PatentLeatherDoOver

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

April Fools’ Day is such a dark time for Lana stans who have no awareness of holidays

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

you at 12:00AM when Lana drops LDR9 & has her dad open the record with a twinkling piano riff 

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

you at 12:00AM when Lana drops LDR9 & has her dad open the record with a twinkling piano riff 

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

you at 12:00AM when Lana drops LDR9 & has her dad open the record with a twinkling piano riff 

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

that’s one of the best compliments esp coming from one of the most tasteful usersactually your reply about honeymoon’s abstractness and you wanting more enigma partly contributed to me going down a mental rabbit hole with that post!
 
I would love for her to embrace something akin to that for LDR9!!

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

April Fools’ Day is such a dark time for Lana stans who have no awareness of holidays

that’s one of the best compliments esp coming from one of the most tasteful usersactually your reply about honeymoon’s abstractness and you wanting more enigma partly contributed to me going down a mental rabbit hole with that post!
 
I would love for her to embrace something akin to that for LDR9!!

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

let's just wait for the single before we get ahead of ourselves 

Please I would die if she ever covered Hotel California. I've been thinking about it ever since that line in GKIT 
And nice art by the way 

these posts one after another i love it here  also @PatentLeatherDoOver i actually love u and ur brainso fucking much!!!!