Goddess

Lana has said that she takes two different guys and puts them into one song before. I have always thought that she's done this when changing from first to third person.
 
With this in mind, BAR is one of the songs she does this with. So when she is singing the intro about the architecture & houses of holy "he was cool as heck," I think she is talking about her boyfriend- and then when she switches to "but You were so obsessed & You did it all for fame," I definitely think she is talking to herself/Lizzy. Another reason I think this is because of "how does it feel 'now that it's over'," which makes it sound like the person she is talking to GOT their fame & is still searching for something else / not satisfied with it. Which isn't really true for any of her boyfriends, at least not to the extent that she has made it- famous.
 
This honestly could have been the turning point- this song- that made her realize she needed to search for something else now. A Lust For Life instead of the glory & fame she had always been after before. She knew she needed new inspiration and a new goal or drive to live her life. It could have been the starting point of the new album & why there were rumors this had been the original title.
 
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A theory on Your Gal, I haven't looked into the exact dates but is it possibly that she wrote this song while on tour with Jimmy Gnecco? I remember after her tour with him (or during) she released the title song of Ultraviolence and they had to asure the Jim in that song was not related to him. I've always found it strange that there just happened to be a second Jim in Lana's life. But anyways, the lyrics in YG go "been on tour too long, had too much time to think," and then in the bridge it says "late at night, baby your my sign, call me late if you want to get high.... late at night you and I can get to know one another." What if this was written with the excruciating pain of having your long time crush and/or ex lover on tour with you, thinking about them constantly, knowing that they are sleeping in the hotel room across the hall from you, hoping to get that call in the middle of the night & maybe do drugs again together like you used to. "You and I can get to know one another..." Again.
 
I wish I was your* girl.

Lana has said that she takes two different guys and puts them into one song before. I have always thought that she's done this when changing from first to third person.
 
With this in mind, BAR is one of the songs she does this with. So when she is singing the intro about the architecture & houses of holy "he was cool as heck," I think she is talking about her boyfriend- and then when she switches to "but You were so obsessed & You did it all for fame," I definitely think she is talking to herself/Lizzy. Another reason I think this is because of "how does it feel 'now that it's over'," which makes it sound like the person she is talking to GOT their fame & is still searching for something else / not satisfied with it. Which isn't really true for any of her boyfriends, at least not to the extent that she has made it- famous.
 
This honestly could have been the turning point- this song- that made her realize she needed to search for something else now. A Lust For Life instead of the glory & fame she had always been after before. She knew she needed new inspiration and a new goal or drive to live her life. It could have been the starting point of the new album & why there were rumors this had been the original title.
 
-----
 
A theory on Your Gal, I haven't looked into the exact dates but is it possibly that she wrote this song while on tour with Jimmy Gnecco? I remember after her tour with him (or during) she released the title song of Ultraviolence and they had to asure the Jim in that song was not related to him. I've always found it strange that there just happened to be a second Jim in Lana's life. But anyways, the lyrics in YG go "been on tour too long, had too much time to think," and then in the bridge it says "late at night, baby your my sign, call me late if you want to get high.... late at night you and I can get to know one another." What if this was written with the excruciating pain of having your long time crush and/or ex lover on tour with you, thinking about them constantly, knowing that they are sleeping in the hotel room across the hall from you, hoping to get that call in the middle of the night & maybe do drugs again together like you used to. "You and I can get to know one another..." Again.
 
I wish I was your* girl.

Lana has said that she takes two different guys and puts them into one song before. I have always thought that she's done this when changing from first to third person.
 
With this in mind, BAR is one of the songs she does this with. So when she is singing the intro about the architecture & houses of holy "he was cool as heck," I think she is talking about her boyfriend- and then when she switches to "but You were so obsessed & You did it all for fame," I definitely think she is talking to herself/Lizzy. Another reason I think this is because of "how does it feel 'now that it's over'," which makes it sound like the person she is talking to GOT their fame & is still searching for something else / not satisfied with it. Which isn't really true for any of her boyfriends, at least not to the extent that she has made it- famous.
 
This honestly could have been the turning point- this song- that made her realize she needed to search for something else now. A Lust For Life instead of the glory & fame she had always been after before. She knew she needed new inspiration and a new goal or drive to live her life. It could have been the starting point of the new album & why there were rumors this had been the original title.
 
-----
 
A theory on Your Gal, I haven't looked into the exact dates but is it possibly that she wrote this song while on tour with Jimmy Gnecco? I remember after her tour with him (or during) she released the title song of Ultraviolence and they had to asure the Jim in that song was not related to him. I've always found it strange that there just happened to be a second Jim in Lana's life. But anyways, the lyrics in YG go "been on tour too long, had too much time to think," and then in the bridge it says "late at night, baby your my sign, call me late if you want to get high.... late at night you and I can get to know one another." What if this was written with the excruciating pain of having your long time crush and/or ex lover on tour with you, thinking about them constantly, knowing that they are sleeping in the hotel room across the hall from you, hoping to get that call in the middle of the night & maybe do drugs again together like you used to. "You and I can get to know one another..." Again.
 
I wish I was your* girl.

This is my favorite album of the 21st century.

Oh my God... she really did that
This is her best album, hands down

Oh my God... she really did that
This is her best album, hands down

Oh my God... she really did that
This is her best album, hands down

Oh my God... she really did that
This is her best album, hands down

Oh my God... she really did that
This is her best album, hands down

Oh my God... she really did that
This is her best album, hands down

I know the comment I'm replying to was written in 2015, but 'chantilly lace catching on the chandelier' makes me think someone was taking off her lingerie and throwing it out of the way in their passion.

You got me there.

Not our fault tho. People probably voted for you for a reason (not shade tho. I personally like how honest you are)

if you don't love HtD or HiaDT or any of the piano songs y'all aren't as truly sad as you think you are to want another UV styles album bc these shits cut deep and the piano is what you need yet not deserve after a long day of being heartbroken, y'all mad that you ain't as angsty & artistic sad as u were in 2014 and r too stubborn to realise it which is why you don't like the NFR songs

Kinda still mad that You Can Be The Boss didn't make Born To Die.
 
Angels Forever, Forever Angels didn't make Paradise.
 
Yes To Heaven and Fine China didn't make Ultraviolence.
 
Best American Record didn't make Lust For Life.

VB mixing in the beginning sounds like a rough UV demo with the layering of vocals/instruments..and not in the good way ): praying its only uphill from here

I’m just so ready for Lana’s Beatle record. I’ve been waiting for this day for years and it’s finally actually happening. This makes me forget the demos from L4L, I want demos of this lmao

1. Born To Die
2. Ultraviolence
3. Honeymoon
4. Paradise
666. Lust For Life
 
AKA would be in the top 3, not exactly sure where though. Honestly I'm surprised LFL has ranked so highly with so many people. It's really hurt my stanning for Lana? And people keep mentioning how less and less followers are reading the threads. The NFR songs all sound good so far except for the collaborations. But I've noticed a lot of her music isn't aging well for me. I'm not sure why. Like her older albums used to sit so highly in my mind but the tracks just aren't aging well. Maybe that's what people mean when they say the material is immature. Although it's happening with her more "mature" content too. Anybody else experiencing this?

Yeah and she tweeted "going back to the beginning" or something after the double feature came out

this one is still up https://www.instagram.com/p/BgCQvuuhjWc/?taken-by=lanadelrey

how i
 
how in the heck you get the posts lookin that that
 
& lmao she called back from the whole mature n positivity n folky shit we bout low quality images, drugs, money, and satanism fuck y'all thoughttt
 
imagine the Cherry MV is basically a VHS recorded video that's spliced with cult and satanism footage and ends with a cheeky slogan in 60s font "join one today!"

..
 
All I know is Lana needs to work with Emile Haynie sometime again in her career. That would be so cool to see.

one things for sure. VB is better than any song on LFL, id go even as far as saying that its better than the album overall

So HQ it can get.

(I see no point in posting the VB one  )