The Stargirl Pinky

Rock Candy Sweet out next week ladies 

Rock Candy Sweet out next week ladies 

Rock Candy Sweet out next week ladies 

Rock Candy Sweet out next week ladies 

Rock Candy Sweet out next week ladies 

Bro  I can’t 

Rock Candy Sweet out next week ladies 

Rock Candy Sweet out next week ladies 

Well...I guess we can conclude that since the threads have unfortunately been *littered*, the lead single from Rock Candy Sweet is coming soon! 

I love when the translate apps miss a few words like “Ten years ago, when we named a number of nichtweller rinnen who...” and I’m like  
 
Thanks for translating @yourolllikethunder

Who’s gonna tell her that 

You can tell daddy is so proud 
 

Who’s gonna tell her that 

Wow! This is so cool and absolutely amazing - I’d love this!

if its ok wanted to share a idea I had for cover art with all the bad press.

Who’s gonna tell her that 

I love Jack’s production so much, but I think it makes sense that she would work with another producer this time for a few reasons:
 
1) Jack is still in New Jersey and is unable to come to LA because of the pandemic - this halted the process of Chemtrails a bit towards the end, and naturally, Lana being nervous about that record, would not want to have those limitations of proximity be a concern again.
 
2) She said to Annie Mac that she was hoping to see if the covers album with Zach Dawes would “spark anything” - obviously, Zach seems to have been her go-to producer since the pandemic happened, as they made Dealer, 2 cover albums, Summertime the Gershwin Version, a live version of Let Me Love You Like a Woman for Fallon, and possibly a whole original studio album together. 
 
3) Lana always works with the same producer(s) for no more than two albums:
 
Rick Nowels, Dan Heath:
- Born to Die/Paradise (with additional production from Emile Haynie, Justin Parker)
- the original Ultraviolence (before the rework with Dan Auerbach)
 
Rick Nowels:
- Honeymoon
- Lust for Life
 
 
Jack Antonoff:
- Norman Fucking Rockwell!
- Chemtrails Over the Country Club
 
4) Obviously Lana has been going to a studio in LA and has an album finished/close to being finished  - a “revenge” album points to a fuller-sound with guitars, and Lana mentioned to Music Week that she loves bluesy, outlaw music inspired by her country music friends and other country idols of hers. Zach, having produced her country covers album, would be the most obvious choice as a producer since the covers album likely bled into the process for this country-esque album that Lana has implied LDR8 will be. 
 
 

Who’s gonna tell her that 

For all those thinking Cherry Blossom is coming: she’s already here. She done been here ladies. WBK. We got her in hi-quality. Let’s leave some room for brand new screamer tracks 

Who’s gonna tell her that 

I can definitely see her avoiding questions about the album (she did the same thing with Anne when she was asked about the album and started talking about her chimney instead ). She’s been over this album since last year. Interview magazine is probably going to be the most information we get about her headspace towards the album
 
and it’s not like he could press questions about RCS since it wasn’t announced when the interview took place 

I love when the translate apps miss a few words like “Ten years ago, when we named a number of nichtweller rinnen who...” and I’m like  
 
Thanks for translating @yourolllikethunder

I love when the translate apps miss a few words like “Ten years ago, when we named a number of nichtweller rinnen who...” and I’m like  
 
Thanks for translating @yourolllikethunder

Who’s gonna tell her that 

I think a record produced by them would sound amazing, but I also don’t think she *needs* to go back to that sound. I would argue that a big part of the reason the record sounds the way it does is because she was in a different stage of life - a different mindset, a different person if you will. And the records she’s putting out later in life are in line with who she is now. IMHO she really served with COCC