude way but some people have GOT to let the Jack Antonoff hate go. You NEED to move on. She’s almost 40 years old. She was still in her twenties in the UV era and clearly much unhappier. You can’t expect that she’s going to write the same damn kind of songs for ten years straight.
also — I can guarantee if she WAS writing UV carbon copies ten years after that album came out people would complain she wasn’t changing her sound enough.
Enough is enough!!!!
-
Yameena Khatri liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
It's been one week and the thread is dying? I'm still on a high from this album!
I play it in the car... I hear something different. I play it on my sonos... I hear the expansive production. I play at night in bed in my Head Phones and the quiet little background details come to life.
I'm still not done processing it and yall have disappeared?
-
honeymoonboulevard liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
It's been one week and the thread is dying? I'm still on a high from this album!
I play it in the car... I hear something different. I play it on my sonos... I hear the expansive production. I play at night in bed in my Head Phones and the quiet little background details come to life.
I'm still not done processing it and yall have disappeared?
-
wilting daisy liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
It's been one week and the thread is dying? I'm still on a high from this album!
I play it in the car... I hear something different. I play it on my sonos... I hear the expansive production. I play at night in bed in my Head Phones and the quiet little background details come to life.
I'm still not done processing it and yall have disappeared?
-
paradise27390 liked a post in a topic by Sweet in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
Why aren't people talking about how amazing Fishtail is? Like, it combines rock sound with R&B? It's so well executed and sets Peppers up musically. I LOOOOOOOOOOOOOOOOOOOOOOOOOOVE it. The execution of all this is so Lana Del Rey
-
jimmyjimmycocoapuff liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
May I just say how damned hard it is to rank these songs!
Each one of the following has been my favourite from the album in this first week of listening at some point:
Paris, Texas (instant)
Margaret (instant)
Fishtail (instant)
Sweet (instant)
Kintsugi (instant)
The Grants (instant)
Fingertips (major grower. It clicked today )
And the rest are all solid 8s and above barring Juda Smith.
Even Peppers has grown on me. I still think it doesn't fit the overall themes of this album but it's still a bop!
The album is a stunner to play through from start to finish. She really poured everything and more into this. Like the art of Kintsugi ! Creating a whole from something fractured and broken.
The reflections of life, love, family and the inevitably and tragedy of death.
The mountains, the sea, the sweet north country.
I just can't with her.
Never been so proud to be a lana stan.
-
Three White Butterflies liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
May I just say how damned hard it is to rank these songs!
Each one of the following has been my favourite from the album in this first week of listening at some point:
Paris, Texas (instant)
Margaret (instant)
Fishtail (instant)
Sweet (instant)
Kintsugi (instant)
The Grants (instant)
Fingertips (major grower. It clicked today )
And the rest are all solid 8s and above barring Juda Smith.
Even Peppers has grown on me. I still think it doesn't fit the overall themes of this album but it's still a bop!
The album is a stunner to play through from start to finish. She really poured everything and more into this. Like the art of Kintsugi ! Creating a whole from something fractured and broken.
The reflections of life, love, family and the inevitably and tragedy of death.
The mountains, the sea, the sweet north country.
I just can't with her.
Never been so proud to be a lana stan.
-
Jeanne Dielman liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
May I just say how damned hard it is to rank these songs!
Each one of the following has been my favourite from the album in this first week of listening at some point:
Paris, Texas (instant)
Margaret (instant)
Fishtail (instant)
Sweet (instant)
Kintsugi (instant)
The Grants (instant)
Fingertips (major grower. It clicked today )
And the rest are all solid 8s and above barring Juda Smith.
Even Peppers has grown on me. I still think it doesn't fit the overall themes of this album but it's still a bop!
The album is a stunner to play through from start to finish. She really poured everything and more into this. Like the art of Kintsugi ! Creating a whole from something fractured and broken.
The reflections of life, love, family and the inevitably and tragedy of death.
The mountains, the sea, the sweet north country.
I just can't with her.
Never been so proud to be a lana stan.
-
George Parasol liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
May I just say how damned hard it is to rank these songs!
Each one of the following has been my favourite from the album in this first week of listening at some point:
Paris, Texas (instant)
Margaret (instant)
Fishtail (instant)
Sweet (instant)
Kintsugi (instant)
The Grants (instant)
Fingertips (major grower. It clicked today )
And the rest are all solid 8s and above barring Juda Smith.
Even Peppers has grown on me. I still think it doesn't fit the overall themes of this album but it's still a bop!
The album is a stunner to play through from start to finish. She really poured everything and more into this. Like the art of Kintsugi ! Creating a whole from something fractured and broken.
The reflections of life, love, family and the inevitably and tragedy of death.
The mountains, the sea, the sweet north country.
I just can't with her.
Never been so proud to be a lana stan.
-
Louise liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
God this album. It just. I can't. The words are absent
I'd be interested to know everyone's favourite vocal or production highlight from each track?
For me it's hard to narrow down but to keep it simple:
The Grants - "My Grandmother's last smile..."
Tunnel - everything in the last minute. The soundscape is huge. The choral is enchanting. The "Don't forget me"'s. Gorgeous
Sweet - children, marriage and marathons - simple and elegant production and light vocals.
A&W - that transition. Holy f**k. So dark. The industrial electro effects on her vocals. Bliss.
Juda Smith - Erm. I suppose the piano in the background would make a gorgeous instrumental.
Candy Necklace - the jazzy piano bridge. Gives me tingles and I scream Chopin!
Jon Batiste - actually love the vibes. The crescendo when he shouts.
Kintsugi - the beauty of the melody of "Roadrunner Cafe" so beautiful, so sad and so very very relatable to me... and my mother.
Fingertips - Christ. I've yet to get through it without getting misty. Theres so many build ups and come downs but the highlight is "Watch tv by my side"
Paris, Texas - the bass during "went to SEE some friends of mine" gets me every time.
Grandfather - "Deep sea fishing for all the things he's wishing"
Light the Light in - the whole production! Her final chorus in falsetto is Divine.
Margaret - "The Soul that you bring to the table" urgh there's magic on this track.
Fishtail - "Skinny dip inside your mind" and that beautiful little tingle in the production. I adore this track. Needed to be longer.
Peppers - the three "I'm in Love" 's
Taco truck - maybe unpopular opinion but the synthetic trumpets on VB are everything.
All in all I am really enjoying this era. The album is stunning and the highlights are career bests.
As a cohesive body of work NFR! Still ranks top, but it is very close second for Ocean Blvd. Just a couple of niggles keeps it from the top spot; had juda Smith been 90 seconds long it wouldn't kill the momentum and Peppers would be alot more successful without the sample, along with the cheap production that pales next to A&W which sounds polished and expensive by comparison.
Other than that I think we can say tracks like Sweet, Fingertips, Kingtsugi, Paris, Texas, Candy Necklace, Fishtail and The Grants symbolise Lana at her pinnacle of honest songwriting, exquisite compositions, beautiful vocal delivery and layered, profound production. She really does keep getting stronger and stronger every time she gets in that studio.
Long may it reign!
-
how the light shines in liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
God this album. It just. I can't. The words are absent
I'd be interested to know everyone's favourite vocal or production highlight from each track?
For me it's hard to narrow down but to keep it simple:
The Grants - "My Grandmother's last smile..."
Tunnel - everything in the last minute. The soundscape is huge. The choral is enchanting. The "Don't forget me"'s. Gorgeous
Sweet - children, marriage and marathons - simple and elegant production and light vocals.
A&W - that transition. Holy f**k. So dark. The industrial electro effects on her vocals. Bliss.
Juda Smith - Erm. I suppose the piano in the background would make a gorgeous instrumental.
Candy Necklace - the jazzy piano bridge. Gives me tingles and I scream Chopin!
Jon Batiste - actually love the vibes. The crescendo when he shouts.
Kintsugi - the beauty of the melody of "Roadrunner Cafe" so beautiful, so sad and so very very relatable to me... and my mother.
Fingertips - Christ. I've yet to get through it without getting misty. Theres so many build ups and come downs but the highlight is "Watch tv by my side"
Paris, Texas - the bass during "went to SEE some friends of mine" gets me every time.
Grandfather - "Deep sea fishing for all the things he's wishing"
Light the Light in - the whole production! Her final chorus in falsetto is Divine.
Margaret - "The Soul that you bring to the table" urgh there's magic on this track.
Fishtail - "Skinny dip inside your mind" and that beautiful little tingle in the production. I adore this track. Needed to be longer.
Peppers - the three "I'm in Love" 's
Taco truck - maybe unpopular opinion but the synthetic trumpets on VB are everything.
All in all I am really enjoying this era. The album is stunning and the highlights are career bests.
As a cohesive body of work NFR! Still ranks top, but it is very close second for Ocean Blvd. Just a couple of niggles keeps it from the top spot; had juda Smith been 90 seconds long it wouldn't kill the momentum and Peppers would be alot more successful without the sample, along with the cheap production that pales next to A&W which sounds polished and expensive by comparison.
Other than that I think we can say tracks like Sweet, Fingertips, Kingtsugi, Paris, Texas, Candy Necklace, Fishtail and The Grants symbolise Lana at her pinnacle of honest songwriting, exquisite compositions, beautiful vocal delivery and layered, profound production. She really does keep getting stronger and stronger every time she gets in that studio.
Long may it reign!
-
paradise27390 liked a post in a topic by jamesss in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
kay so my top 5:
1. Fishtail
2. Let the Light In
3. Candy Necklace
4. Paris, Texas.
5. Sweet
-
fishtails liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
God this album. It just. I can't. The words are absent
I'd be interested to know everyone's favourite vocal or production highlight from each track?
For me it's hard to narrow down but to keep it simple:
The Grants - "My Grandmother's last smile..."
Tunnel - everything in the last minute. The soundscape is huge. The choral is enchanting. The "Don't forget me"'s. Gorgeous
Sweet - children, marriage and marathons - simple and elegant production and light vocals.
A&W - that transition. Holy f**k. So dark. The industrial electro effects on her vocals. Bliss.
Juda Smith - Erm. I suppose the piano in the background would make a gorgeous instrumental.
Candy Necklace - the jazzy piano bridge. Gives me tingles and I scream Chopin!
Jon Batiste - actually love the vibes. The crescendo when he shouts.
Kintsugi - the beauty of the melody of "Roadrunner Cafe" so beautiful, so sad and so very very relatable to me... and my mother.
Fingertips - Christ. I've yet to get through it without getting misty. Theres so many build ups and come downs but the highlight is "Watch tv by my side"
Paris, Texas - the bass during "went to SEE some friends of mine" gets me every time.
Grandfather - "Deep sea fishing for all the things he's wishing"
Light the Light in - the whole production! Her final chorus in falsetto is Divine.
Margaret - "The Soul that you bring to the table" urgh there's magic on this track.
Fishtail - "Skinny dip inside your mind" and that beautiful little tingle in the production. I adore this track. Needed to be longer.
Peppers - the three "I'm in Love" 's
Taco truck - maybe unpopular opinion but the synthetic trumpets on VB are everything.
All in all I am really enjoying this era. The album is stunning and the highlights are career bests.
As a cohesive body of work NFR! Still ranks top, but it is very close second for Ocean Blvd. Just a couple of niggles keeps it from the top spot; had juda Smith been 90 seconds long it wouldn't kill the momentum and Peppers would be alot more successful without the sample, along with the cheap production that pales next to A&W which sounds polished and expensive by comparison.
Other than that I think we can say tracks like Sweet, Fingertips, Kingtsugi, Paris, Texas, Candy Necklace, Fishtail and The Grants symbolise Lana at her pinnacle of honest songwriting, exquisite compositions, beautiful vocal delivery and layered, profound production. She really does keep getting stronger and stronger every time she gets in that studio.
Long may it reign!
-
Three White Butterflies liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
God this album. It just. I can't. The words are absent
I'd be interested to know everyone's favourite vocal or production highlight from each track?
For me it's hard to narrow down but to keep it simple:
The Grants - "My Grandmother's last smile..."
Tunnel - everything in the last minute. The soundscape is huge. The choral is enchanting. The "Don't forget me"'s. Gorgeous
Sweet - children, marriage and marathons - simple and elegant production and light vocals.
A&W - that transition. Holy f**k. So dark. The industrial electro effects on her vocals. Bliss.
Juda Smith - Erm. I suppose the piano in the background would make a gorgeous instrumental.
Candy Necklace - the jazzy piano bridge. Gives me tingles and I scream Chopin!
Jon Batiste - actually love the vibes. The crescendo when he shouts.
Kintsugi - the beauty of the melody of "Roadrunner Cafe" so beautiful, so sad and so very very relatable to me... and my mother.
Fingertips - Christ. I've yet to get through it without getting misty. Theres so many build ups and come downs but the highlight is "Watch tv by my side"
Paris, Texas - the bass during "went to SEE some friends of mine" gets me every time.
Grandfather - "Deep sea fishing for all the things he's wishing"
Light the Light in - the whole production! Her final chorus in falsetto is Divine.
Margaret - "The Soul that you bring to the table" urgh there's magic on this track.
Fishtail - "Skinny dip inside your mind" and that beautiful little tingle in the production. I adore this track. Needed to be longer.
Peppers - the three "I'm in Love" 's
Taco truck - maybe unpopular opinion but the synthetic trumpets on VB are everything.
All in all I am really enjoying this era. The album is stunning and the highlights are career bests.
As a cohesive body of work NFR! Still ranks top, but it is very close second for Ocean Blvd. Just a couple of niggles keeps it from the top spot; had juda Smith been 90 seconds long it wouldn't kill the momentum and Peppers would be alot more successful without the sample, along with the cheap production that pales next to A&W which sounds polished and expensive by comparison.
Other than that I think we can say tracks like Sweet, Fingertips, Kingtsugi, Paris, Texas, Candy Necklace, Fishtail and The Grants symbolise Lana at her pinnacle of honest songwriting, exquisite compositions, beautiful vocal delivery and layered, profound production. She really does keep getting stronger and stronger every time she gets in that studio.
Long may it reign!
-
-
George Parasol liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
God this album. It just. I can't. The words are absent
I'd be interested to know everyone's favourite vocal or production highlight from each track?
For me it's hard to narrow down but to keep it simple:
The Grants - "My Grandmother's last smile..."
Tunnel - everything in the last minute. The soundscape is huge. The choral is enchanting. The "Don't forget me"'s. Gorgeous
Sweet - children, marriage and marathons - simple and elegant production and light vocals.
A&W - that transition. Holy f**k. So dark. The industrial electro effects on her vocals. Bliss.
Juda Smith - Erm. I suppose the piano in the background would make a gorgeous instrumental.
Candy Necklace - the jazzy piano bridge. Gives me tingles and I scream Chopin!
Jon Batiste - actually love the vibes. The crescendo when he shouts.
Kintsugi - the beauty of the melody of "Roadrunner Cafe" so beautiful, so sad and so very very relatable to me... and my mother.
Fingertips - Christ. I've yet to get through it without getting misty. Theres so many build ups and come downs but the highlight is "Watch tv by my side"
Paris, Texas - the bass during "went to SEE some friends of mine" gets me every time.
Grandfather - "Deep sea fishing for all the things he's wishing"
Light the Light in - the whole production! Her final chorus in falsetto is Divine.
Margaret - "The Soul that you bring to the table" urgh there's magic on this track.
Fishtail - "Skinny dip inside your mind" and that beautiful little tingle in the production. I adore this track. Needed to be longer.
Peppers - the three "I'm in Love" 's
Taco truck - maybe unpopular opinion but the synthetic trumpets on VB are everything.
All in all I am really enjoying this era. The album is stunning and the highlights are career bests.
As a cohesive body of work NFR! Still ranks top, but it is very close second for Ocean Blvd. Just a couple of niggles keeps it from the top spot; had juda Smith been 90 seconds long it wouldn't kill the momentum and Peppers would be alot more successful without the sample, along with the cheap production that pales next to A&W which sounds polished and expensive by comparison.
Other than that I think we can say tracks like Sweet, Fingertips, Kingtsugi, Paris, Texas, Candy Necklace, Fishtail and The Grants symbolise Lana at her pinnacle of honest songwriting, exquisite compositions, beautiful vocal delivery and layered, profound production. She really does keep getting stronger and stronger every time she gets in that studio.
Long may it reign!
-
the greatest bitch liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
God this album. It just. I can't. The words are absent
I'd be interested to know everyone's favourite vocal or production highlight from each track?
For me it's hard to narrow down but to keep it simple:
The Grants - "My Grandmother's last smile..."
Tunnel - everything in the last minute. The soundscape is huge. The choral is enchanting. The "Don't forget me"'s. Gorgeous
Sweet - children, marriage and marathons - simple and elegant production and light vocals.
A&W - that transition. Holy f**k. So dark. The industrial electro effects on her vocals. Bliss.
Juda Smith - Erm. I suppose the piano in the background would make a gorgeous instrumental.
Candy Necklace - the jazzy piano bridge. Gives me tingles and I scream Chopin!
Jon Batiste - actually love the vibes. The crescendo when he shouts.
Kintsugi - the beauty of the melody of "Roadrunner Cafe" so beautiful, so sad and so very very relatable to me... and my mother.
Fingertips - Christ. I've yet to get through it without getting misty. Theres so many build ups and come downs but the highlight is "Watch tv by my side"
Paris, Texas - the bass during "went to SEE some friends of mine" gets me every time.
Grandfather - "Deep sea fishing for all the things he's wishing"
Light the Light in - the whole production! Her final chorus in falsetto is Divine.
Margaret - "The Soul that you bring to the table" urgh there's magic on this track.
Fishtail - "Skinny dip inside your mind" and that beautiful little tingle in the production. I adore this track. Needed to be longer.
Peppers - the three "I'm in Love" 's
Taco truck - maybe unpopular opinion but the synthetic trumpets on VB are everything.
All in all I am really enjoying this era. The album is stunning and the highlights are career bests.
As a cohesive body of work NFR! Still ranks top, but it is very close second for Ocean Blvd. Just a couple of niggles keeps it from the top spot; had juda Smith been 90 seconds long it wouldn't kill the momentum and Peppers would be alot more successful without the sample, along with the cheap production that pales next to A&W which sounds polished and expensive by comparison.
Other than that I think we can say tracks like Sweet, Fingertips, Kingtsugi, Paris, Texas, Candy Necklace, Fishtail and The Grants symbolise Lana at her pinnacle of honest songwriting, exquisite compositions, beautiful vocal delivery and layered, profound production. She really does keep getting stronger and stronger every time she gets in that studio.
Long may it reign!
-
overnoverhoney liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
God this album. It just. I can't. The words are absent
I'd be interested to know everyone's favourite vocal or production highlight from each track?
For me it's hard to narrow down but to keep it simple:
The Grants - "My Grandmother's last smile..."
Tunnel - everything in the last minute. The soundscape is huge. The choral is enchanting. The "Don't forget me"'s. Gorgeous
Sweet - children, marriage and marathons - simple and elegant production and light vocals.
A&W - that transition. Holy f**k. So dark. The industrial electro effects on her vocals. Bliss.
Juda Smith - Erm. I suppose the piano in the background would make a gorgeous instrumental.
Candy Necklace - the jazzy piano bridge. Gives me tingles and I scream Chopin!
Jon Batiste - actually love the vibes. The crescendo when he shouts.
Kintsugi - the beauty of the melody of "Roadrunner Cafe" so beautiful, so sad and so very very relatable to me... and my mother.
Fingertips - Christ. I've yet to get through it without getting misty. Theres so many build ups and come downs but the highlight is "Watch tv by my side"
Paris, Texas - the bass during "went to SEE some friends of mine" gets me every time.
Grandfather - "Deep sea fishing for all the things he's wishing"
Light the Light in - the whole production! Her final chorus in falsetto is Divine.
Margaret - "The Soul that you bring to the table" urgh there's magic on this track.
Fishtail - "Skinny dip inside your mind" and that beautiful little tingle in the production. I adore this track. Needed to be longer.
Peppers - the three "I'm in Love" 's
Taco truck - maybe unpopular opinion but the synthetic trumpets on VB are everything.
All in all I am really enjoying this era. The album is stunning and the highlights are career bests.
As a cohesive body of work NFR! Still ranks top, but it is very close second for Ocean Blvd. Just a couple of niggles keeps it from the top spot; had juda Smith been 90 seconds long it wouldn't kill the momentum and Peppers would be alot more successful without the sample, along with the cheap production that pales next to A&W which sounds polished and expensive by comparison.
Other than that I think we can say tracks like Sweet, Fingertips, Kingtsugi, Paris, Texas, Candy Necklace, Fishtail and The Grants symbolise Lana at her pinnacle of honest songwriting, exquisite compositions, beautiful vocal delivery and layered, profound production. She really does keep getting stronger and stronger every time she gets in that studio.
Long may it reign!
-
GeminiLanaFan liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
God this album. It just. I can't. The words are absent
I'd be interested to know everyone's favourite vocal or production highlight from each track?
For me it's hard to narrow down but to keep it simple:
The Grants - "My Grandmother's last smile..."
Tunnel - everything in the last minute. The soundscape is huge. The choral is enchanting. The "Don't forget me"'s. Gorgeous
Sweet - children, marriage and marathons - simple and elegant production and light vocals.
A&W - that transition. Holy f**k. So dark. The industrial electro effects on her vocals. Bliss.
Juda Smith - Erm. I suppose the piano in the background would make a gorgeous instrumental.
Candy Necklace - the jazzy piano bridge. Gives me tingles and I scream Chopin!
Jon Batiste - actually love the vibes. The crescendo when he shouts.
Kintsugi - the beauty of the melody of "Roadrunner Cafe" so beautiful, so sad and so very very relatable to me... and my mother.
Fingertips - Christ. I've yet to get through it without getting misty. Theres so many build ups and come downs but the highlight is "Watch tv by my side"
Paris, Texas - the bass during "went to SEE some friends of mine" gets me every time.
Grandfather - "Deep sea fishing for all the things he's wishing"
Light the Light in - the whole production! Her final chorus in falsetto is Divine.
Margaret - "The Soul that you bring to the table" urgh there's magic on this track.
Fishtail - "Skinny dip inside your mind" and that beautiful little tingle in the production. I adore this track. Needed to be longer.
Peppers - the three "I'm in Love" 's
Taco truck - maybe unpopular opinion but the synthetic trumpets on VB are everything.
All in all I am really enjoying this era. The album is stunning and the highlights are career bests.
As a cohesive body of work NFR! Still ranks top, but it is very close second for Ocean Blvd. Just a couple of niggles keeps it from the top spot; had juda Smith been 90 seconds long it wouldn't kill the momentum and Peppers would be alot more successful without the sample, along with the cheap production that pales next to A&W which sounds polished and expensive by comparison.
Other than that I think we can say tracks like Sweet, Fingertips, Kingtsugi, Paris, Texas, Candy Necklace, Fishtail and The Grants symbolise Lana at her pinnacle of honest songwriting, exquisite compositions, beautiful vocal delivery and layered, profound production. She really does keep getting stronger and stronger every time she gets in that studio.
Long may it reign!
-
Venice Jesus Whore liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
God this album. It just. I can't. The words are absent
I'd be interested to know everyone's favourite vocal or production highlight from each track?
For me it's hard to narrow down but to keep it simple:
The Grants - "My Grandmother's last smile..."
Tunnel - everything in the last minute. The soundscape is huge. The choral is enchanting. The "Don't forget me"'s. Gorgeous
Sweet - children, marriage and marathons - simple and elegant production and light vocals.
A&W - that transition. Holy f**k. So dark. The industrial electro effects on her vocals. Bliss.
Juda Smith - Erm. I suppose the piano in the background would make a gorgeous instrumental.
Candy Necklace - the jazzy piano bridge. Gives me tingles and I scream Chopin!
Jon Batiste - actually love the vibes. The crescendo when he shouts.
Kintsugi - the beauty of the melody of "Roadrunner Cafe" so beautiful, so sad and so very very relatable to me... and my mother.
Fingertips - Christ. I've yet to get through it without getting misty. Theres so many build ups and come downs but the highlight is "Watch tv by my side"
Paris, Texas - the bass during "went to SEE some friends of mine" gets me every time.
Grandfather - "Deep sea fishing for all the things he's wishing"
Light the Light in - the whole production! Her final chorus in falsetto is Divine.
Margaret - "The Soul that you bring to the table" urgh there's magic on this track.
Fishtail - "Skinny dip inside your mind" and that beautiful little tingle in the production. I adore this track. Needed to be longer.
Peppers - the three "I'm in Love" 's
Taco truck - maybe unpopular opinion but the synthetic trumpets on VB are everything.
All in all I am really enjoying this era. The album is stunning and the highlights are career bests.
As a cohesive body of work NFR! Still ranks top, but it is very close second for Ocean Blvd. Just a couple of niggles keeps it from the top spot; had juda Smith been 90 seconds long it wouldn't kill the momentum and Peppers would be alot more successful without the sample, along with the cheap production that pales next to A&W which sounds polished and expensive by comparison.
Other than that I think we can say tracks like Sweet, Fingertips, Kingtsugi, Paris, Texas, Candy Necklace, Fishtail and The Grants symbolise Lana at her pinnacle of honest songwriting, exquisite compositions, beautiful vocal delivery and layered, profound production. She really does keep getting stronger and stronger every time she gets in that studio.
Long may it reign!
-
paradise27390 liked a post in a topic by Venice Jesus Whore in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
I’m not seeing enough Fishtail praise, so here’s me praising it.
-
caitonline liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
God this album. It just. I can't. The words are absent
I'd be interested to know everyone's favourite vocal or production highlight from each track?
For me it's hard to narrow down but to keep it simple:
The Grants - "My Grandmother's last smile..."
Tunnel - everything in the last minute. The soundscape is huge. The choral is enchanting. The "Don't forget me"'s. Gorgeous
Sweet - children, marriage and marathons - simple and elegant production and light vocals.
A&W - that transition. Holy f**k. So dark. The industrial electro effects on her vocals. Bliss.
Juda Smith - Erm. I suppose the piano in the background would make a gorgeous instrumental.
Candy Necklace - the jazzy piano bridge. Gives me tingles and I scream Chopin!
Jon Batiste - actually love the vibes. The crescendo when he shouts.
Kintsugi - the beauty of the melody of "Roadrunner Cafe" so beautiful, so sad and so very very relatable to me... and my mother.
Fingertips - Christ. I've yet to get through it without getting misty. Theres so many build ups and come downs but the highlight is "Watch tv by my side"
Paris, Texas - the bass during "went to SEE some friends of mine" gets me every time.
Grandfather - "Deep sea fishing for all the things he's wishing"
Light the Light in - the whole production! Her final chorus in falsetto is Divine.
Margaret - "The Soul that you bring to the table" urgh there's magic on this track.
Fishtail - "Skinny dip inside your mind" and that beautiful little tingle in the production. I adore this track. Needed to be longer.
Peppers - the three "I'm in Love" 's
Taco truck - maybe unpopular opinion but the synthetic trumpets on VB are everything.
All in all I am really enjoying this era. The album is stunning and the highlights are career bests.
As a cohesive body of work NFR! Still ranks top, but it is very close second for Ocean Blvd. Just a couple of niggles keeps it from the top spot; had juda Smith been 90 seconds long it wouldn't kill the momentum and Peppers would be alot more successful without the sample, along with the cheap production that pales next to A&W which sounds polished and expensive by comparison.
Other than that I think we can say tracks like Sweet, Fingertips, Kingtsugi, Paris, Texas, Candy Necklace, Fishtail and The Grants symbolise Lana at her pinnacle of honest songwriting, exquisite compositions, beautiful vocal delivery and layered, profound production. She really does keep getting stronger and stronger every time she gets in that studio.
Long may it reign!
-
paradise27390 liked a post in a topic by fl0r1dakil0s in Did you know that there's a tunnel under Ocean Blvd - Post-Release Discussion Thread + Poll
would you say something positive for once the woman this entire site is dedicated to just released an album save this for tomorrow
-
Kiki de Montparnasse liked a post in a topic by paradise27390 in Did you know that there's a tunnel under Ocean Blvd - Pre-Release Thread: OUT March 24th, 2023
Hello my loves!
Yall don't know me coz I pop up once a year to give my take and then I'm gone again (this is how to disappear )
But bloody hell do I enjoy these pre-release thread.
Thanks for so much entertainment!
My take: