Rock Candy

when it's a tibetan chant album then what

I don't know if this is good or bad promo for ldrX 

Well one thing I’ve realized is that theres never any going back for her, people always say “Oh i think this one is going to sound like UV” or “a mix of this and that album” but i think she really just goes forwards with each album, or at least stays in her comfort zone. But this time i hope she makes something more sonically interesting, like A&W and Candy Necklace

Tbh I just want 12-16 brand new Lana songs I will take anything and say thank you.

its time for something bombastic 

I think comparing her early projects to her past 3 projects is kinda unfair in a way. I feel like Chemtrails, Blue Banisters, and Ocean Blvd has all been a trilogy of sorts. Like she has been working through the events of her life and the past 3 years with these albums and now she is at a place she can truly start fresh. Ocean Blvd kinda feels like the final version of Blue Banisters and Chemtrails. I’ve always believed Ocean Blvd was a return to the classic Lana Del Rey style of album we are use to and I think we will continue to see that with the next record. 

literally got so scared she was gonna ask me for my social security number bc ik i would prob give it if she did
#DontHackMeSparkleJumpRopeQueen

omg the oceanblvd post says that the exclusive information and content is coming soon we won

DAMN I'm kinda sad that oceanblvd is obviously managed by her team but AHHHH WE STILL WON

The 10th album will be the re-rerecording of AKA titled "Lana Del Ray A.K.A. Lizzy Grant (Lana Del Rey's version)" and will have From the Vault tracks one of which will be "Coke Snow on The Trailer Park x VB x DYKTTATUOB" (24 hours version) (feat. Taylor Swift) (From the Vault) (Recorded at Waffle House, Florence, Alabama)

I listened to Honeymoon, Art Deco and The Blackest Day. That bubbling skype-ringtone type beat in Art Deco's intro and The Blackest Day chorus was something so unearthly, I'm manifesting new unearthly sounds on LDR10

the way aw is just all that im so happy it just exists

TRACK 01 - LIZ, I'M CALLING FROM CALIHOMA
 
[Verse 1]
Think about where we started
Think about where all this started
In your house, in the living room
Singing to your favorite songs
 
[Verse 2]
On a street in Lake Placid
When home felt like home, at least it once did
Wishing I could tuck you in goodnight
When nobody else did
 
[Pre-Chorus]
Elizabeth, you gotta leave the pines behind
Elizabeth, you know you gotta burn to shine
 
[Chorus]
Her voice was like a lullaby
Her voice would crack when she'd say goodbye
Lie, lie, la-la-lie, lie down
She would cry every single night
She'd pray to God to take her out of this life
Lie, lie, la-la-lie, lie down
 
[Verse 3]
Wearing scars like diamonds
We'd sign the contracts in silence
In our room, in our valley home
Off Ventura Boulevard, L.A.
 
[Pre-Chorus]
But baby, you had to leave the pines behind
Oh, sweet child, you knew you had to burn to shine
 
[Chorus]
My voice was like a lullaby, or so they said
My voice would crack when I'd say goodbye, it's true
Lie, lie, la-la-lie, lie down, Elizabeth
I would cry every single night
I'd pray to God to take me out of this life
Lie, lie, la-la-lie, lie down, Elizabeth
 
[Bridge]
It's okay if you need to rest
It's okay if you don't feel the best
It's okay if you miss something that was never there
Take a break if it gets too much
Take my heat, feel my touch
It's okay if you miss what you never had or never had
 
[Final Chorus]
Lie, lie, la-la-lie, lie down, Elizabeth
I'm calling from California, you miss me, Elizabeth?
Lie, lie, la-la-lie, lie down, Elizabeth
I'm calling from Oklahoma, I'm lost, Elizabeth
Help me find my way, 'cause I'm lost, Elizabeth

I bet he said that after Nikki Lane visited the studio for one day.

Lana × Billie Eilish
prod. by Finneas
 
that's enough, we'll eat everything else anyway

Lana × Billie Eilish
prod. by Finneas
 
that's enough, we'll eat everything else anyway

omg? it has finally started it's such a good feeling logging on and seeing a new pre(-pre)-release

It’s always funny how every era we get into heated producer fights as if it affects who Lana chooses to work with in anyway. 

C’mon we know it’s gonna be Jack, and we know more than half the album will be minimal piano ballads.  She’s gonna say ‘well we changed it up a bit on Tunnel but I’m going back to what I love best and that’s me, Jack and a piano’.

OMG HELLO PEOPLE! This is my first time being in the pre-pre-release thread in this forum  it's like a ceremony, let's get delulu

 

I honestly would love to see something sonically like Melodrama or Midnights if she wants to continue working with Jack; but with another producer, like Nowles, to help balance things out. A cross between Taylor's "Maroon" or Lorde's "The Louvre" and LFL's "13 Beaches", "Love", or "Get Free" 

Just a few thoughts: 
Jack Antonoff will definetly be involved this. I hope it's not a solo Jack album though , would be very interesting to see what a new producer would bring to the table. Also Jon Batiste,  Nick Waterhouse,  Zach Dawes are very welcomed again I like Drew & I wouldn't be mad if he's involved but I would love to see Dan Heath again or the guy who did the strings on Thunder 
As some users mentioned before,  manifesting a Rick Nowels (& Kieron) return
Also Tim Lacrombe for another bop but that might be too delusional 
 
Also I would like to see more Taco Truck vibes , the guitar in it is  
 
Regarding Jack Antonoff,  I looked at that insta post and he wrote that he & Lana running headfirst into a strange place. That kinda sounds promising & made me curious
 
My prediction is a May/ June 2024 release
 
 
Bittersweet Anthem  & Zodiac , I better see you on the tracklist 
 
 

Selling waffle down the Taco TrUuUuUuUuUuUck, pass me my vape, I'm on my shift, that's why I've been fired 

We can probably expect Sunshine on the album since Rob talked about it
I need Zodiac vibes tho, the soft siren belting