Im a ghost now

I LOVE when she sings lower/deeper 
"when it's gonna be my tuuuuurn"  

I LOVE when she sings lower/deeper 
"when it's gonna be my tuuuuurn"  

Would you mind elaborating? I absolutely agree with it but I can't decide for some albums.
I think the most game changing song of her was off to the races tbh. The lyrics and the way she alternated her vocals, she totally snapped, absolutely untouchable

Honestly I can’t really point it but ever since bb the tone of her sounds uv to me. Maybe it’s the use of deeper register and also like singing a bit cursivish (?) on the higher notes?

Would you mind elaborating? I absolutely agree with it but I can't decide for some albums.
I think the most game changing song of her was off to the races tbh. The lyrics and the way she alternated her vocals, she totally snapped, absolutely untouchable

Really, I try not to care much about the charts, but the way people paid Rebel Heart dust is a hate crime  
She served so many good performances and so many good ballads , and it's like she can't win. When she makes very dance songs she's trying to hard, and when she does ballads they flop.... but nothing can erase her legacy, she changed pop music forever 

I need a mv SO BAD. Like, the last big production we got was chemtrails and that was like ages ago
Come on Lana give us somethingggggggg 

looking at this is so shocking tbh

madonna pretty much hardcore flopping after 4 minutes to make a very brief comeback because of the super bowl and then flop even harder
europe was a little kinder but she freefell after living for love
the ageism is very apparent here teebs especially since rebel heart had all the ingredients to smash in the US - madame x is a little more understandable in it's floppage but considering that american life was a major success everywhere that wasn't the US it's still pretty obvious ageism

they gave her a brief reprieve for 4 minutes and then they cut her off again (it's her last top 10 hit in the US )
also i do remember hearing give me all your luvin' but that was probably because of the super bowl
edit: 4 minutes was her last top 5 hit in the US, GMAYL was her last top 10 which is probably why i heard it

She was a total baddie. She knew she was going to get cancelled, but she did it anways. US radio banned her for  10 years (if I'm not mistaken) , and when those 10 years expired they stopped playing her bc she was too old.
But the way she still came out with Confessions and her career peaked again was icon material

I need a mv SO BAD. Like, the last big production we got was chemtrails and that was like ages ago
Come on Lana give us somethingggggggg 

What makes American Life iconic for me was the concept, the lyrical content,the subject matter she disussed throughout the album. American Life helped me to see a different side of Madonna - not just a privileged Hollywood blonde icon but rather something very human,very relatable about her: A human being whos also struggling with fame, insecurities, fear, everydaylife, social norms/prejudice & having her thoughts & knowledge about whats going on in the world.
 
The main sound of the album wasnt for me, and it still isnt now. However: i appreciate her effort & atempt to experiment w electro-clash beats but its just not good enough or timeless in my opinion - therefore the sound of the album is what keeps it from being S-tier in my book. But still, i did rank it only 1 tier lower because she was such a baddie,a  nonconformist in this era, from her brunette look, to her acoustic stripped down ballads - where her songwriting & vocalperformance really shine through.
 
And its weird that her presentation of American Life doesnt sound 'human' (since the electro-clash, the autotune vibes took control, she sounds like a creepy robot),but it still sounds human through her writing AT THE SAME TIME. 

I need a mv SO BAD. Like, the last big production we got was chemtrails and that was like ages ago
Come on Lana give us somethingggggggg 

The lyrics are from Fingertips.

Would you mind elaborating? I absolutely agree with it but I can't decide for some albums.
I think the most game changing song of her was off to the races tbh. The lyrics and the way she alternated her vocals, she totally snapped, absolutely untouchable

definitely "Greenwich Acid"

omgggg not me thinking this was a song title from the new album  
probably it would just read 'zombie' or 'moonstruck' lolol

beautiful photos, gives kinda honeymoon vibes but more beachy

MANIFESTING A MUSIC VIDEO
 
C'MON NOW LANITAAAA

the fact that we've HAD the tracklist ALREADY but we HAVE NOT HAD the tracklist YET at the same time is living in my mind rent free. 

WE NEED THE DAMN TRACKLIST + SONG LENGTHS
 
I hate waiting. Come on!

Actually, maybe the breathing at the beginning of TUOB is her catching her breath after delivering almost acrobatic Off-To-The-Races-esque vocals on The Grants
 
(this is a joke before y’all come for my neck)

Maybe it’s just me, but the blowing sound at the beginning of TUOB reminds me of someone trying to calm themselves down with breathing
 
It almost makes me wonder what the mood of The Grants will be since it precedes TUOB: something more more troubled that would require a moment to exhale? Or are the two tracks mostly unrelated sonically? We’ll see!
 
Personally, I’d love for the songs to flow into one another in a sonically and thematically adherent way (like in Honeymoon), but I have a feeling The Grants will be great regardless!

I just wish I had a friend like him 
someone to give me five

The preorder is her longest but the wait between lead single to album is her shortest since HM 
 
I still think we're getting another single around february to remind people she has an album coming out