saith

I don't know if this opinion is unpopular or not but I truly believe Ultraviolence is a million times better than the untouchable 5 so I for one am happy she scrapped it

"Grandfather ..." is a nightmare to say or spell but it's ICONIQUE. I wouldn't change that but that alternative is nice.  
 
 
I'm in love is already West Coast 

IDK I think "Three White Butterflies" sounds kinda basic for a Lana song. 
 
"Deep-Sea Fishing" could've worked but I think the full title is so iconic. 

AN ENTIRE ALBUM PROD ARCA WITH BIRDS AND FLUTES 
 
 
 
 

peppers could also be me & my boyfriend  or i'm in love 

OMG, was scared for a second cause I couldn't remember any blues on Tunnel but Grandfather and TT saved us so it's a streak of 9 albums.

According the credits on genius, Phoenix Grant is credited as Associated Performer.
That person has not been credited before. Is that Chuck's daughter ?  Has anyone found her "performance" ? 

Well the question don't seem to be settled as can be seen on the topic for the lyrics of the song. Plus, It's hard to not hear mine when Lana is singing it.
 

NFR - Blue
Get Free - (Into the) Blue
Shades of Cool - Blue
Blue Banisters - Blue
Beautiful - Blue
Blue.
 

Ah, "mine," say it again "Mind of you with me,". 
I guess there's no consensus about this one, but that's what I hear. 
 
Btw, nice alternatives to these titles. 

The choir intro to this song has been in my head for 2 days now 

what is her karmic lineage that she keeps talking about. were her grandparents eating babies or something? it can't be that bad right 

Take mind of you with me, is kind of a saying meaning taking your memory with me.

It’s definitely mind. 

i'm sure it's mind. lana clarified in the interview the mine was an error and she liked it so kept it in

I know it’s another piano ballad, but it still sounds fresh to me. Like Ocean Blvd., the production is fairly minimal, but it’s also undeniably deliberate, with the fat trimmed. The song takes you by the hand as it builds from the unexpected vocal intro to the soaring finale. It’s subtle and refined and gorgeous.

she says 'mind' right? not mine

It's definitely "mind" of you 

I feel like this entire part of the song, the singers are saying "Mind", even the lady correcting the other singers sounds like she's saying Mind.

WHAT THE HELL is the vibe of the album at this point?????? Depressed christian hoe? whatever it is mother's taking us to church tonight
 

Yall 🚬 gettin too comfortable on the internet

That last minute needs to be a whole album

her most fun song to date. i find myself smiling throughout the whole thing bc of how giddy it is

the ending is so funny, "in case they say i never did anything, i did, i stood up here and i sang" hahaha i love her

I so agree. Though I love how this topic highlights the genius of Lana for choosing iconic song titles.  

Final pre-DYKTTATUOB ranking
 
NFR Ultraviolence Chemtrails AKA Honeymoon Born to Die Paradise Lust for Life Blue Banisters I feel weird ranking Chemtrails so high because I skip LMLYAW, Dance Till We Die, and For Free like 95% of the time and it’s only 11 tracks. I also recognize it’s not her strongest work overall, and I was actually disappointed in the album when it was released. However, I’ve been tracking my streams on last.fm for 5-6 years, and in only 2 years since COTCC’s release, it’s become my 3rd most listened to album, and it’s only like 20 streams behind NFR. And I’m still not really sick of it. It’s kinda of been my default go-to album for Lana over the past couple years. 
 
I also feel like Honeymoon should be higher because it’s such a strong, consistent, high quality body of work and the melodies are some of her strongest. But in reality, I just don’t listen to it that often, and usually when I do, it tends to slog for me a bit once we get to Salvatore/The Blackest Day/24/Swan Song/Don’t Let Me Be Misunderstood, and I don’t usually end up finishing.
 
By the way, AKA is a total unique, innovative gem and it makes me sad how underappreciated it is. To this day, I still haven’t heard anything that sounds even remotely close to it. It’s crazy impressive that she was able to make something so great, creative, and unique for her first official body of work. But then again, it still blows my mind how she progressed from Sirens to AKA in 2-4 years, and then Born to Die another 1-2 years later. The sheer amount of music she made in this period is insane too.
 
I feel like I could have like 3 different rankings of her albums and they’d all feel right for their own reasons. I guess that just goes to show how strong her discography is.