honeymoon is alive

Instead of a huge budget music video or album trailer, I really think us hoping on a full album visualizers/lyrics video filmed by 8mm app on iphone / BB 'simplistic' style would be more realistic 

wicked game yasss or knocking on heavens door  where is the covers album she promised

the tiktok stans are tasteless we do not care

wicked game yasss or knocking on heavens door  where is the covers album she promised

the tiktok stans are tasteless we do not care

the tiktok stans are tasteless we do not care

I wish she did something sudden and unexpected like for example change her Spotify picture to a new unseen picture from the album photoshoot (even though I'd miss Mex & Tex) 
 
Less than a week for September by the way 
 

the tiktok stans are tasteless we do not care

wicked game yasss or knocking on heavens door  where is the covers album she promised

wicked game yasss or knocking on heavens door  where is the covers album she promised

the tiktok stans are tasteless we do not care

water is wet 

the tiktok stans are tasteless we do not care

the tiktok stans are tasteless we do not care

exactly, it was after nfr that this kind of sound started blowing up and it's not jack's fault if everyone wants some mariners apartment complex moment in their career. lana truly is an amazing producer, and you can tell she's the one in command whatever may be the producer she's working with.

this automatic writing thing is going to cause us some brain damage trying to understand her lyrics

Now tha i connected the pieces i realizes some things:
- Lana's is actually producing this album almost a year non stop because we have A LOT of times that we got her working on that starting in december 2021 with the variety awards (saying that already was doing something and ''the next one would be even better''). 
- The W photoshoot aesthetic have substancial chances to be the vibe of the album if we think about how lana interferes in the creative process when shes doing any kind of collaboration job like that (like when se covered complex magazine during the lust for life promotion and said the she would only give interview if they did in black in white and with the ''Malena'' aesthetic). And it seems that the interview was done in the middle of the creation of what this album is going to be.
- This is the first time that we have a lot of speculation and different names for the production team... far different from place we've been with bb and cocc. Like theres a possibility to have, jack, gabe, rick, jon and drew at the same record. Sound exciting.

exactly, it was after nfr that this kind of sound started blowing up and it's not jack's fault if everyone wants some mariners apartment complex moment in their career. lana truly is an amazing producer, and you can tell she's the one in command whatever may be the producer she's working with.

and emile haynie will be in the studio too

and emile haynie will be in the studio too

exactly, it was after nfr that this kind of sound started blowing up and it's not jack's fault if everyone wants some mariners apartment complex moment in their career. lana truly is an amazing producer, and you can tell she's the one in command whatever may be the producer she's working with.

i think Lana has a lot more control in the studio, even or especially with Jack, than people wanna give her credit for.  beginning with NFR and increasing through BB, her songs have included more of a wildness, even a messiness, that's more folky, more raw, than her very much polished early work.  critics derided BTD for being over-produced.  yet with her recent albums, she discusses in her lyrics and interviews her drive towards wildness and freedom, and i think you can really hear it in the music.  when the last three albums first came out, i loved them, but i was a little critical of the difference between them and her prior work.  now, i feel like it's sunk in more, like i finally get it.  she just produces beautiful art naturally, and she's become more real and more intimate/personal in her music and lyrics.  the more time passes since Blue Banisters, the more I appreciate the direction she's been moving in.  it feels so natural, and like she wants to be more natural.  she wants her music to be honest, natural, real, raw, even or especially if that's "messy" or wild.  she expresses being wild a lot.  she talks about wanting to get away from the city, from LA or NY, and explores more small town USA feels, Arkansas, Oklahoma, Nebraska, more middle America type stuff, going to the mall, doing mundane tasks like washing hair or laundry.  i think it's totally Lana's choice and her own direction taking her to the sound she has now, and tbh I love it.
 

not to mention we haven’t heard any jack x lana since chemtrails (which was meant to be a sister album to NFR so of course production would be similar) so who knows what they’ve got going on this time around, all we can do is just wait and see. 

Stop slandering Jack. It's not his fault COCC is really stripped down and minimalistic. I think he wanted go into more trippy dreamy sultry witchy retro fairytalish folky dawn joyride but Lana wanted going into different folk direction. 
It's my album concept and imo it's what Jack has in thought. (I love released COCC tho)
 
1.Let Me Love You Like A Woman 
2.Chemtrails Over The Country Club (MV version)
3.Tulsa Jesus Freak 
4.Dark But Just A Game 
5.Dealer
6.Wild One
7.Say Yes To Heaven (alleged TLSP/COCC version)
8.Pawn Shop Blues/Yosemite (both of them fits)
9.Not All Who Wander Are Lost 
10.Wild At Heart
11.Dance Till We Die 
12.Cherry Blossom

and emile haynie will be in the studio too