venicebeotch

Kinda stopped caring about critics after MIDnights got an average score of 85. 
If the music resonates with you so what.

Metacritic is so confusing because it’s a weighted average, so some publications matter a lot more than others — such as Pitchfork

i mean, from Pitchfork, i expect a 7.0 - 7.5 at least, that's the best they can give her (but my delulu ass praying for them to give her a 10.0 lol just because how daring this album is)
NME literally handing out tens for free to anyone but Lana lmaooo

i don't want to fight with you but I literally saw u quoted Sweet lyrics (yup, that "basic bitch" part) and you namedropped [Taylor Swift] after that to imply your idea that she's a basic bitch.
i'm the witness honey, so forget about using that edit button to clear your shit lmaooo
because some people can't STAY WITH THE TOPIC about Lana Del Rey or her upcoming music upon this thread. They have to namedrop another female artist to start dumb shits for no reason chile.

Let's just hope they didn't do basement listening parties in the US too 

honestly if i released an album like this and didn't get at least a 4.5 id be pissed too 

"cosplay as a poet" bro's obviously never heard the ride monologue.

"cosplay as a poet" bro's obviously never heard the ride monologue.

"cosplay as a poet" bro's obviously never heard the ride monologue.

"cosplay as a poet" bro's obviously never heard the ride monologue.

"cosplay as a poet" bro's obviously never heard the ride monologue.

"cosplay as a poet" bro's obviously never heard the ride monologue.

honestly if i released an album like this and didn't get at least a 4.5 id be pissed too 

i'm not sure if anyone has caught this yet, but i was looking at the 1st lyric post of kintsugi and i was reading the part with question marks by it: OP wrote it as:
 

that makes sense, the beginning part sounded kinda blended so i wasn't exactly sure but now i'm hearing it that way

A&W is performing better than anything she’s released post NFR, aside from #that collab

But that isn’t going to happen again, it’s just not realistic to expect her to want a hit era when she does not do basic promo. She hasn’t done tv interviews since 2012.
Nor is she hugely engaged in tik tok 

literally every time you don't agree with something Lana does, even something as simple as her choices for singles or leaving a comment on instagram you bring up how her managers are the problem for "letting" her do it. as if they have/deserve this sort of power over her anyway... she is a grown adult woman with autonomy and thank God for that. no one owns her and no one ever will or should. these comments are getting borderline creepy and misogynistic, please check yourself for once thx.

really? I’m sorry but I’ve seen you behave the same way in other threads, the anime dearie should definitely calm it but he’s not exactly bullying anyone on here LOL

I don’t think commercial success is what matters the most to her  Like, she’s a millionaire she’ll be fine 

did anyone other than me actually read the gigwise review? it was like a mix between praise and a critique on how the industry reviews music, so interesting 

Her sound was never “commercial” though- BTD was string driven trip hop album with some pop and hip hop leaning moments, UV was soft rock and Psychedelic- it’s not like we were getting Ariana pop songs 

Whatever you spilled needs to be cleaned up, because this ain’t it. 

"Cosplay Poet"
 
She's regarded as one of the best songwriters currently. And that's enough for her and alot of her fans.
If you're seeking commercial bops and Target music, please immerse yourself in Taylor/Katy/Dua discography.