bummersummer

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

if she said that, it's also patently untrue. i already followed her circa question for the culture drama & that's when she went with the zeitgeist and p much turned on lana, she was def all over her ass before that. maybe she doesn't listen to her now but to deny influence/inspiration when the internet is forever is... a choice.

if she said that, it's also patently untrue. i already followed her circa question for the culture drama & that's when she went with the zeitgeist and p much turned on lana, she was def all over her ass before that. maybe she doesn't listen to her now but to deny influence/inspiration when the internet is forever is... a choice.

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

re: ethel cain, it's hilarious to me how she'll get really defensive whenever someone points out the obvious ldr influence in her music / aesthetic (like the pitchfork review of her album which was, lbr, on point) but won't resist inserting herself in the current ldr discourse in a ~i won't be outdone, but make it ironic~ sorta way, thus proving lana truly lives in her mind rent free 

sometimes we should keep our thoughts to ourselves

the "almost famous" reference 

did you ever post that megapost somewhere, maybe in the lanalysis thread?
 
he just posted another poem after being MIA for almost a year and what with her poetry book being released soon, i wonder if he's still an inspiration for her or someone who had any input on her poems
 
EDIT: also, check the editorial reviews section of his novel & the book cover

the "almost famous" reference 

the "almost famous" reference 

bless. it was always p obvious it was calciatore to me, but it's nice to be proven right lmao
 
anyway, this song grew on me. it has a certain kitsch factor that i wasn't really a fan of at first & bc of that it used to be one of my least fave songs from HM, but now i like it.

She's been dating an Italian man for quite some time now, and the thought of him pointing out to her all the famous people they surely saw and/or met during their holiday there isn't that far-fetched, so maybe you're giving her too little?
 
My thought process was simply that footballer (= rich celebrity with an ostentatious lifestyle) & limousine were visually and thematically more related than chicken dish & limousine, but what do I know.
 
 
I actually like your 'hunter' theory, @@annedauphine ('ciao' doesn't necessarily mean 'goodbye', though; personally, I interpreted it as 'hi').

adding to the cacciatore / calciatore discussion : pretty sure it's calciatore.
 
firstly, because if the song is indeed based on her holiday in Italy with Francesco, the calciatore reference would make sense since they were in Portofino, a fashionable beach town that's a notable footballer hotspot, as any Italian knows. google 'calciatore Portofino' and you'll get virtually endless results.
 
secondly, it makes sense in the context of describing the 'downtown scenes' - footballers & limousines (the town's glamour, basically), then she meets her lover, then the ice cream reference. '(chicken) cacciatore' followed by 'limousine' would be a complete non sequitur.