anon321

Pitchfork is going to eat this album up. 

I was thinking more like “I don’t wanna live” screams than “IT’S LIT” in the background 

Just leak it already, like 

Idk, like if you think about it maybe the album could be like a gradient change of the sound, you mentioned fingertips and peppers in the same album , but there are like 5 track between each other that has different vibes as well that could bridge a transition of these different worlds that makes sense to the record. Imo, putting all the bops at the end could exactly be the perfect choice to organize where shes landing after all thoses reflections that she brings in the side a of the record. Also ,the pianos ballads comming back and forth on the tracklist can be the element that really ties everything up together(just like norman) , i think theres potential, but yeah its pretty hard.

actually the only thing that might lower the record's score are the interludes and maybe her more "controversial" lyrics, other than that i think it's going to have unniversal acclaim even without being "cohesive", which i don't even think is that important either for a good score nowadays

so we all here rn or—?

where I'm from it's infamous for being a facade for kidnapping

if lanaboards was chaotic yesterday, i wonder how it’s gonna be on release day 

I made additional templates for previous album titles, just head on over to the first post. Here are some few examples:
 

 

 

 

 

 

 

 

 

 
 

Some quick edits on my phone:


 

 

 

we have OLX in our country and it’s definitely a hit or miss (mostly a miss in my opinion), so i wouldn’t rely too much on it…

I was just gonna say. What in the Groundhog Day is happening today 
 
I really don’t think the picture disk means much at this point tbh

omg we won

if lanaboards was chaotic yesterday, i wonder how it’s gonna be on release day 

if lanaboards was chaotic yesterday, i wonder how it’s gonna be on release day 

if lanaboards was chaotic yesterday, i wonder how it’s gonna be on release day 

i think most part of it is very cohesive, but she has some experimental approaches. In my opinion, its not that delusional. Venice bitch was very experimental to lana's discography and the critiques received well, just like A&W, and i think shes very reminiscent of NFR with the soundscape of the record, like, its mostly produced by Jack again, the lyrics are very interesting just like her less commercial past records that she had a very stable acclaim. The only thing that itches me is: the featurings and how other experimental tracks will be received since its a risky choice, it can be a 8 or 80 u know? 

if lanaboards was chaotic yesterday, i wonder how it’s gonna be on release day 

if lanaboards was chaotic yesterday, i wonder how it’s gonna be on release day 

if lanaboards was chaotic yesterday, i wonder how it’s gonna be on release day 

if lanaboards was chaotic yesterday, i wonder how it’s gonna be on release day 

Th
and Metacritic 84

The way it feels like the wait is literally never going to end... like time doesn't pass I can't anymore 

5 days 13 days until we can stream her magnum opus on all streaming platforms