takeitdoen

I just had a first listen and I immediately love the song. For comparison, when I first heard Hunger (one of my favourite FATM songs of all time) I woke up to listen to it and like "um whatever" and fell back asleep. It grew on me, whereas this really hit me with the impact of hearing album v. Patricia first time. And for reference, I'm firmly in the HBHBHB and HAH being her best and most cohesive albums.
The song feels like a perfect bridging between the discography - it starts with the stripped-back HAH, before moving to HBHBHB grandness and then finally finishing with those delicate guitars and harp that what made FATM's unique sound (I feel like harp is the soul of FATM but I am still recovering for the lack of it on HBHBHB). I love the drum strikes on "KING" and then the bridge the drop has everything going for it. Her vocal delivery is nuanaced and then powerful, and the beat is so fabulously full of tension. 
The lyrics are brilliant too, I haven't had time to properly process them but they seem fiercely self-empowering and also deeply introspective. Two parts jumped out are the sections where she sang about needing to be wearing a costume to feel like someone ("I was never as good as I thought I was"), and then needing props (a bloody sword, golden crown and an empty house for her mythology). It really feels like a reiteration that people can be themselves and have full creative lives without needing to stand behind a man. It ties in really nicely to the video too, especially of the floating musicians - symbolically perhaps of her among the male dominated field which she is taking charge of? 
Now the VIDEO - one of my favourites for sure. It has the mythological vibe, evoking her as Lamiae and devouring foolish men who think they can dominate her. I am loving her collaborations with INCREDIBLE choreographers - Ryan Heffington has done so much iconic work and it's so much better than just flouncing around hoping for the best like other artists sometimes do. When Florence did Lover to Lover it was a huge departure from flashy costumes and faux-drama - comparing this video to Never Let Me Go is like night and day. It feels like 'grown up' Florence, not suffocating under drama but presenting interesting ideas but still with a flair of theatricality. As a side note I dind't really like Autumn de Wilde's work on Emma but I think it's so important that women were in charge of this project, and the collaboration here is outstanding since the results and fucking awesome!!!
I'm so excited for the new album! I don't want to bring Lana into this so I will just say I can't wait to hear Jack return to the kind of flawless work that was Masseduction. 
I AM KING

I just had a first listen and I immediately love the song. For comparison, when I first heard Hunger (one of my favourite FATM songs of all time) I woke up to listen to it and like "um whatever" and fell back asleep. It grew on me, whereas this really hit me with the impact of hearing album v. Patricia first time. And for reference, I'm firmly in the HBHBHB and HAH being her best and most cohesive albums.
The song feels like a perfect bridging between the discography - it starts with the stripped-back HAH, before moving to HBHBHB grandness and then finally finishing with those delicate guitars and harp that what made FATM's unique sound (I feel like harp is the soul of FATM but I am still recovering for the lack of it on HBHBHB). I love the drum strikes on "KING" and then the bridge the drop has everything going for it. Her vocal delivery is nuanaced and then powerful, and the beat is so fabulously full of tension. 
The lyrics are brilliant too, I haven't had time to properly process them but they seem fiercely self-empowering and also deeply introspective. Two parts jumped out are the sections where she sang about needing to be wearing a costume to feel like someone ("I was never as good as I thought I was"), and then needing props (a bloody sword, golden crown and an empty house for her mythology). It really feels like a reiteration that people can be themselves and have full creative lives without needing to stand behind a man. It ties in really nicely to the video too, especially of the floating musicians - symbolically perhaps of her among the male dominated field which she is taking charge of? 
Now the VIDEO - one of my favourites for sure. It has the mythological vibe, evoking her as Lamiae and devouring foolish men who think they can dominate her. I am loving her collaborations with INCREDIBLE choreographers - Ryan Heffington has done so much iconic work and it's so much better than just flouncing around hoping for the best like other artists sometimes do. When Florence did Lover to Lover it was a huge departure from flashy costumes and faux-drama - comparing this video to Never Let Me Go is like night and day. It feels like 'grown up' Florence, not suffocating under drama but presenting interesting ideas but still with a flair of theatricality. As a side note I dind't really like Autumn de Wilde's work on Emma but I think it's so important that women were in charge of this project, and the collaboration here is outstanding since the results and fucking awesome!!!
I'm so excited for the new album! I don't want to bring Lana into this so I will just say I can't wait to hear Jack return to the kind of flawless work that was Masseduction. 
I AM KING

I just had a first listen and I immediately love the song. For comparison, when I first heard Hunger (one of my favourite FATM songs of all time) I woke up to listen to it and like "um whatever" and fell back asleep. It grew on me, whereas this really hit me with the impact of hearing album v. Patricia first time. And for reference, I'm firmly in the HBHBHB and HAH being her best and most cohesive albums.
The song feels like a perfect bridging between the discography - it starts with the stripped-back HAH, before moving to HBHBHB grandness and then finally finishing with those delicate guitars and harp that what made FATM's unique sound (I feel like harp is the soul of FATM but I am still recovering for the lack of it on HBHBHB). I love the drum strikes on "KING" and then the bridge the drop has everything going for it. Her vocal delivery is nuanaced and then powerful, and the beat is so fabulously full of tension. 
The lyrics are brilliant too, I haven't had time to properly process them but they seem fiercely self-empowering and also deeply introspective. Two parts jumped out are the sections where she sang about needing to be wearing a costume to feel like someone ("I was never as good as I thought I was"), and then needing props (a bloody sword, golden crown and an empty house for her mythology). It really feels like a reiteration that people can be themselves and have full creative lives without needing to stand behind a man. It ties in really nicely to the video too, especially of the floating musicians - symbolically perhaps of her among the male dominated field which she is taking charge of? 
Now the VIDEO - one of my favourites for sure. It has the mythological vibe, evoking her as Lamiae and devouring foolish men who think they can dominate her. I am loving her collaborations with INCREDIBLE choreographers - Ryan Heffington has done so much iconic work and it's so much better than just flouncing around hoping for the best like other artists sometimes do. When Florence did Lover to Lover it was a huge departure from flashy costumes and faux-drama - comparing this video to Never Let Me Go is like night and day. It feels like 'grown up' Florence, not suffocating under drama but presenting interesting ideas but still with a flair of theatricality. As a side note I dind't really like Autumn de Wilde's work on Emma but I think it's so important that women were in charge of this project, and the collaboration here is outstanding since the results and fucking awesome!!!
I'm so excited for the new album! I don't want to bring Lana into this so I will just say I can't wait to hear Jack return to the kind of flawless work that was Masseduction. 
I AM KING

I just had a first listen and I immediately love the song. For comparison, when I first heard Hunger (one of my favourite FATM songs of all time) I woke up to listen to it and like "um whatever" and fell back asleep. It grew on me, whereas this really hit me with the impact of hearing album v. Patricia first time. And for reference, I'm firmly in the HBHBHB and HAH being her best and most cohesive albums.
The song feels like a perfect bridging between the discography - it starts with the stripped-back HAH, before moving to HBHBHB grandness and then finally finishing with those delicate guitars and harp that what made FATM's unique sound (I feel like harp is the soul of FATM but I am still recovering for the lack of it on HBHBHB). I love the drum strikes on "KING" and then the bridge the drop has everything going for it. Her vocal delivery is nuanaced and then powerful, and the beat is so fabulously full of tension. 
The lyrics are brilliant too, I haven't had time to properly process them but they seem fiercely self-empowering and also deeply introspective. Two parts jumped out are the sections where she sang about needing to be wearing a costume to feel like someone ("I was never as good as I thought I was"), and then needing props (a bloody sword, golden crown and an empty house for her mythology). It really feels like a reiteration that people can be themselves and have full creative lives without needing to stand behind a man. It ties in really nicely to the video too, especially of the floating musicians - symbolically perhaps of her among the male dominated field which she is taking charge of? 
Now the VIDEO - one of my favourites for sure. It has the mythological vibe, evoking her as Lamiae and devouring foolish men who think they can dominate her. I am loving her collaborations with INCREDIBLE choreographers - Ryan Heffington has done so much iconic work and it's so much better than just flouncing around hoping for the best like other artists sometimes do. When Florence did Lover to Lover it was a huge departure from flashy costumes and faux-drama - comparing this video to Never Let Me Go is like night and day. It feels like 'grown up' Florence, not suffocating under drama but presenting interesting ideas but still with a flair of theatricality. As a side note I dind't really like Autumn de Wilde's work on Emma but I think it's so important that women were in charge of this project, and the collaboration here is outstanding since the results and fucking awesome!!!
I'm so excited for the new album! I don't want to bring Lana into this so I will just say I can't wait to hear Jack return to the kind of flawless work that was Masseduction. 
I AM KING

I just had a first listen and I immediately love the song. For comparison, when I first heard Hunger (one of my favourite FATM songs of all time) I woke up to listen to it and like "um whatever" and fell back asleep. It grew on me, whereas this really hit me with the impact of hearing album v. Patricia first time. And for reference, I'm firmly in the HBHBHB and HAH being her best and most cohesive albums.
The song feels like a perfect bridging between the discography - it starts with the stripped-back HAH, before moving to HBHBHB grandness and then finally finishing with those delicate guitars and harp that what made FATM's unique sound (I feel like harp is the soul of FATM but I am still recovering for the lack of it on HBHBHB). I love the drum strikes on "KING" and then the bridge the drop has everything going for it. Her vocal delivery is nuanaced and then powerful, and the beat is so fabulously full of tension. 
The lyrics are brilliant too, I haven't had time to properly process them but they seem fiercely self-empowering and also deeply introspective. Two parts jumped out are the sections where she sang about needing to be wearing a costume to feel like someone ("I was never as good as I thought I was"), and then needing props (a bloody sword, golden crown and an empty house for her mythology). It really feels like a reiteration that people can be themselves and have full creative lives without needing to stand behind a man. It ties in really nicely to the video too, especially of the floating musicians - symbolically perhaps of her among the male dominated field which she is taking charge of? 
Now the VIDEO - one of my favourites for sure. It has the mythological vibe, evoking her as Lamiae and devouring foolish men who think they can dominate her. I am loving her collaborations with INCREDIBLE choreographers - Ryan Heffington has done so much iconic work and it's so much better than just flouncing around hoping for the best like other artists sometimes do. When Florence did Lover to Lover it was a huge departure from flashy costumes and faux-drama - comparing this video to Never Let Me Go is like night and day. It feels like 'grown up' Florence, not suffocating under drama but presenting interesting ideas but still with a flair of theatricality. As a side note I dind't really like Autumn de Wilde's work on Emma but I think it's so important that women were in charge of this project, and the collaboration here is outstanding since the results and fucking awesome!!!
I'm so excited for the new album! I don't want to bring Lana into this so I will just say I can't wait to hear Jack return to the kind of flawless work that was Masseduction. 
I AM KING

I just had a first listen and I immediately love the song. For comparison, when I first heard Hunger (one of my favourite FATM songs of all time) I woke up to listen to it and like "um whatever" and fell back asleep. It grew on me, whereas this really hit me with the impact of hearing album v. Patricia first time. And for reference, I'm firmly in the HBHBHB and HAH being her best and most cohesive albums.
The song feels like a perfect bridging between the discography - it starts with the stripped-back HAH, before moving to HBHBHB grandness and then finally finishing with those delicate guitars and harp that what made FATM's unique sound (I feel like harp is the soul of FATM but I am still recovering for the lack of it on HBHBHB). I love the drum strikes on "KING" and then the bridge the drop has everything going for it. Her vocal delivery is nuanaced and then powerful, and the beat is so fabulously full of tension. 
The lyrics are brilliant too, I haven't had time to properly process them but they seem fiercely self-empowering and also deeply introspective. Two parts jumped out are the sections where she sang about needing to be wearing a costume to feel like someone ("I was never as good as I thought I was"), and then needing props (a bloody sword, golden crown and an empty house for her mythology). It really feels like a reiteration that people can be themselves and have full creative lives without needing to stand behind a man. It ties in really nicely to the video too, especially of the floating musicians - symbolically perhaps of her among the male dominated field which she is taking charge of? 
Now the VIDEO - one of my favourites for sure. It has the mythological vibe, evoking her as Lamiae and devouring foolish men who think they can dominate her. I am loving her collaborations with INCREDIBLE choreographers - Ryan Heffington has done so much iconic work and it's so much better than just flouncing around hoping for the best like other artists sometimes do. When Florence did Lover to Lover it was a huge departure from flashy costumes and faux-drama - comparing this video to Never Let Me Go is like night and day. It feels like 'grown up' Florence, not suffocating under drama but presenting interesting ideas but still with a flair of theatricality. As a side note I dind't really like Autumn de Wilde's work on Emma but I think it's so important that women were in charge of this project, and the collaboration here is outstanding since the results and fucking awesome!!!
I'm so excited for the new album! I don't want to bring Lana into this so I will just say I can't wait to hear Jack return to the kind of flawless work that was Masseduction. 
I AM KING

I just had a first listen and I immediately love the song. For comparison, when I first heard Hunger (one of my favourite FATM songs of all time) I woke up to listen to it and like "um whatever" and fell back asleep. It grew on me, whereas this really hit me with the impact of hearing album v. Patricia first time. And for reference, I'm firmly in the HBHBHB and HAH being her best and most cohesive albums.
The song feels like a perfect bridging between the discography - it starts with the stripped-back HAH, before moving to HBHBHB grandness and then finally finishing with those delicate guitars and harp that what made FATM's unique sound (I feel like harp is the soul of FATM but I am still recovering for the lack of it on HBHBHB). I love the drum strikes on "KING" and then the bridge the drop has everything going for it. Her vocal delivery is nuanaced and then powerful, and the beat is so fabulously full of tension. 
The lyrics are brilliant too, I haven't had time to properly process them but they seem fiercely self-empowering and also deeply introspective. Two parts jumped out are the sections where she sang about needing to be wearing a costume to feel like someone ("I was never as good as I thought I was"), and then needing props (a bloody sword, golden crown and an empty house for her mythology). It really feels like a reiteration that people can be themselves and have full creative lives without needing to stand behind a man. It ties in really nicely to the video too, especially of the floating musicians - symbolically perhaps of her among the male dominated field which she is taking charge of? 
Now the VIDEO - one of my favourites for sure. It has the mythological vibe, evoking her as Lamiae and devouring foolish men who think they can dominate her. I am loving her collaborations with INCREDIBLE choreographers - Ryan Heffington has done so much iconic work and it's so much better than just flouncing around hoping for the best like other artists sometimes do. When Florence did Lover to Lover it was a huge departure from flashy costumes and faux-drama - comparing this video to Never Let Me Go is like night and day. It feels like 'grown up' Florence, not suffocating under drama but presenting interesting ideas but still with a flair of theatricality. As a side note I dind't really like Autumn de Wilde's work on Emma but I think it's so important that women were in charge of this project, and the collaboration here is outstanding since the results and fucking awesome!!!
I'm so excited for the new album! I don't want to bring Lana into this so I will just say I can't wait to hear Jack return to the kind of flawless work that was Masseduction. 
I AM KING

Yeah, maybe the cover EP would've been good, a shame she was a coward and didn't release it.
I think it was a safe bet that the final version of Voices Carry was part of the tracklist. We lost.
 
One of our beloved trusted insiders here in LB shared with us that Sky was about to release an EP full of covers last year.
Many LB users got angry at the fact of her releasing that cover instead of actual brand new songs and pushing back Masochism. Then, many of those users went to Instagram and started to drag her on the comments section of her latest post and other users asked her if that covers EP was real.
 
At the end of the day many other IG fans started to attack her and some others started to defend her. Sky started to reply to MANY comments, and she had a feud with one of the users commenting. It was a huuuuuge drama.
 
After how hard she was dragged and how anticlimatic the whole release was considering the awful pre-announce reception due to the information leak of the upcoming Covers EP,  her label or herself decided to cancel the release.

Around the same time, the same insider shared the writer demo for "Guardian" and revealed that she may or may not have written the song as she claimed.

I just had a first listen and I immediately love the song. For comparison, when I first heard Hunger (one of my favourite FATM songs of all time) I woke up to listen to it and like "um whatever" and fell back asleep. It grew on me, whereas this really hit me with the impact of hearing album v. Patricia first time. And for reference, I'm firmly in the HBHBHB and HAH being her best and most cohesive albums.
The song feels like a perfect bridging between the discography - it starts with the stripped-back HAH, before moving to HBHBHB grandness and then finally finishing with those delicate guitars and harp that what made FATM's unique sound (I feel like harp is the soul of FATM but I am still recovering for the lack of it on HBHBHB). I love the drum strikes on "KING" and then the bridge the drop has everything going for it. Her vocal delivery is nuanaced and then powerful, and the beat is so fabulously full of tension. 
The lyrics are brilliant too, I haven't had time to properly process them but they seem fiercely self-empowering and also deeply introspective. Two parts jumped out are the sections where she sang about needing to be wearing a costume to feel like someone ("I was never as good as I thought I was"), and then needing props (a bloody sword, golden crown and an empty house for her mythology). It really feels like a reiteration that people can be themselves and have full creative lives without needing to stand behind a man. It ties in really nicely to the video too, especially of the floating musicians - symbolically perhaps of her among the male dominated field which she is taking charge of? 
Now the VIDEO - one of my favourites for sure. It has the mythological vibe, evoking her as Lamiae and devouring foolish men who think they can dominate her. I am loving her collaborations with INCREDIBLE choreographers - Ryan Heffington has done so much iconic work and it's so much better than just flouncing around hoping for the best like other artists sometimes do. When Florence did Lover to Lover it was a huge departure from flashy costumes and faux-drama - comparing this video to Never Let Me Go is like night and day. It feels like 'grown up' Florence, not suffocating under drama but presenting interesting ideas but still with a flair of theatricality. As a side note I dind't really like Autumn de Wilde's work on Emma but I think it's so important that women were in charge of this project, and the collaboration here is outstanding since the results and fucking awesome!!!
I'm so excited for the new album! I don't want to bring Lana into this so I will just say I can't wait to hear Jack return to the kind of flawless work that was Masseduction. 
I AM KING

that is not CORRECT 
 

@The Siren WIN THIS BESTIE I BELIEVE IN YOU
 
 
@DeadSeaOfMercury When I catch you outside this house....
 

Jack co-produced this track w/ Flo (she’s the other producer)! Did anyone point this out???
nvm just saw this lol!! they look like very different progressions to me based on the tabs tho 

I was waiting to crack this out in another simulator (cc: @the ocean) but the scandal here was too great 

I was waiting to crack this out in another simulator (cc: @the ocean) but the scandal here was too great 

I was waiting to crack this out in another simulator (cc: @the ocean) but the scandal here was too great 

I was waiting to crack this out in another simulator (cc: @the ocean) but the scandal here was too great 

I was waiting to crack this out in another simulator (cc: @the ocean) but the scandal here was too great 

I was waiting to crack this out in another simulator (cc: @the ocean) but the scandal here was too great 

you:
 

this is a perfect moment, the universe really aligned here 
sweet chaos my dear surf watson 

This is TOO MUCH. I'm also in

the gang's all here