Jeanne Dielman

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

Completely agree, I wanted to say this but I’m too lazy to type it all out🥺

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

Yes, BOZ said that, while the title track is a generally good representation of the (orchestral) sound and lyrical content of the album, Lana shouldn't have released any singles, because none of the tracks work as standalone singles. Apparently one should experience the entire album without having being "teased" by a track beforehand. I think that it's a very intriguing observation; I know that BOZ loves cohesive projects, so it's interesting that the album has been described as wild, chaotic, poetic/conversational/wordy and with a lot of sonic variety, but doesn't feel messy. It's the first time I've heard someone describe a Lana album that way - that it works better as an experience -, so I'm very very excited about it.
 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

I still don't know what to expect from this album even after the single 
 
I need another little taste and I'll be full til March 10th Ms Lanita please 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

Yes, BOZ said that, while the title track is a generally good representation of the (orchestral) sound and lyrical content of the album, Lana shouldn't have released any singles, because none of the tracks work as standalone singles. Apparently one should experience the entire album without having being "teased" by a track beforehand. I think that it's a very intriguing observation; I know that BOZ loves cohesive projects, so it's interesting that the album has been described as wild, chaotic, poetic/conversational/wordy and with a lot of sonic variety, but doesn't feel messy. It's the first time I've heard someone describe a Lana album that way - that it works better as an experience -, so I'm very very excited about it.
 

Yes, BOZ said that, while the title track is a generally good representation of the (orchestral) sound and lyrical content of the album, Lana shouldn't have released any singles, because none of the tracks work as standalone singles. Apparently one should experience the entire album without having being "teased" by a track beforehand. I think that it's a very intriguing observation; I know that BOZ loves cohesive projects, so it's interesting that the album has been described as wild, chaotic, poetic/conversational/wordy and with a lot of sonic variety, but doesn't feel messy. It's the first time I've heard someone describe a Lana album that way - that it works better as an experience -, so I'm very very excited about it.
 

God in heaven, stay strong. The music is AWESOME and will be amazing to hear on the full album. Sending positive energies. 

Yes, BOZ said that, while the title track is a generally good representation of the (orchestral) sound and lyrical content of the album, Lana shouldn't have released any singles, because none of the tracks work as standalone singles. Apparently one should experience the entire album without having being "teased" by a track beforehand. I think that it's a very intriguing observation; I know that BOZ loves cohesive projects, so it's interesting that the album has been described as wild, chaotic, poetic/conversational/wordy and with a lot of sonic variety, but doesn't feel messy. It's the first time I've heard someone describe a Lana album that way - that it works better as an experience -, so I'm very very excited about it.
 

Yes, BOZ said that, while the title track is a generally good representation of the (orchestral) sound and lyrical content of the album, Lana shouldn't have released any singles, because none of the tracks work as standalone singles. Apparently one should experience the entire album without having being "teased" by a track beforehand. I think that it's a very intriguing observation; I know that BOZ loves cohesive projects, so it's interesting that the album has been described as wild, chaotic, poetic/conversational/wordy and with a lot of sonic variety, but doesn't feel messy. It's the first time I've heard someone describe a Lana album that way - that it works better as an experience -, so I'm very very excited about it.
 

This is making me so excited for this album!! One of her best incoming

This was definitely the best tea. So I'm super excited too. I imagine the transitions between some tracks like Freak to Art Deco or Burn Norton to Religion. And also tracks that tell a story in chronology.