IanadeIrey

If there were any chance of a UO release, Lana or UO probably would've announced it by now. I don't remember how she did it for UV but with HM, she revealed the UO cover a day after the pre-order for the standard record went up, so most likely no UO edition.
 
Who knows, though? This era is full of surprises, so maybe we will get a UO release - it's just a matter of when it will be announced.

If there were any chance of a UO release, Lana or UO probably would've announced it by now. I don't remember how she did it for UV but with HM, she revealed the UO cover a day after the pre-order for the standard record went up, so most likely no UO edition.
 
Who knows, though? This era is full of surprises, so maybe we will get a UO release - it's just a matter of when it will be announced.

I love the subversive flower child theme Lana's kept throughout the album's imagery, as well as her dipping into that zany, 50's/60's sci-fi, Twilight Zone-esque side of things, like the album trailer. She also said her videos retain that theme of occultism and magic in the Les Inrocks interview. The overall theme of the era is visually diverse but thematically cohesive, which I and I'm sure many others love. 
 
I just love her look for 'Love,' though. It's exactly how I imagined the LDR5 aesthetic to be last summer, what with her various looks during the Festival Tour. 

I love the subversive flower child theme Lana's kept throughout the album's imagery, as well as her dipping into that zany, 50's/60's sci-fi, Twilight Zone-esque side of things, like the album trailer. She also said her videos retain that theme of occultism and magic in the Les Inrocks interview. The overall theme of the era is visually diverse but thematically cohesive, which I and I'm sure many others love. 
 
I just love her look for 'Love,' though. It's exactly how I imagined the LDR5 aesthetic to be last summer, what with her various looks during the Festival Tour. 

@Nick Del Rey works at Target  

I love the subversive flower child theme Lana's kept throughout the album's imagery, as well as her dipping into that zany, 50's/60's sci-fi, Twilight Zone-esque side of things, like the album trailer. She also said her videos retain that theme of occultism and magic in the Les Inrocks interview. The overall theme of the era is visually diverse but thematically cohesive, which I and I'm sure many others love. 
 
I just love her look for 'Love,' though. It's exactly how I imagined the LDR5 aesthetic to be last summer, what with her various looks during the Festival Tour. 

Just to clear things up - the CD arrives on 7/21, but the vinyl arrives in late September, correct?

I'm so glad Lana worked with Tim Larcombe again, this time with Cherry.
It's already a classic Lana Del Rey song, and I love the choreography for it on stage. 

Just to clear things up - the CD arrives on 7/21, but the vinyl arrives in late September, correct?

Youre welcome. And you should totally share. Youre good at editing

Hmmm, that's interesting. 
Her store says September but since these retailers are saying early Aug/the 21st, the vinyl may ship this week then, right?
Thank you! It's an edit I made

Correct!

Correct. Also your icon is BEAUTIFUL.

idk, a lot of 3rd party resellers have the date set for 21st as well or early August
Fnac f.e. has the transparent vinyl set for 21st July http://musique.fnac.com/a10764744/Lana-Del-Rey-Lust-for-Life-Vinyle-colore-Edition-limitee-Vinyl-album?omnsearchpos=2

Yup

Thank you!  

Just to clear things up - the CD arrives on 7/21, but the vinyl arrives in late September, correct?

Just to clear things up - the CD arrives on 7/21, but the vinyl arrives in late September, correct?

Couldn't agree with this more, I don't think the tracklist could just "coincidentally" end up like this. Lana truly did plan this out well. I love how the first half has more summery and gritty songs with a contemporary production, while the second half has a more stripped back, lowkey feeling that speaks to the lost era of Woodstock. She truly bridges the gap between the past and the present and is appealing to both the younger and older audiences she has. She truly has outdone herself with this record.

Couldn't agree with this more, I don't think the tracklist could just "coincidentally" end up like this. Lana truly did plan this out well. I love how the first half has more summery and gritty songs with a contemporary production, while the second half has a more stripped back, lowkey feeling that speaks to the lost era of Woodstock. She truly bridges the gap between the past and the present and is appealing to both the younger and older audiences she has. She truly has outdone herself with this record.

I'm so glad Lana worked with Tim Larcombe again, this time with Cherry.
It's already a classic Lana Del Rey song, and I love the choreography for it on stage. 

I'm so glad Lana worked with Tim Larcombe again, this time with Cherry.
It's already a classic Lana Del Rey song, and I love the choreography for it on stage. 

I'm so glad Lana worked with Tim Larcombe again, this time with Cherry.
It's already a classic Lana Del Rey song, and I love the choreography for it on stage. 

I'm so glad Lana worked with Tim Larcombe again, this time with Cherry.
It's already a classic Lana Del Rey song, and I love the choreography for it on stage. 

Couldn't agree with this more, I don't think the tracklist could just "coincidentally" end up like this. Lana truly did plan this out well. I love how the first half has more summery and gritty songs with a contemporary production, while the second half has a more stripped back, lowkey feeling that speaks to the lost era of Woodstock. She truly bridges the gap between the past and the present and is appealing to both the younger and older audiences she has. She truly has outdone herself with this record.