Melanie Martinez

[Anonymcomenter 4,675]

The girls are fighting? What happened? 

[Coloringbooks 14,019]

7 hours ago, CoochieSwirlC said:

Lana stans are literally obsessed with her in the most condescending way. Seeing all these meltdowns on Twitter and other forums gave me second hand embarrassment 

Like, parasocial relationships are real folks… all this seething anger in them when both Melanie (and Lana) could see them walking down the street and have no idea who they are

Same goes for Bjork fans, like I promise you— she could not care less 

[Tana Mongeau 4,989]

what have i missed 

[TropicoKitten 5,012]

Hopefully they’ll grow on me but I’m not a big fan of the deluxe songs

[rancidgirl 5,495]

 watch my vid

[Anonymcomenter 4,675]

Okay so imma rank Melanies eras as I see them now:

 

Dollhouse EP (9,8/10): Great introduction to her artistry, you could tell she had potential. The aesthetic was already there but she still hasn’t found her sound yet (songs like Gold Diggin Love, Dead to Me, Trophy Wife didn’t match the baby theme). Really promising nonetheless. During this time I think her inspiration from Marina or Lana were really clear, specially in BOPs like Bittersweet Tragedy, You Love I, Night Mime or Bombs On Monday. Her writing also was really clever and sassy during this time in songs like Dear Porcupines or Million Men. Loooove her here, and it has a special place in my heart cause it was the time I discovered her.

 

Crybaby (1000/10): Show stopping, amazing, spectacular, never done before, etc. Now THIS is a debut album! The story was so cleverly crafted and made perfect sense, the sound was groundbreaking for the time and everything she delivered was top noch. From the videos to the cover to the booklet. During this era I still found her really misterious and intriguing. Something about her made me gravitate to her, maybe it was the pastel looks with the dark meanings (always loved that duality). The outtakes also demonstrate the cuality, it’s clear to me that around this time she had lots of ideas and she surrounded herself with the correct people (designers, producers, songwriters). I’m also glad the label deposited that much faith in her to give us those outstanding music videos. The fact that 14 of 16 tracks are over 100k in spoty speaks volumes, I honestly don’t get the hate from critics…

 

K-12 (7/10): I had REALLY big expectations for this one and the wait was long so… the trailer got me pumped! Sadly, this was the first time I think she dropped the ball. I’m not that mad about the childish themes (it’s what she does better), the school concept to me sounds great but the execution… dear god! The storyline in crybaby seemed more organic and here feels a little forced. It has great moments like Drama Club, Nuses Office, Show & Tell or Detention but songs like Class Fight, Orange Juice and Strawberry Shortcake sound undercooked to me. You can tell her ambition, but this time around she tried to make it all by herself and it didn’t work. With more producers and a little help in the lyric department this could have been GREAT but sadly this is when her stubbornness starts to show… Also she’s so stuck up on certain ideas she ends up choosing storyline over quality. And don’t get me started on the movie… what a waste of budget and time. Really bad, I was expecting some Coraline / Tim Burton type of film and instead I got something a 5 year old would make full of unnecessary “woke” ideas. Even if it’s not my favourite from her I come back to a few songs from time to time.
 

After School (0/10): By now my hype was already gone… she shaved her eyebrows, put on that mullet and the aesthetic was ruined for me. Sadly the music didn’t get better either… it got worse. You can tell she’s trying to get out of the baby/school concept here but very poorly done. I don’t know what happened here but her writing is so off and cringe I can’t… the flow of her singing is really bad and the songs sound like bad fanmade type beats. Very uninspiring and a low point in her career. At least we got History and Function out of this… it’s not her best but better than anything on the EP. Hate is a strong word and that exactly why I would say I hate this EP. I haven’t revisited it once since first listen for the exception of The Bakery.
 

Portals (5,5/10): After the leaks my hopes got up a little. The concept was clear and some of the songs grew on me a lot (Garden, Dragons Blood, Tunnel Vision, Barely Juice, Needle & Thread, Void). Instead, she scrapped the best material and delivered a really odd album. Half of the songs don’t make sense in the same project, some are rock, others a little hip hop and others full on pop. Also the concept it’s not that clear anymore. Light Shower or BOTL don’t make any sense with the fairy / forest concept. She had great potential for this but once again dropped the ball, and hard. The mixing is really off and the transitions ruin any king of replay value. It almost looks like she doesn’t want to have any success with this. It has cute moments like The Contortionist, Evil, Moon Cycle or Nymphology but the rest is not up to part. The deluxe is cute also with highlights like Powder and Pluto. One thing I admired from her is the way she committed to the theme and made it work without making it look forced but here… it’s a no luv. Also all the Olivia Free diss tracks are out of place… she’s trying too hard to look ethereal and mystical but failing so hard! Lyrics don’t make sense… I have a feeling this is what happens when u surround yourself with ass licking friends and producers that won’t correct you (Leeches). Idk if lyrics like the “penis”, “pussy”, “piss” and “period, YUH” are for shock value or just plain stupid. A disappointment… again! 

[The Siren 30,523]

13 minutes ago, Anonymcomenter said:

Okay so imma rank Melanies eras as I see them now:

 

Dollhouse EP (9,8/10): Great introduction to her artistry, you could tell she had potential. The aesthetic was already there but she still hasn’t found her sound yet (songs like Gold Diggin Love, Dead to Me, Trophy Wife didn’t match the baby theme). Really promising nonetheless. During this time I think her inspiration from Marina or Lana were really clear, specially in BOPs like Bittersweet Tragedy, You Love I, Night Mime or Bombs On Monday. Her writing also was really clever and sassy during this time in songs like Dear Porcupines or Million Men. Loooove her here, and it has a special place in my heart cause it was the time I discovered her.

 

Crybaby (1000/10): Show stopping, amazing, spectacular, never done before, etc. Now THIS is a debut album! The story was so cleverly crafted and made perfect sense, the sound was groundbreaking for the time and everything she delivered was top noch. From the videos to the cover to the booklet. During this era I still found her really misterious and intriguing. Something about her made me gravitate to her, maybe it was the pastel looks with the dark meanings (always loved that duality). The outtakes also demonstrate the cuality, it’s clear to me that around this time she had lots of ideas and she surrounded herself with the correct people (designers, producers, songwriters). I’m also glad the label deposited that much faith in her to give us those outstanding music videos.

 

K-12 (7/10): I had REALLY big expectations for this one and the wait was long so… the trailer got me pumped! Sadly, this was the first time I think she dropped the ball. I’m not that mad about the childish themes (it’s what she does better), the school concept to me sounds great but the execution… dear god! The storyline in crybaby seemed more organic and here feels a little forced. It has great moments like Drama Club, Nuses Office, Show & Tell or Detention but songs like Class Fight, Orange Juice and Strawberry Shortcake sound undercooked to me. You can tell her ambition, but this time around she tried to make it all by herself and it didn’t work. With more producers and a little help in the lyric department this could have been GREAT but sadly this is when her stubbornness starts to show… Also she’s so stuck up on certain ideas she ends up choosing storyline over quality. And don’t get me started on the movie… what a waste of budget and time. Really bad, I was expecting some Coraline / Tim Burton type of film and instead I got something a 5 year old would make full of unnecessary “woke” ideas. Even if it’s not my favourite from her I come back to a few songs from time to time.
 

After School (0/10): By now my hype was already gone… she shaved her eyebrows, put on that mullet and the aesthetic was ruined for me. Sadly the music didn’t get better either… it got worse. You can tell she’s trying to get out of the baby/school concept here but very poorly done. I don’t know what happened here but her writing is so off and cringe I can’t… the flow of her singing is really bad and the songs sound like bad fanmade type beats. Very uninspiring and a low point in her career. At least we got History and Function out of this… it’s not her best but better than anything on the EP. Hate is a strong word and that exactly why I would say I hate this EP. I haven’t revisited it once since first listen for the exception of The Bakery.
 

Portals (5,5/10): After the leaks my hopes got up a little. The concept was clear and some of the songs grew on me a lot (Garden, Dragons Blood, Tunnel Vision, Barely Juice, Needle & Thread, Void). Instead, she scrapped the best material and delivered a really odd album. Half of the songs don’t make sense in the same project, some are rock, others a little hip hop and others full on pop. Also the concept it’s not that clear anymore. Light Shower or BOTL don’t make any sense with the fairy / forest concept. She had great potential for this but once again dropped the ball, and hard. The mixing is really off and the transitions ruin any king of replay value. It almost looks like she doesn’t want to have any success with this. It has cute moments like The Contortionist, Evil, Moon Cycle or Nymphology but the rest is not up to part. The deluxe is cute also with highlights like Powder and Pluto. One thing I admired from her is the way she committed to the theme and made it work without making it look forced but here… it’s a no luv. Also all the Olivia Free diss tracks are out of place… she’s trying too hard to look ethereal and mystical but failing so hard! Lyrics don’t make sense… I have a feeling this is what happens when u surround yourself with ass licking friends and producers that won’t correct you (Leeches). Idk if lyrics like the “penis”, “pussy”, “piss” and “period, YUH” are for shock value or just plain stupid. A disappointment… again! 

[rancidgirl 5,495]

what song do u guys think is the most portals on after school and vice versa?

 

numbers is the most portals to me and the contortionist is the most as to me

[Pop The Balloons 2,647]

My signed CD is finally out for delivery today yay 

[sadness is a butterfly 5,796]

28 minutes ago, Pop The Balloons said:

My signed CD is finally out for delivery today yay 

How does it feel to be so blessed 

[ButterflyBones 2,238]

54 minutes ago, rancidgirl said:

what song do u guys think is the most portals on after school and vice versa?

 

numbers is the most portals to me and the contortionist is the most as to me

PLUTO could've been worked onto After School pretty easily, I think. Test Me would have worked nicely for Portals too.

[Jack 2,919]

14 hours ago, Wait For Life said:

Lanaboards, your income has been affected 

[The Siren 30,523]

 

Edited April 8, 2023 by The Siren

[LunaeManifestum 8,307]

4 hours ago, rancidgirl said:

what song do u guys think is the most portals on after school and vice versa?

 

numbers is the most portals to me and the contortionist is the most as to me

something about Contortionist screams K12 to me. Judging by the background sounds she’s entering into some kind of dance club with people doing different body movements (contortionism)

[sublimedreamersublime 305]

On 4/7/2023 at 8:48 AM, champainproblms said:

has anyone figured out the underlining story of portals or do yall think its just separate things the creature goes through kinda like crybaby? cause truly for me this "concept album" is bs. there are many songs in this album soo obvi about things that happened to melanie herself and are from this world, it completely takes me out of wherever she's trying to take me

This is what I've been thinking since the album came out. It's obviously about things that happened to Melanie so idk how it fits into Crybaby's story. I hope the movie will help us understand the story but it won't be coming out until 2024-2025 (I'm thinking 2024 maybe, but idk). So I guess we'll have to wait until then. 

 

[evalionisameme 13,889]

12 minutes ago, creativeworldbuilder said:

This is what I've been thinking since the album came out. It's obviously about things that happened to Melanie so idk how it fits into Crybaby's story. I hope the movie will help us understand the story but it won't be coming out until 2024-2025 (I'm thinking 2024 maybe, but idk). So I guess we'll have to wait until then. 

 

I think the interlude effects are meant to be the focus of the story mainly 

Like when she’s at the ballroom party or whatever 

[Coloringbooks 14,019]

An interesting fact about the interludes is that they came very late in the game / were last minute additions while the album was being finalised, even the "Death is life is death is…" loop. 
 

Amulet being added onto Nymphology was also very random and spontaneous, she probably wanted Verde to have a production credit— but I'm glad she did! 

[evalionisameme 13,889]

3 minutes ago, Coloringbooks said:

An interesting fact about the interludes is that they came very late in the game / were last minute additions while the album was being finalised, even the "Death is life is death is…" loop. 
 

Amulet being added onto Nymphology was also very random and spontaneous, she probably wanted Verde to have a production credit— but I'm glad she did! 

Did she state this in a interview or did you find out this information?

[evalionisameme 13,889]

[Coloringbooks 14,019]

7 minutes ago, evalionisameme said:

Did she state this in a interview or did you find out this information?

Information I've discovered myself, but she did talk a bit about Amulet and Nymphology in the track-by-track for Apple Music!

 

The album transitions weren't added until sometime during/after August of 2022, that was also right around the time songs from Portals were being sent in for mixing