Future Jazz

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

i already pointed out that most of the songs couldn't have been recorded in the same sessions as nfr bc they're attached to relationships/friendships that she didn't have during the recording of nfr. but even still, i don't find nfr & chemtrails similar at all. i feel like people who say that aren't paying attention to the music at all.

Lots of talk about how we are connecting with this album emotionally. Honestly i relate to a majority of her songs, theres always at least a couple songs that i feel help give me lots of insight on what im going through in my life. From chemtrails to now, i have really resonated with most of the songs, especially this album. Maybe its the cancer sign in us lol. A lot of subjects on this album were very dark, theres a lot of loss in this album. But where it wraps up makes me feel that theres victory, and self realization. I dont know what i would do without lanas music

NFR is indie rock with surf rock elements here and there. It’s quite cohesive and sunny-sounding throughout.
 
Chemtrails leans heavily on indie folk and its sonority suggests a more autumnal aesthetic.
 
That the GP still manages to affirm these two albums sound the exact same is completely mind boggling to me. Their themes are different and the soundscapes diverge to different genres (although sharing similar sensibilities) but people took Jack Antonoff producing both albums and WAH sampling HTD and ran with it. 

i see this said a lot and it is false! the title track, tulsa jesus freak, and not all who wander are lost are at least partially about sean and refer to the midwest and she didn't start dating him til after nfr came out. and she only became friends with nikki lane and joan baez on the nfr tour, so breaking up slowly & dance til we die can't be nfr outtakes either. and she only started covering for free on the nfr tour and first performed it with zella & weyes at the hollywood bowl during the tour so another song that is not an nfr outtake. then we know yosemite is actually a lfl outtake. which then only leaves white dress, let me love you like a woman, wild at heart, and dark but just a game up in the air (idk if other people have more info on these but i don't). 
 
also cotcc & bb very clearly have different narratives but that's another story.

Her music sounds how ever she wants it to. It really makes no difference who she works with. If she didn't like what came from the sessions she would remake the song with somebody else. She worked with Mike Dean for Wildflower Wildfire and didn't release anything else with his involvement, didn't that prove its all up to her?

1- i'd say outside of lanaboards, hm isn't a very popular album, at least not in the same way btd, uv, & nfr are
2- lana didn't work with jack at all on bb. it was like half drew erickson and half zach dawes who were both new for her
3- cotcc & bb are only really hated on lanaboards

the title track is top 10 in her discography for me, i literally have no words for how much emotion and subtlety there is in every single note it contains. never in her discography have i seen such a beautiful instrumental build-up. the melody and the lyrics are magnificent. it’s one of her strongest songs and to me it’s really unique because of the vocals, the backup singers and the lyrics… i mean even after her vocals end and there’s only the instrumental, it’s still so strong and moving…

the title track is top 10 in her discography for me, i literally have no words for how much emotion and subtlety there is in every single note it contains. never in her discography have i seen such a beautiful instrumental build-up. the melody and the lyrics are magnificent. it’s one of her strongest songs and to me it’s really unique because of the vocals, the backup singers and the lyrics… i mean even after her vocals end and there’s only the instrumental, it’s still so strong and moving…

the title track is top 10 in her discography for me, i literally have no words for how much emotion and subtlety there is in every single note it contains. never in her discography have i seen such a beautiful instrumental build-up. the melody and the lyrics are magnificent. it’s one of her strongest songs and to me it’s really unique because of the vocals, the backup singers and the lyrics… i mean even after her vocals end and there’s only the instrumental, it’s still so strong and moving…

the title track is top 10 in her discography for me, i literally have no words for how much emotion and subtlety there is in every single note it contains. never in her discography have i seen such a beautiful instrumental build-up. the melody and the lyrics are magnificent. it’s one of her strongest songs and to me it’s really unique because of the vocals, the backup singers and the lyrics… i mean even after her vocals end and there’s only the instrumental, it’s still so strong and moving…

the title track is top 10 in her discography for me, i literally have no words for how much emotion and subtlety there is in every single note it contains. never in her discography have i seen such a beautiful instrumental build-up. the melody and the lyrics are magnificent. it’s one of her strongest songs and to me it’s really unique because of the vocals, the backup singers and the lyrics… i mean even after her vocals end and there’s only the instrumental, it’s still so strong and moving…

the title track is top 10 in her discography for me, i literally have no words for how much emotion and subtlety there is in every single note it contains. never in her discography have i seen such a beautiful instrumental build-up. the melody and the lyrics are magnificent. it’s one of her strongest songs and to me it’s really unique because of the vocals, the backup singers and the lyrics… i mean even after her vocals end and there’s only the instrumental, it’s still so strong and moving…

the title track is top 10 in her discography for me, i literally have no words for how much emotion and subtlety there is in every single note it contains. never in her discography have i seen such a beautiful instrumental build-up. the melody and the lyrics are magnificent. it’s one of her strongest songs and to me it’s really unique because of the vocals, the backup singers and the lyrics… i mean even after her vocals end and there’s only the instrumental, it’s still so strong and moving…

the title track is top 10 in her discography for me, i literally have no words for how much emotion and subtlety there is in every single note it contains. never in her discography have i seen such a beautiful instrumental build-up. the melody and the lyrics are magnificent. it’s one of her strongest songs and to me it’s really unique because of the vocals, the backup singers and the lyrics… i mean even after her vocals end and there’s only the instrumental, it’s still so strong and moving…

ok but like... are we ever gonna get the draft tracklist for rock candy sweet